Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata

Identifieur interne : 001B07 ( Istex/Corpus ); précédent : 001B06; suivant : 001B08

Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata

Auteurs : Michele Cabrini

Source :

RBID : ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051
Url:
DOI: 10.1093/em/caq004

Links to Exploration step

ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
<author wicri:is="90%">
<name sortKey="Cabrini, Michele" sort="Cabrini, Michele" uniqKey="Cabrini M" first="Michele" last="Cabrini">Michele Cabrini</name>
<affiliation>
<mods:affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: mcabrini@hunter.cuny.edu</mods:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051</idno>
<date when="2010" year="2010">2010</date>
<idno type="doi">10.1093/em/caq004</idno>
<idno type="url">https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001B07</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a">Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
<author wicri:is="90%">
<name sortKey="Cabrini, Michele" sort="Cabrini, Michele" uniqKey="Cabrini M" first="Michele" last="Cabrini">Michele Cabrini</name>
<affiliation>
<mods:affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: mcabrini@hunter.cuny.edu</mods:affiliation>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Early Music</title>
<idno type="ISSN">0306-1078</idno>
<idno type="eISSN">1741-7260</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date>2010</date>
<biblScope unit="volume">38</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="73">73</biblScope>
<biblScope unit="page" to="90">90</biblScope>
</imprint>
<idno type="ISSN">0306-1078</idno>
</series>
<idno type="istex">FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051</idno>
<idno type="DOI">10.1093/em/caq004</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0306-1078</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<istex>
<corpusName>oup</corpusName>
<author>
<json:item>
<name>Michele Cabrini</name>
<affiliations>
<json:string>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</json:string>
<json:string>E-mail: mcabrini@hunter.cuny.edu</json:string>
</affiliations>
</json:item>
</author>
<subject>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>ASPECTS OF THE FRENCH BAROQUE</value>
</json:item>
</subject>
<language>
<json:string>eng</json:string>
</language>
<qualityIndicators>
<score>5.012</score>
<pdfVersion>1.3</pdfVersion>
<pdfPageSize>536 x 697 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<keywordCount>1</keywordCount>
<abstractCharCount>0</abstractCharCount>
<pdfWordCount>6388</pdfWordCount>
<pdfCharCount>39945</pdfCharCount>
<pdfPageCount>18</pdfPageCount>
<abstractWordCount>1</abstractWordCount>
</qualityIndicators>
<title>Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
<genre>
<json:string>research-article</json:string>
</genre>
<host>
<volume>38</volume>
<pages>
<last>90</last>
<first>73</first>
</pages>
<issn>
<json:string>0306-1078</json:string>
</issn>
<issue>1</issue>
<genre></genre>
<language>
<json:string>unknown</json:string>
</language>
<eissn>
<json:string>1741-7260</json:string>
</eissn>
<title>Early Music</title>
</host>
<categories>
<wos>
<json:string>MUSIC</json:string>
</wos>
</categories>
<copyrightDate>2010</copyrightDate>
<doi>
<json:string>10.1093/em/caq004</json:string>
</doi>
<id>FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051</id>
<fulltext>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/fulltext/pdf</uri>
</json:item>
<json:item>
<original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/fulltext/tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a">Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
<respStmt xml:id="ISTEX-API" resp="Références bibliographiques récupérées via GROBID" name="ISTEX-API (INIST-CNRS)"></respStmt>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher>Oxford University Press</publisher>
<availability>
<p>OUP</p>
</availability>
<date>2010</date>
</publicationStmt>
<sourceDesc>
<biblStruct type="inbook">
<analytic>
<title level="a">Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
<author>
<persName>
<forename type="first">Michele</forename>
<surname>Cabrini</surname>
</persName>
<email>mcabrini@hunter.cuny.edu</email>
<affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</affiliation>
</author>
</analytic>
<monogr>
<title level="j">Early Music</title>
<idno type="pISSN">0306-1078</idno>
<idno type="eISSN">1741-7260</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date>2010</date>
<biblScope unit="volume">38</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="73">73</biblScope>
<biblScope unit="page" to="90">90</biblScope>
</imprint>
</monogr>
<idno type="istex">FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051</idno>
<idno type="DOI">10.1093/em/caq004</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<creation>
<date>2010</date>
</creation>
<langUsage>
<language ident="en">en</language>
</langUsage>
<textClass>
<keywords scheme="keyword">
<list>
<item>
<term>ASPECTS OF THE FRENCH BAROQUE</term>
</item>
</list>
</keywords>
</textClass>
</profileDesc>
<revisionDesc>
<change>undefined</change>
<change>[object Object]</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item>
<original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="corpus oup" wicri:toSee="no header">
<istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document>
<article article-type="research-article">
<front>
<journal-meta>
<journal-id journal-id-type="hwp">earlyj</journal-id>
<journal-id journal-id-type="publisher-id">earlyj</journal-id>
<journal-title>Early Music</journal-title>
<issn pub-type="epub">1741-7260</issn>
<issn pub-type="ppub">0306-1078</issn>
<publisher>
<publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.1093/em/caq004</article-id>
<article-categories>
<subj-group>
<subject>ASPECTS OF THE FRENCH BAROQUE</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Cabrini</surname>
<given-names>Michele</given-names>
</name>
</contrib>
</contrib-group>
<aff>
<italic>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the</italic>
Journal of Musicology
<italic>(Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</italic>
<email>mcabrini@hunter.cuny.edu</email>
</aff>
<pub-date pub-type="epub-ppub">
<month>2</month>
<year>2010</year>
</pub-date>
<volume>38</volume>
<issue>1</issue>
<fpage>73</fpage>
<lpage>90</lpage>
<permissions>
<copyright-statement>
<italic>Early Music</italic>
, Vol. XXXVIII, No. 1 © The Author 2010. Published by Oxford University Press. All rights reserved.</copyright-statement>
<copyright-year>2010</copyright-year>
</permissions>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo>
<title>Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA">
<title>Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata</title>
</titleInfo>
<name type="personal">
<namePart type="given">Michele</namePart>
<namePart type="family">Cabrini</namePart>
<affiliation>Michele Cabrini is Assistant Professor of Music History at Hunter College of the City University of New York. He is a specialist on the 18th-century French cantata, and his interests include the dramatic rapport between voice and instrumental music in the Baroque period, and issues of musical expression intersecting with the visual arts in Baroque France. He has recently published an article in the Journal of Musicology (Summer 2009), and he is currently working on a scholarly edition of Philippe Courbois's cantatas for A-R Editions.</affiliation>
<affiliation>E-mail: mcabrini@hunter.cuny.edu</affiliation>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article"></genre>
<subject>
<topic>ASPECTS OF THE FRENCH BAROQUE</topic>
</subject>
<originInfo>
<publisher>Oxford University Press</publisher>
<copyrightDate encoding="w3cdtf">2010</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<physicalDescription>
<internetMediaType>text/html</internetMediaType>
</physicalDescription>
<relatedItem type="host">
<titleInfo>
<title>Early Music</title>
</titleInfo>
<genre type="Journal">journal</genre>
<identifier type="ISSN">0306-1078</identifier>
<identifier type="eISSN">1741-7260</identifier>
<identifier type="PublisherID">earlyj</identifier>
<identifier type="PublisherID-hwp">earlyj</identifier>
<part>
<date>2010</date>
<detail type="volume">
<caption>vol.</caption>
<number>38</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>1</number>
</detail>
<extent unit="pages">
<start>73</start>
<end>90</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051</identifier>
<identifier type="DOI">10.1093/em/caq004</identifier>
<accessCondition type="use and reproduction" contentType="copyright">Early Music, Vol. XXXVIII, No. 1 The Author 2010. Published by Oxford University Press. All rights reserved.</accessCondition>
<recordInfo>
<recordContentSource>OUP</recordContentSource>
</recordInfo>
</mods>
</metadata>
<covers>
<json:item>
<original>true</original>
<mimetype>image/tiff</mimetype>
<extension>tiff</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/covers/tiff</uri>
</json:item>
</covers>
<annexes>
<json:item>
<original>true</original>
<mimetype>image/jpeg</mimetype>
<extension>jpeg</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/annexes/jpeg</uri>
</json:item>
<json:item>
<original>true</original>
<mimetype>image/gif</mimetype>
<extension>gif</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/annexes/gif</uri>
</json:item>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/annexes/pdf</uri>
</json:item>
</annexes>
<enrichments>
<istex:catWosTEI uri="https://api.istex.fr/document/FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051/enrichments/catWos">
<teiHeader>
<profileDesc>
<textClass>
<classCode scheme="WOS">MUSIC</classCode>
</textClass>
</profileDesc>
</teiHeader>
</istex:catWosTEI>
</enrichments>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001B07 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 001B07 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:FB63391AEC16DE7DC9BD5CD5C72A97E1FE240051
   |texte=   Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024