Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell

Identifieur interne : 000725 ( PascalFrancis/Checkpoint ); précédent : 000724; suivant : 000726

Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell

Auteurs : H. Frey ; L. Fujie

Source :

RBID : Francis:529-00-11488

Descripteurs français

English descriptors

Abstract

The A. outlines the development of Munich Volkssänger from the middle of the 19th century to the late 1970s, portraying in the second section a particular artist of the post-war period. Volkssänger as entertainers in Munich experienced their heyday from approximately 1880 to the 1920s. This form of entertainment was not unsimilar to varieté (variety shows) but was strongly marked by regional characteristics; thematically, it took its topics from everyday life. One program typically included couplet songs, ensemble numbers, humoristic solo performances, one-act sketches and parodies. After the First World War, the mass media of movies, radio and later television changed the habits of audience reception, leading to the decline or else transformation of these forms of entertainment. Bally Prell (1922-1982), who had a beautiful tenor voice, was sensationally successful in 1953 as the "Beauty Queen of Schneizlreuth". Until her death, she was mainly identified with this song and this role and she was considered the inheritor of the Munich Volkssänger tradition. Her repertoire consisted, however, also of opera and operetta music, chansons and lieder. To the present no monographic work on this singer has appeared; the biographical sketch laid out by the A. is based upon interviews with her colleagues, friends, relatives and other witnesses of the time.


Affiliations:


Links toward previous steps (curation, corpus...)


Links to Exploration step

Francis:529-00-11488

Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en" level="a">Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell</title>
<author>
<name sortKey="Frey, H" sort="Frey, H" uniqKey="Frey H" first="H." last="Frey">H. Frey</name>
<affiliation>
<wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
<author>
<name sortKey="Fujie, L" sort="Fujie, L" uniqKey="Fujie L" first="L." last="Fujie">L. Fujie</name>
<affiliation>
<wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">INIST</idno>
<idno type="inist">529-00-11488</idno>
<date when="1999">1999</date>
<idno type="stanalyst">FRANCIS 529-00-11488 INIST</idno>
<idno type="RBID">Francis:529-00-11488</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000757</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000906</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000725</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="en" level="a">Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell</title>
<author>
<name sortKey="Frey, H" sort="Frey, H" uniqKey="Frey H" first="H." last="Frey">H. Frey</name>
<affiliation>
<wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
<author>
<name sortKey="Fujie, L" sort="Fujie, L" uniqKey="Fujie L" first="L." last="Fujie">L. Fujie</name>
<affiliation>
<wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
</analytic>
<series>
<title level="j" type="main">World of music : (Wilhelmshaven)</title>
<title level="j" type="abbreviated">World music : (Wilhelmshav.)</title>
<idno type="ISSN">0043-8774</idno>
<imprint>
<date when="1999">1999</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<title level="j" type="main">World of music : (Wilhelmshaven)</title>
<title level="j" type="abbreviated">World music : (Wilhelmshav.)</title>
<idno type="ISSN">0043-8774</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Artist</term>
<term>Bavaria</term>
<term>Biography</term>
<term>Cultural change</term>
<term>Entertainment</term>
<term>Everyday life</term>
<term>Germany</term>
<term>Mass media</term>
<term>Munich</term>
<term>Musical style</term>
<term>Popular song</term>
<term>Repertory</term>
<term>Show</term>
<term>Singer</term>
<term>Urban environment</term>
<term>Western Europe</term>
<term>Woman</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Europe occidentale</term>
<term>Allemagne</term>
<term>Bavière</term>
<term>Munich</term>
<term>Chanson populaire</term>
<term>Milieu urbain</term>
<term>Spectacle</term>
<term>Répertoire</term>
<term>Vie quotidienne</term>
<term>Genre musical</term>
<term>Communication de masse</term>
<term>Changement culturel</term>
<term>Artiste</term>
<term>Femme</term>
<term>Chanteur</term>
<term>Biographie</term>
<term>Prell (B.)</term>
<term>Divertissement</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr">
<term>Allemagne</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr">
<term>Répertoire</term>
<term>Communication de masse</term>
<term>Femme</term>
<term>Biographie</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The A. outlines the development of Munich Volkssänger from the middle of the 19th century to the late 1970s, portraying in the second section a particular artist of the post-war period. Volkssänger as entertainers in Munich experienced their heyday from approximately 1880 to the 1920s. This form of entertainment was not unsimilar to varieté (variety shows) but was strongly marked by regional characteristics; thematically, it took its topics from everyday life. One program typically included couplet songs, ensemble numbers, humoristic solo performances, one-act sketches and parodies. After the First World War, the mass media of movies, radio and later television changed the habits of audience reception, leading to the decline or else transformation of these forms of entertainment. Bally Prell (1922-1982), who had a beautiful tenor voice, was sensationally successful in 1953 as the "Beauty Queen of Schneizlreuth". Until her death, she was mainly identified with this song and this role and she was considered the inheritor of the Munich Volkssänger tradition. Her repertoire consisted, however, also of opera and operetta music, chansons and lieder. To the present no monographic work on this singer has appeared; the biographical sketch laid out by the A. is based upon interviews with her colleagues, friends, relatives and other witnesses of the time.</div>
</front>
</TEI>
<inist>
<standard h6="B">
<pA>
<fA01 i1="01" i2="1">
<s0>0043-8774</s0>
</fA01>
<fA03 i2="1">
<s0>World music : (Wilhelmshav.)</s0>
</fA03>
<fA05>
<s2>41</s2>
</fA05>
<fA06>
<s2>2</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG">
<s1>Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG">
<s1>Traditional music in Bavaria: regional identity, history, and culture</s1>
</fA09>
<fA11 i1="01" i2="1">
<s1>FREY (H.)</s1>
</fA11>
<fA11 i1="02" i2="1">
<s1>FUJIE (L.)</s1>
<s9>trad.</s9>
</fA11>
<fA12 i1="01" i2="1">
<s1>BAUMANN (Max Peter)</s1>
<s9>ed., préf.</s9>
</fA12>
<fA20>
<s1>99-122</s1>
</fA20>
<fA21>
<s1>1999</s1>
</fA21>
<fA23 i1="01">
<s0>ENG</s0>
</fA23>
<fA43 i1="01">
<s1>INIST</s1>
<s2>25041</s2>
<s5>354000080214390040</s5>
</fA43>
<fA44>
<s0>0000</s0>
<s1>© 2000 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45>
<s0>1 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1">
<s0>529-00-11488</s0>
</fA47>
<fA60>
<s1>P</s1>
<s3>V</s3>
</fA60>
<fA61>
<s0>A</s0>
</fA61>
<fA64 i1="01" i2="1">
<s0>World of music : (Wilhelmshaven)</s0>
</fA64>
<fA66 i1="01">
<s0>DEU</s0>
</fA66>
<fA68 i1="01" i2="1" l="FRE">
<s1>Divertissement traditionnel urbain en Bavière : Les Volkssänger à travers l'exemple de Bally Prell</s1>
</fA68>
<fA69 i1="01" i2="1" l="FRE">
<s1>Musique traditionnelle en Bavière : Identité régionale, histoire, et culture</s1>
</fA69>
<fA99>
<s0>42 notes</s0>
</fA99>
<fC01 i1="01" l="ENG">
<s0>The A. outlines the development of Munich Volkssänger from the middle of the 19th century to the late 1970s, portraying in the second section a particular artist of the post-war period. Volkssänger as entertainers in Munich experienced their heyday from approximately 1880 to the 1920s. This form of entertainment was not unsimilar to varieté (variety shows) but was strongly marked by regional characteristics; thematically, it took its topics from everyday life. One program typically included couplet songs, ensemble numbers, humoristic solo performances, one-act sketches and parodies. After the First World War, the mass media of movies, radio and later television changed the habits of audience reception, leading to the decline or else transformation of these forms of entertainment. Bally Prell (1922-1982), who had a beautiful tenor voice, was sensationally successful in 1953 as the "Beauty Queen of Schneizlreuth". Until her death, she was mainly identified with this song and this role and she was considered the inheritor of the Munich Volkssänger tradition. Her repertoire consisted, however, also of opera and operetta music, chansons and lieder. To the present no monographic work on this singer has appeared; the biographical sketch laid out by the A. is based upon interviews with her colleagues, friends, relatives and other witnesses of the time.</s0>
</fC01>
<fC02 i1="01" i2="N">
<s0>52992</s0>
<s1>VII</s1>
</fC02>
<fC02 i1="02" i2="N">
<s0>529</s0>
</fC02>
<fC03 i1="01" i2="N" l="FRE">
<s0>Europe occidentale</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="N" l="ENG">
<s0>Western Europe</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="N" l="FRE">
<s0>Allemagne</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="N" l="ENG">
<s0>Germany</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="N" l="FRE">
<s0>Bavière</s0>
<s2>NG</s2>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="N" l="ENG">
<s0>Bavaria</s0>
<s2>NG</s2>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="S" l="FRE">
<s0>Munich</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="S" l="ENG">
<s0>Munich</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="N" l="FRE">
<s0>Chanson populaire</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG">
<s0>Popular song</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE">
<s0>Milieu urbain</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG">
<s0>Urban environment</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="N" l="FRE">
<s0>Spectacle</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="N" l="ENG">
<s0>Show</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE">
<s0>Répertoire</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG">
<s0>Repertory</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="N" l="FRE">
<s0>Vie quotidienne</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="N" l="ENG">
<s0>Everyday life</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="N" l="FRE">
<s0>Genre musical</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="N" l="ENG">
<s0>Musical style</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="N" l="FRE">
<s0>Communication de masse</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="N" l="ENG">
<s0>Mass media</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="N" l="FRE">
<s0>Changement culturel</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="N" l="ENG">
<s0>Cultural change</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="N" l="FRE">
<s0>Artiste</s0>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="N" l="ENG">
<s0>Artist</s0>
<s5>13</s5>
</fC03>
<fC03 i1="14" i2="N" l="FRE">
<s0>Femme</s0>
<s5>14</s5>
</fC03>
<fC03 i1="14" i2="N" l="ENG">
<s0>Woman</s0>
<s5>14</s5>
</fC03>
<fC03 i1="15" i2="N" l="FRE">
<s0>Chanteur</s0>
<s5>15</s5>
</fC03>
<fC03 i1="15" i2="N" l="ENG">
<s0>Singer</s0>
<s5>15</s5>
</fC03>
<fC03 i1="16" i2="N" l="FRE">
<s0>Biographie</s0>
<s5>16</s5>
</fC03>
<fC03 i1="16" i2="N" l="ENG">
<s0>Biography</s0>
<s5>16</s5>
</fC03>
<fC03 i1="17" i2="N" l="FRE">
<s0>Prell (B.)</s0>
<s2>NF</s2>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fC03 i1="18" i2="N" l="FRE">
<s0>Divertissement</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
</fC03>
<fC03 i1="18" i2="N" l="ENG">
<s0>Entertainment</s0>
<s2>NI</s2>
<s4>CD</s4>
<s5>96</s5>
</fC03>
<fN21>
<s1>150</s1>
</fN21>
</pA>
</standard>
</inist>
<affiliations>
<list></list>
<tree>
<noCountry>
<name sortKey="Frey, H" sort="Frey, H" uniqKey="Frey H" first="H." last="Frey">H. Frey</name>
<name sortKey="Fujie, L" sort="Fujie, L" uniqKey="Fujie L" first="L." last="Fujie">L. Fujie</name>
</noCountry>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000725 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Checkpoint/biblio.hfd -nk 000725 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Checkpoint
   |type=    RBID
   |clé=     Francis:529-00-11488
   |texte=   Traditional urban entertainment in Bavaria : The Volkssänger as exemplified by Bally Prell
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024