OperaV1, Main, Curation, bibRecord, 001B62

A scale value for the balance inside a historical opera house

Identifieur interne : 001B62 ( Main/Curation ); précédent : 001B61; suivant : 001B63

A scale value for the balance inside a historical opera house

Auteurs : Nicola Prodi [Italie] ; Sylvia Velecka [Italie]

Source :

The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2005.

RBID : Pascal:05-0153359

Descripteurs français

Pascal (Inist)
- Salle concert.

English descriptors

KwdEn :
- Concert hall.

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Pascal:05-0153359

Le document en format XML

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<affiliation wicri:level="1"><nlm:affiliation>Dipartimento di Ingegneria, Università degli Studi di Ferrara, 44100 Ferrara, Italia. prodi@ing.unife.it</nlm:affiliation>
<country xml:lang="fr">Italie</country>
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<author><name sortKey="Velecka, Sylvia" sort="Velecka, Sylvia" uniqKey="Velecka S" first="Sylvia" last="Velecka">Sylvia Velecka</name>
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<affiliation wicri:level="1"><nlm:affiliation>Dipartimento di Ingegneria, Università degli Studi di Ferrara, 44100 Ferrara, Italia. prodi@ing.unife.it</nlm:affiliation>
<country xml:lang="fr">Italie</country>
<wicri:regionArea>Dipartimento di Ingegneria, Università degli Studi di Ferrara, 44100 Ferrara</wicri:regionArea>
<wicri:noRegion>44100 Ferrara</wicri:noRegion>
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<author><name sortKey="Velecka, Sylvia" sort="Velecka, Sylvia" uniqKey="Velecka S" first="Sylvia" last="Velecka">Sylvia Velecka</name>
</author>
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<series><title level="j">The Journal of the Acoustical Society of America</title>
<idno type="ISSN">0001-4966</idno>
<imprint><date when="2005" type="published">2005</date>
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<front><div type="abstract" xml:lang="en">In the framework of opera house acoustics, the term "balance" refers to the acoustical competition between the singer on the stage and the orchestra in the pit. The mechanism allowing the operatic singers to be heard over the orchestra has to do with their skill in enhancing the vocal emission by a peculiar use of the formant frequencies. This vital factor is sensed by the listeners and, apart from the obvious sound power ratio of the stage and the pit sources, is the main cue that helps to formulate a subjective impression of the balance. To achieve its objective qualification, two calibrated sound sources can be placed on the stage and in the pit, respectively, and their sound level difference is measured at the listeners' seats. The scope of this work is to investigate the relationship between the subjective impression and the objective indicator of the balance and to develop a scale value for the parameter in the case of a historical opera house. For this scope a set of acoustical data from the Teatro Comunale in Ferrara will be used to create synthetic sound fields with controlled conditions of the balance between the stage and the pit. This methodology employs an anechoic piece for soprano (with piano accompaniment) and is implemented in a dead room equipped with an acoustical rendering system. The sound fields are used to investigate the appropriate balance values by means of listening tests. The results of the scaling exercise show that a suitable range of values can be extracted and that the sound from the stage and the pit is perceived as balanced when the loudness difference between the two is comprised within -2.0 dBA and +2.3 dBA.</div>
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A scale value for the balance inside a historical opera house

A scale value for the balance inside a historical opera house

Source :

Descripteurs français

English descriptors

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri