To repeat (or not to repeat)? Dance cues in Restoration English opera
Identifieur interne : 000D96 ( Istex/Corpus ); précédent : 000D95; suivant : 000D97To repeat (or not to repeat)? Dance cues in Restoration English opera
Auteurs : Michael BurdenSource :
- Early Music [ 0306-1078 ] ; 2007.
Url:
DOI: 10.1093/em/cam055
Links to Exploration step
ISTEX:F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>To repeat (or not to repeat)? Dance cues in Restoration English opera</title><author wicri:is="90%"><name sortKey="Burden, Michael" sort="Burden, Michael" uniqKey="Burden M" first="Michael" last="Burden">Michael Burden</name><affiliation><mods:affiliation>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: michael.burden@new.ox.ac.uk</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4</idno><date when="2007" year="2007">2007</date><idno type="doi">10.1093/em/cam055</idno><idno type="url">https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000D96</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">To repeat (or not to repeat)? Dance cues in Restoration English opera</title><author wicri:is="90%"><name sortKey="Burden, Michael" sort="Burden, Michael" uniqKey="Burden M" first="Michael" last="Burden">Michael Burden</name><affiliation><mods:affiliation>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: michael.burden@new.ox.ac.uk</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Early Music</title><idno type="ISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date>2007</date><biblScope unit="volume">35</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="397">397</biblScope><biblScope unit="page" to="418">418</biblScope></imprint><idno type="ISSN">0306-1078</idno></series><idno type="istex">F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4</idno><idno type="DOI">10.1093/em/cam055</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0306-1078</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader></TEI><istex><corpusName>oup</corpusName><author><json:item><name>Michael Burden</name><affiliations><json:string>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</json:string><json:string>E-mail: michael.burden@new.ox.ac.uk</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>Dance in late 17th- and early 18th-century London</value></json:item></subject><language><json:string>eng</json:string></language><qualityIndicators><score>5.012</score><pdfVersion>1.3</pdfVersion><pdfPageSize>536 x 697 pts</pdfPageSize><refBibsNative>false</refBibsNative><keywordCount>1</keywordCount><abstractCharCount>0</abstractCharCount><pdfWordCount>8028</pdfWordCount><pdfCharCount>46519</pdfCharCount><pdfPageCount>22</pdfPageCount><abstractWordCount>1</abstractWordCount></qualityIndicators><title>To repeat (or not to repeat)? Dance cues in Restoration English opera</title><genre><json:string>research-article</json:string></genre><host><volume>35</volume><pages><last>418</last><first>397</first></pages><issn><json:string>0306-1078</json:string></issn><issue>3</issue><genre></genre><language><json:string>unknown</json:string></language><eissn><json:string>1741-7260</json:string></eissn><title>Early Music</title></host><categories><wos><json:string>MUSIC</json:string></wos></categories><copyrightDate>2007</copyrightDate><doi><json:string>10.1093/em/cam055</json:string></doi><id>F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4</id><fulltext><json:item><original>true</original><mimetype>application/pdf</mimetype><extension>pdf</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/fulltext/pdf</uri></json:item><json:item><original>false</original><mimetype>application/zip</mimetype><extension>zip</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a">To repeat (or not to repeat)? Dance cues in Restoration English opera</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher>Oxford University Press</publisher><availability><p>OUP</p></availability><date>2007</date></publicationStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a">To repeat (or not to repeat)? Dance cues in Restoration English opera</title><author><persName><forename type="first">Michael</forename><surname>Burden</surname></persName><email>michael.burden@new.ox.ac.uk</email><affiliation>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</affiliation></author></analytic><monogr><title level="j">Early Music</title><idno type="pISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date>2007</date><biblScope unit="volume">35</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="397">397</biblScope><biblScope unit="page" to="418">418</biblScope></imprint></monogr><idno type="istex">F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4</idno><idno type="DOI">10.1093/em/cam055</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2007</date></creation><langUsage><language ident="en">en</language></langUsage><textClass><keywords scheme="keyword"><list><item><term>Dance in late 17th- and early 18th-century London</term></item></list></keywords></textClass></profileDesc></teiHeader></istex:fulltextTEI><json:item><original>false</original><mimetype>text/plain</mimetype><extension>txt</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus oup" wicri:toSee="no header"><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article"><front><journal-meta><journal-id journal-id-type="hwp">earlyj</journal-id><journal-id journal-id-type="publisher-id">earlyj</journal-id><journal-title>Early Music</journal-title><issn pub-type="epub">1741-7260</issn><issn pub-type="ppub">0306-1078</issn><publisher><publisher-name>Oxford University Press</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1093/em/cam055</article-id><article-categories><subj-group><subject>Dance in late 17th- and early 18th-century London</subject></subj-group></article-categories><title-group><article-title>To repeat (or not to repeat)? Dance cues in Restoration English opera</article-title></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name><surname>Burden</surname><given-names>Michael</given-names></name></contrib></contrib-group><aff>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff. <email>michael.burden@new.ox.ac.uk</email></aff><pub-date pub-type="epub-ppub"><month>8</month><year>2007</year></pub-date><volume>35</volume><issue>3</issue><fpage>397</fpage><lpage>418</lpage><permissions><copyright-statement><italic>Early Music</italic>, Vol. XXXV, No. 3 © The Author 2007. Published by Oxford University Press. All rights reserved.</copyright-statement><copyright-year>2007</copyright-year></permissions></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo><title>To repeat (or not to repeat)? Dance cues in Restoration English opera</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>To repeat (or not to repeat)? Dance cues in Restoration English opera</title></titleInfo><name type="personal"><namePart type="given">Michael</namePart><namePart type="family">Burden</namePart><affiliation>Michael Burden, who is director of New Chamber Opera, was Lecturer in Music at New College, Oxford, from 1989, and is now Fellow in opera Studies and Reader in music of Oxford University. He is the author of Arne, Garrick and the Masque of Alfred and Purcell Remembered, and is commissioning editor of, and a contributor to A Woman Scorn'd; responses to the Dido myth, and other volumes on Purcell, including Henry Purcell's operas: the complete texts. He is currently working on 18th- and 19th-century opera production history, and on the 19th-century opera promoter, Louisa Pyne, and her conductor, Anton Reiff.</affiliation><affiliation>E-mail: michael.burden@new.ox.ac.uk</affiliation></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article"></genre><subject><topic>Dance in late 17th- and early 18th-century London</topic></subject><originInfo><publisher>Oxford University Press</publisher><copyrightDate encoding="w3cdtf">2007</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><relatedItem type="host"><titleInfo><title>Early Music</title></titleInfo><genre type="Journal">journal</genre><identifier type="ISSN">0306-1078</identifier><identifier type="eISSN">1741-7260</identifier><identifier type="PublisherID">earlyj</identifier><identifier type="PublisherID-hwp">earlyj</identifier><part><date>2007</date><detail type="volume"><caption>vol.</caption><number>35</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>397</start><end>418</end></extent></part></relatedItem><identifier type="istex">F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4</identifier><identifier type="DOI">10.1093/em/cam055</identifier><accessCondition type="use and reproduction" contentType="copyright">Early Music, Vol. XXXV, No. 3 The Author 2007. Published by Oxford University Press. All rights reserved.</accessCondition><recordInfo><recordContentSource>OUP</recordContentSource></recordInfo></mods></metadata><covers><json:item><original>true</original><mimetype>image/tiff</mimetype><extension>tiff</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/covers/tiff</uri></json:item></covers><annexes><json:item><original>true</original><mimetype>image/jpeg</mimetype><extension>jpeg</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/annexes/jpeg</uri></json:item><json:item><original>true</original><mimetype>image/gif</mimetype><extension>gif</extension><uri>https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/annexes/gif</uri></json:item></annexes><enrichments><istex:catWosTEI uri="https://api.istex.fr/document/F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4/enrichments/catWos"><teiHeader><profileDesc><textClass><classCode scheme="WOS">MUSIC</classCode></textClass></profileDesc></teiHeader></istex:catWosTEI></enrichments><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000D96 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000D96 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:F2CA95C02C806FC9B58B3A6967F6345AAA9FF0F4
|texte= To repeat (or not to repeat)? Dance cues in Restoration English opera
}}
| This area was generated with Dilib version V0.6.21. |  |