List of bibliographic references indexed by 0027-4224
Number of relevant bibliographic references: 344.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000E00 (2010) |
Alon Schab [Oman] | Revisiting the Known and Unknown Misprints in Purcells Dioclesian |
| 000E10 (2010) |
Marita Petzoldt Mcclymonds | Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. By Martha Feldman. |
| 000E20 (2010) |
Nicholas Till [Royaume-Uni] | Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theatre. By David J. Buch. |
| 001096 (2009) |
J. P. E. Harper Scott [Royaume-Uni] | Twentieth-Century British Authors and the Rise of Opera in Britain. By Irene Morra. |
| 001098 (2009) |
Nicholas Lockey [États-Unis] | Tonal Space in the Music of Antonio Vivaldi. By Bella Brover-Lubovsky. |
| 001104 (2009) |
Jonathan E. Glixon | Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice. By Eleanor Selfridge-Field.A New Chronology of Venetian Opera and Related Genres, 16601760. By Eleanor Selfridge-Field. |
| 001121 (2009) |
Nathan Seinen | Kutuzov's Victory, Prokofiev's Defeat: The Revisions of ‘War and Peace’ |
| 001129 (2009) |
Alexandra Wilson | Fashionable Acts: Opera and Elite Culture in London, 17801880. By Jennifer Hall-Witt. |
| 001394 (2008) |
James A. Winn [États-Unis] | Style and Politics in the Philips–Handel Ode for Queen Anne's Birthday, 1713 |
| 001408 (2008) |
Diana Hallman | Le Juif errant, paroles d’E. Scribe et d’H. V. de Saint-Georges, musique de F. Halévy: Un grand opéra français au début du Second Empire. By Béatrice Prioron-Pinelli. |
| 001417 (2008) |
Sean M. Parr | Divas and Scholars: Performing Italian Opera. By Philip Gossett. |
| 001617 (2007) |
Marcia J. Citron [États-Unis] | ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ |
| 001621 (2007) |
Lucy Walker | Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. By Naomi André. |
| 001629 (2007) |
Stephen Rumph [États-Unis] | The Sense of Touch in ‘Don Giovanni’ |
| 001632 (2007) |
Andrew V. Jones [Royaume-Uni] | The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’ |
| 001634 (2007) |
Björn Heile | The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke. |
| 001648 (2007) |
Stefanie Tcharos | Operatic Migrations: Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas. |
| 001653 (2007) |
Sarah Hibberd | Mimomania: Music and Gesture in Nineteenth-Century Opera. By Mary Ann Smart. |
| 001654 (2007) |
Benjamin Wolf | Ibbs and Tillett: The Rise and Fall of a Musical Empire |
| 001664 (2007) |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
| 001665 (2007) |
Roger Savage [Royaume-Uni] | Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ |
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