| Ident. | Authors (with country if any) | Title |
|---|
| 000E00 (2010) |
Alon Schab [Oman] | Revisiting the Known and Unknown Misprints in Purcells Dioclesian |
| 000E10 (2010) |
Marita Petzoldt Mcclymonds | Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. By Martha Feldman. |
| 000E20 (2010) |
Nicholas Till [Royaume-Uni] | Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theatre. By David J. Buch. |
| 001096 (2009) |
J. P. E. Harper Scott [Royaume-Uni] | Twentieth-Century British Authors and the Rise of Opera in Britain. By Irene Morra. |
| 001098 (2009) |
Nicholas Lockey [États-Unis] | Tonal Space in the Music of Antonio Vivaldi. By Bella Brover-Lubovsky. |
| 001104 (2009) |
Jonathan E. Glixon | Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice. By Eleanor Selfridge-Field.A New Chronology of Venetian Opera and Related Genres, 16601760. By Eleanor Selfridge-Field. |
| 001121 (2009) |
Nathan Seinen | Kutuzov's Victory, Prokofiev's Defeat: The Revisions of ‘War and Peace’ |
| 001129 (2009) |
Alexandra Wilson | Fashionable Acts: Opera and Elite Culture in London, 17801880. By Jennifer Hall-Witt. |
| 001394 (2008) |
James A. Winn [États-Unis] | Style and Politics in the Philips–Handel Ode for Queen Anne's Birthday, 1713 |
| 001408 (2008) |
Diana Hallman | Le Juif errant, paroles d’E. Scribe et d’H. V. de Saint-Georges, musique de F. Halévy: Un grand opéra français au début du Second Empire. By Béatrice Prioron-Pinelli. |
| 001417 (2008) |
Sean M. Parr | Divas and Scholars: Performing Italian Opera. By Philip Gossett. |
| 001617 (2007) |
Marcia J. Citron [États-Unis] | ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ |
| 001621 (2007) |
Lucy Walker | Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. By Naomi André. |
| 001629 (2007) |
Stephen Rumph [États-Unis] | The Sense of Touch in ‘Don Giovanni’ |
| 001632 (2007) |
Andrew V. Jones [Royaume-Uni] | The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’ |
| 001634 (2007) |
Björn Heile | The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke. |
| 001648 (2007) |
Stefanie Tcharos | Operatic Migrations: Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas. |
| 001653 (2007) |
Sarah Hibberd | Mimomania: Music and Gesture in Nineteenth-Century Opera. By Mary Ann Smart. |
| 001654 (2007) |
Benjamin Wolf | Ibbs and Tillett: The Rise and Fall of a Musical Empire |
| 001664 (2007) |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
| 001665 (2007) |
Roger Savage [Royaume-Uni] | Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ |
| 001825 (2006) |
Diane M. Paige | Šárka |
| 001826 (2006) |
Laura Basini | Vocal Apparitions: The Attraction of Cinema to Opera. By Michal Grover-Friedlander. pp. xiv + 186. Princeton Studies in Opera. (Princeton University Press, Princeton and Oxford, 2005, £21.50. ISBN 0-691-12008-0.) |
| 001827 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 001833 (2006) |
Christopher Morris | Opera and Modern Culture: Wagner and Strauss |
| 001834 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 001836 (2006) |
Joseph P. Swain | How Sondheim Found his Sound. By Steve Swayne. pp. xvi + 320. (University of Michigan Press, Ann Arbor, 2005, $30. ISBN 0-472-11497-2.) |
| 001837 (2006) |
Lorraine Byrne | Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’ |
| 001838 (2006) |
Nick Chadwick | German Modernism: Music and the Arts. By Walter Frisch. pp. x + 322. (University of California Press, Berkeley and Los Angeles, 2005, £29.95. ISBN 0-520-24301-3.) |
| 001839 (2006) |
Peter Van Der Merwe | Gender and Sexuality in South African Music. Ed. by Chris Walton and Stephanus Muller. pp. xii + 97. (SUN ePreSS, Stellenbosch, 2005, R150. ISBN 1-919980-40-7.) |
| 001840 (2006) |
Pauline Fairclough | Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.) |
| 001842 (2006) |
Philip Gossett | Carteggio Verdi–Somma |
| 001843 (2006) |
Diana R. Hallman | Berlioz: Past, Present, Future. Bicentenary Essays |
| 001844 (2006) |
John Warrack | August Bungert: Ein Komponist im deutschen Kaiserreich |
| 001852 (2006) |
Kenneth Birkin | The Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.) |
| 001857 (2006) |
David Charlton | The Bals publics at the Paris Opéra in the Eighteenth Century. By Richard Semmens. pp. viii + 216. Dance & Music Series, 13. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-034-2.) |
| 001860 (2006) |
William E. Hettrick | Syntagma Musicum III: Michael Praetorius. Ed. & trans. by Jeffery Kite-Powell. pp. xxix + 265. Oxford Early Music Series. (Oxford University Press, New York and Oxford, 2004, £46.99. ISBN 0-19-514563-1.) |
| 001866 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 001872 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 001881 (2006) |
Sarah Hibberd | La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.) |
| 001886 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
| 001887 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001891 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001904 (2006) |
Charles Dill | Angels and Monsters: Male and Female Sopranos in the Story of Opera, 1600–1900. By Richard Somerset-Ward. pp. xiv + 325. (Yale University Press, New Haven and London, 2004, £25. ISBN 0‐300-09968-1.) |
| 001A23 (2005) |
Richard Freedman | ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.) |
| 001A28 (2005) |
Alberto Rizzuti | Viganò’s ‘Giovanna d’Arco’ and Manzoni’s ‘March 1821’ in the Storm of 1821 Italy |
| 001A36 (2005) |
Mark Kroll | Two Important New Sources for the Music of Charles Avison |
| 001A40 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 001A50 (2005) |
Nanette Nielsen | The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist. By Claire Taylor-Jay. pp. viii + 225. (Ashgate, Aldershot and Burlington, Vt., 2004, £42.50. ISBN 0-7546-0578-7.) |
| 001A62 (2005) |
Mark Everist | Review: Il viaggio a Reims |
| 001A64 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
