Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen
Identifieur interne : 000388 ( Hal/Curation ); précédent : 000387; suivant : 000389Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen
Auteurs : François Genton [France]Source :
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Abstract
German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.
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Hal:hal-00948880Le document en format XML
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<front><div type="abstract" xml:lang="en">German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.</div>
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<abstract xml:lang="en">German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.</abstract>
<abstract xml:lang="fr">Si la musique allemande s'est imposée plus facilement que le roman, les deux arts ont entretenu des relations conflictuelles et concurrentielles sur lesquelles ce texte "intermédial" revient, en s'intéressant principalement au chant, de l'opéra à la chanson commerciale en passant par le folklore.</abstract>
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