Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell
Identifieur interne : 002691 ( Main/Exploration ); précédent : 002690; suivant : 002692Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell
Auteurs : H. Frey ; L. FujieSource :
- World of music : (Wilhelmshaven) [ 0043-8774 ] ; 1999.
Descripteurs français
- Pascal (Inist)
- Wicri :
- geographic : Allemagne.
- topic : Répertoire, Communication de masse, Femme, Biographie.
English descriptors
- KwdEn :
Abstract
The A. outlines the development of Munich Volkssänger from the middle of the 19th century to the late 1970s, portraying in the second section a particular artist of the post-war period. Volkssänger as entertainers in Munich experienced their heyday from approximately 1880 to the 1920s. This form of entertainment was not unsimilar to varieté (variety shows) but was strongly marked by regional characteristics; thematically, it took its topics from everyday life. One program typically included couplet songs, ensemble numbers, humoristic solo performances, one-act sketches and parodies. After the First World War, the mass media of movies, radio and later television changed the habits of audience reception, leading to the decline or else transformation of these forms of entertainment. Bally Prell (1922-1982), who had a beautiful tenor voice, was sensationally successful in 1953 as the "Beauty Queen of Schneizlreuth". Until her death, she was mainly identified with this song and this role and she was considered the inheritor of the Munich Volkssänger tradition. Her repertoire consisted, however, also of opera and operetta music, chansons and lieder. To the present no monographic work on this singer has appeared; the biographical sketch laid out by the A. is based upon interviews with her colleagues, friends, relatives and other witnesses of the time.
Affiliations:
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Le document en format XML
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Frey</name><affiliation><wicri:noCountry>no AF</wicri:noCountry></affiliation></author><author><name sortKey="Fujie, L" sort="Fujie, L" uniqKey="Fujie L" first="L." last="Fujie">L. Fujie</name><affiliation><wicri:noCountry>no AF</wicri:noCountry></affiliation></author></analytic><series><title level="j" type="main">World of music : (Wilhelmshaven)</title><title level="j" type="abbreviated">World music : (Wilhelmshav.)</title><idno type="ISSN">0043-8774</idno><imprint><date when="1999">1999</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">World of music : (Wilhelmshaven)</title><title level="j" type="abbreviated">World music : (Wilhelmshav.)</title><idno type="ISSN">0043-8774</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Artist</term><term>Bavaria</term><term>Biography</term><term>Cultural change</term><term>Entertainment</term><term>Everyday life</term><term>Germany</term><term>Mass media</term><term>Munich</term><term>Musical style</term><term>Popular song</term><term>Repertory</term><term>Show</term><term>Singer</term><term>Urban environment</term><term>Western Europe</term><term>Woman</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>Europe occidentale</term><term>Allemagne</term><term>Bavière</term><term>Munich</term><term>Chanson populaire</term><term>Milieu urbain</term><term>Spectacle</term><term>Répertoire</term><term>Vie quotidienne</term><term>Genre musical</term><term>Communication de masse</term><term>Changement culturel</term><term>Artiste</term><term>Femme</term><term>Chanteur</term><term>Biographie</term><term>Prell (B.)</term><term>Divertissement</term></keywords><keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Allemagne</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Répertoire</term><term>Communication de masse</term><term>Femme</term><term>Biographie</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">The A. outlines the development of Munich Volkssänger from the middle of the 19th century to the late 1970s, portraying in the second section a particular artist of the post-war period. Volkssänger as entertainers in Munich experienced their heyday from approximately 1880 to the 1920s. This form of entertainment was not unsimilar to varieté (variety shows) but was strongly marked by regional characteristics; thematically, it took its topics from everyday life. One program typically included couplet songs, ensemble numbers, humoristic solo performances, one-act sketches and parodies. After the First World War, the mass media of movies, radio and later television changed the habits of audience reception, leading to the decline or else transformation of these forms of entertainment. Bally Prell (1922-1982), who had a beautiful tenor voice, was sensationally successful in 1953 as the "Beauty Queen of Schneizlreuth". Until her death, she was mainly identified with this song and this role and she was considered the inheritor of the Munich Volkssänger tradition. Her repertoire consisted, however, also of opera and operetta music, chansons and lieder. To the present no monographic work on this singer has appeared; the biographical sketch laid out by the A. is based upon interviews with her colleagues, friends, relatives and other witnesses of the time.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Frey, H" sort="Frey, H" uniqKey="Frey H" first="H." last="Frey">H. Frey</name><name sortKey="Fujie, L" sort="Fujie, L" uniqKey="Fujie L" first="L." last="Fujie">L. Fujie</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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