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To repeat (or not to repeat)? Dance cues in Restoration English opera

Identifieur interne : 000D96 ( Istex/Curation ); précédent : 000D95; suivant : 000D97

To repeat (or not to repeat)? Dance cues in Restoration English opera

Auteurs : Michael Burden [Royaume-Uni]

Source :

RBID : ISTEX:F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4
Url:
DOI: 10.1093/em/cam055

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ISTEX:F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4

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Michael Burden
<affiliation>
<mods:affiliation>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</mods:affiliation>
<wicri:noCountry code="subField">Anton Reiff.</wicri:noCountry>
</affiliation>
<affiliation wicri:level="1">
<mods:affiliation>E-mail: michael.burden@new.ox.ac.uk</mods:affiliation>
<country wicri:rule="url">Royaume-Uni</country>
</affiliation>

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