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Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata

Identifieur interne : 001B07 ( Istex/Curation ); précédent : 001B06; suivant : 001B08

Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata

Auteurs : Michele Cabrini [États-Unis]

Source :

RBID : ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051
Url:
DOI: 10.1093/em/caq004

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ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051

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Michele Cabrini
<affiliation>
<mods:affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</mods:affiliation>
<wicri:noCountry code="subField"> Editions.</wicri:noCountry>
</affiliation>
<affiliation wicri:level="1">
<mods:affiliation>E-mail: mcabrini@hunter.cuny.edu</mods:affiliation>
<country wicri:rule="url">États-Unis</country>
</affiliation>

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<mods:affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</mods:affiliation>
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   |texte=   Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata
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