Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen
Identifieur interne : 000388 ( Hal/Corpus ); précédent : 000387; suivant : 000389Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen
Auteurs : François GentonSource :
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Abstract
German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.
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song.</term><term>folklore</term><term>intermediality</term><term>intermédialité.</term><term>musique populaire</term><term>pop music</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="fr">Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen</title><author role="aut"><persName><forename type="first">François</forename><surname>Genton</surname></persName><email>francois.genton@u-grenoble3.fr</email><ptr type="url" target="http://w3.u-grenoble3.fr/ilcea/ceraac/spip.php?breve4"></ptr><idno type="idhal">francois-genton</idno><idno type="halauthor">956517</idno><affiliation 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key="187689"><persName><forename>François</forename><surname>Genton</surname></persName><email>francois.genton@univ-grenoble-alpes.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">hal-00948880</idno><idno type="halUri">https://hal.archives-ouvertes.fr/hal-00948880</idno><idno type="halBibtex">genton:hal-00948880</idno><idno type="halRefHtml">Recherches et Travaux, 2011, pp.153-167</idno><idno type="halRef">Recherches et Travaux, 2011, pp.153-167</idno></publicationStmt><seriesStmt><idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno><idno type="stamp" n="UGA">HAL Grenoble Alpes</idno><idno type="stamp" n="UNIV-GRENOBLE3" p="UGA">Université Stendhal - Grenoble III</idno><idno type="stamp" n="ILCEA" p="UNIV-GRENOBLE3">Institut des langues et des cultures d'Europe et d'Amérique</idno></seriesStmt><notesStmt><note type="commentary">" Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen ", dans " La Haine de la musique ", Recherches et travaux, n° 78, 2011 p. 153-167. http://recherchestravaux.revues.org/458</note><note type="audience" n="2">International</note><note type="popular" n="0">No</note><note type="peer" n="1">Yes</note></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="fr">Arts en conflit : chanson et roman en Allemagne de Thomas Mann à Wolfgang Koeppen</title><author role="aut"><persName><forename type="first">François</forename><surname>Genton</surname></persName><email>francois.genton@u-grenoble3.fr</email><ptr type="url" target="http://w3.u-grenoble3.fr/ilcea/ceraac/spip.php?breve4"></ptr><idno type="idHal">francois-genton</idno><idno type="halAuthorId">956517</idno><affiliation ref="#struct-89667"></affiliation></author></analytic><monogr><idno type="localRef">http://recherchestravaux.revues.org/458</idno><idno type="halJournalId" status="INCOMING">77144</idno><title level="j">Recherches et Travaux</title><imprint><biblScope 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articles</classCode></textClass><abstract xml:lang="en">German music has established itself internationally faster and easier than the German novel and both arts have maintained conflictual relationships that this text focusses on, dealing mainly with songs, from the opera arias to folksongs passing through commercial popular music.</abstract><abstract xml:lang="fr">Si la musique allemande s'est imposée plus facilement que le roman, les deux arts ont entretenu des relations conflictuelles et concurrentielles sur lesquelles ce texte "intermédial" revient, en s'intéressant principalement au chant, de l'opéra à la chanson commerciale en passant par le folklore.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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