| Ident. | Authors (with country if any) | Title |
|---|
| 000114 (2015) |
Xin Xie | The impact of musical training and tone language experience on talker identification |
| 000362 (2014) |
Christina D. Fuller ; John J. Galvin ; Rolien H. Free ; Deniz Ba Kent | Musician effect in cochlear implant simulated gender categorization |
| 000804 (2012) |
Brian B. Monson ; Eric J. Hunter | Horizontal directivity of low- and high-frequency energy in speech and singing |
| 000C11 (2011) |
Matthias Echternach [Allemagne] ; Johan Sundberg [Suède] ; Tobias Baumann [Allemagne] ; Michael Markl [Allemagne] ; Bernhard Richter [Allemagne] | Vocal tract area functions and formant frequencies in opera tenors' modal and falsetto registers |
| 000D42 (2010) |
Daniel L. Valente ; Jonas Braasch | Subjective scaling of spatial room acoustic parameters influenced by visual environmental cues |
| 000D47 (2010) |
Erik Bresch ; Shrikanth Narayanan | Real-time magnetic resonance imaging investigation of resonance tuning in soprano singing |
| 001061 (2009) |
Ingo R. Titze | Modeling source-filter interaction in belting and high-pitched operatic male singing |
| 001361 (2008) |
Ingo R. Titze | Nonlinear source–filter coupling in phonation: Theory1 |
| 001497 (2008) |
JIN YONG JEON [Corée du Sud] ; YONG HEE KIM [Corée du Sud] ; Densil Cabrera [Australie] ; John Bassett [Australie] | The effect of visual and auditory cues on seat preference in an opera theater |
| 001498 (2008) |
JONA KWAN RVU [Corée du Sud] ; JIN YONN JEON [Corée du Sud] | Subjective and objective evaluations of a scattered sound field in a scale model opera house |
| 001B52 (2005) |
Sten Ternström [Suède] ; Densil Cabrera [Australie] ; Pamela Davis [Australie] | Self-to-other ratios measured in an opera chorus in performance |
| 001B62 (2005) |
Nicola Prodi [Italie] ; Sylvia Velecka [Italie] | A scale value for the balance inside a historical opera house |
| 001D74 (2003-10) |
Takayuki Watanabe [Japon] ; Hideo Miyazaki [Japon] ; Shinji Kishinaga [Japon] ; Fukushi Kawakami [Japon] | Various applications of Active Field Control (AFC) |
| 001D83 (2003-04) |
Ingo R. Titze Natl Ctr For Voice Speech | Simulation of singing qualities governed by lower vocal tract adjustments |
| 001D84 (2003-04) |
John Bassett [Australie] ; Densil Cabrera [Australie] | Measurement of the acoustic characteristics of the concert hall at the Sydney Opera House |
| 001F79 (2002-11) |
Jack Evans [États-Unis] ; Chad Himmel [États-Unis] ; Sarah Knight [États-Unis] | Virtual auditorium concepts for exhibition halls |
| 001F80 (2002-11) |
J. Q. Wang | Acoustics of Chinese traditional theatres |
| 001F90 (2002-01) |
Toshiyuki Okano [Japon] | Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections |
| 002170 (2001-11) |
Noriko Nishihara [Japon, États-Unis] ; Takayuki Hidaka [Japon] ; Leo L. Beranek [Japon] | Mechanism of sound absorption by seated audience in halls |
| 002174 (2001-07) |
Hiroyuki Sakai [Japon] | Acoustic measurements and the individual subjective evaluation for sound fields |
| 002176 (2001-05-04) |
Yoichi Ando [Japon] | Theory of acoustic design of opera house and a design proposal |
| 002177 (2001-05-04) |
Linda Parati [Italie] ; Roberto Pompoli [Italie] ; Nicola Prodi [Italie] | The measurements technique of balance in opera houses: A study of the sources involved |
| 002178 (2001-05-04) |
Linda Parati [Italie] ; Roberto Pompoli [Italie] ; Nicola Prodi [Italie] | The control of balance between singer on the stage and orchestra in the pit by means of virtual opera house models |
| 002179 (2001-05-04) |
Dennis Noson [États-Unis, Japon] ; Kosuke Kato ; Yoichi Ando | Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice |
| 002180 (2001-05-04) |
Takayuki Hidaka [Japon] | Recent concert halls and opera house in Japan |
| 002181 (2001-05-04) |
Takuya Hotehama [Japon] ; Yoichi Ando [Japon] ; Akinori Tani [Japon] ; Hiroshi Kawamura [Japon] | Proposal of a new plane shape of an opera house-optimized by genetic algorithms |
| 002182 (2001-05-04) |
Leo L. Beranek [États-Unis] | My 65 years in acoustics |
| 002183 (2001-05-04) |
Jerald R. Hyde [États-Unis] | Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear |
| 002184 (2001-05-04) |
Toshiyuki Okano [Japon] | Multi-dimensional analysis of subjective acoustical ratings and acoustical measures in existing concert halls |
| 002185 (2001-05-04) |
Robert W. Harris [Royaume-Uni] | Methods to quantify opera houses acoustics-Changes to why, what, and how? |
| 002186 (2001-05-04) |
Sten Ternstrom [Australie] ; Pamela Davis | Measurements of the self-to-other ratio in an opera chorus in performance |
| 002187 (2001-05-04) |
Yoshiharu Soeta [Japon] ; Seiji Nakagawa ; Mitsuo Tonoike ; Takuya Hotehama ; Yoichi Ando | Magnetoencephalographic responses in relation to temporal and spatial factors of sound fields |
| 002188 (2001-05-04) |
Leo L. Beranek [États-Unis] | Comments on intimacy'' and ITDG concepts in musical performing spaces |
| 002189 (2001-05-04) |
Neil A. Shaw [États-Unis] | Books on acoustics |
| 002190 (2001-05-04) |
Kosuke Kato [Japon] ; Kenji Fujii ; Keiji Kawai ; Yoichi Ando ; Takashi Yano | Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices |
| 002191 (2001-05-04) |
Angelo Farina [Italie] ; Enrico Armelloni [Italie] ; Paolo Martignon [Italie] | An experimental comparative study of 20 Italian opera houses: Measurement techniques |
| 002192 (2001-05-04) |
Alessandro Cocchi [Italie] ; Marco Cesare Consumi [Italie] ; Ryota Shimokura [Italie] | Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works |
| 002193 (2001-05-04) |
Shin-Ichi Sato [Italie, Japon] ; Nicola Prodi ; Hiroyuki Sakai | Acoustical measurements of sound fields between the stage and the orchestra pit inside an historical opera house |
| 002194 (2001-05-04) |
Jin Yong Jeon [Corée du Sud] ; Jong Kwan Ryu [Corée du Sud] | Acoustical measurements in a 1:10 scale model of a multi-purpose hall |
| 002195 (2001-05-04) |
Nicola Prodi [Italie] ; Sylvia Velecka [Italie] | A scale value for the balance between stage and pit and inside an historical opera house |
| 002196 (2001-05-01) |
Tor Halmrast [Norvège] | Sound coloration from (very) early reflections |
| 002198 (2001-03) |
Takayuki Hidaka [Japon, États-Unis] ; Noriko Nishihara [Japon] ; Leo L. Beranek [Japon] | Relation of acoustical parameters with and without audiences in concert halls and a simple method for simulating the occupied state |
| 002381 (2000-01) |
Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon] | Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas |
| 002382 (2000-01) |
Leo L. Beranek [États-Unis] ; Takayuki Hidaka [Japon] ; Sadahiro Masuda [Japon] | Acoustical design of the opera house of the New National Theatre, Tokyo, Japan |
| 002383 (2000-01) |
Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon] ; Sadahiro Masuda ; Noriko Nishihara ; Toshiyuki Okano | Acoustical design of the Tokyo Opera City (TOC) concert hall, Japan |
| 002731 (1998-12) |
Leo L. Beranek [États-Unis, Japon] ; Takayuki Hidaka [États-Unis] | Sound absorption in concert halls by seats, occupied and unoccupied, and by the hall's interior surfaces |
| 002734 (1998-05) |
Nicholas Edwards ; David Kahn | Why do traditional opera houses work so well for opera? |
| 002735 (1998-05) |
Gerhard Muller ; Helmut A. Muller | The development of room acoustical demands on operas within the last 50 years |
| 002736 (1998-05) |
Michael Barron | Spatial impression as measured in concert and opera auditoria |
| 002737 (1998-05) |
Juergen Meyer | Sound fields in orchestra pits |
| 002738 (1998-05) |
Mark Holden | Orchestra pit acoustics: From Bayreuth to Broadway |
