L'art lyrique en Provence :
une diffusion au-delà du périmètre
spatial et musical de l'opéra
Identifieur interne : 000563 ( Hal/Corpus ); précédent : 000562; suivant : 000564
L'art lyrique en Provence :
une diffusion au-delà du périmètre
spatial et musical de l'opéra
Auteurs : Pierre JamarSource :
Descripteurs français
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Abstract
In addition to musicological and aesthetical approaches - both of which study Art for Art's sake - a sociological look at lyric art (i.e. vocal music) cannot avoid a geographical analysis with its bonds to territory and identity. Our exhaustive inventory of lyric art performances in Provence shows that within a radius of eighty kilometres no day goes by without a lyric art performance, mostly outside the opera houses. Unlike the popular representation of Provence – lavender, pastis and cicadas – the diffusion of lyric art is moreover not limited to Summer. It is indeed part of the historical roots of Provence, the South of France region where the proximity with lyric voices is particularly popular. By underlining the paradox between the true Provencal identity and its advertised image, we raise again the issue of elitism in the lyric art field, in particular if we take into account the large variety of the non-institutional forms of lyric art, beyond the sole institutional form : opera.
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Hal:halshs-00425044Le document en format XML
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une diffusion au-delà du périmètre
spatial et musical de l'opéra</title>
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une diffusion au-delà du périmètre
spatial et musical de l'opéra</title>
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<front><div type="abstract" xml:lang="en">In addition to musicological and aesthetical approaches - both of which study Art for Art's sake - a sociological look at lyric art (i.e. vocal music) cannot avoid a geographical analysis with its bonds to territory and identity. Our exhaustive inventory of lyric art performances in Provence shows that within a radius of eighty kilometres no day goes by without a lyric art performance, mostly outside the opera houses. Unlike the popular representation of Provence – lavender, pastis and cicadas – the diffusion of lyric art is moreover not limited to Summer. It is indeed part of the historical roots of Provence, the South of France region where the proximity with lyric voices is particularly popular. By underlining the paradox between the true Provencal identity and its advertised image, we raise again the issue of elitism in the lyric art field, in particular if we take into account the large variety of the non-institutional forms of lyric art, beyond the sole institutional form : opera.</div>
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<hal api="V3"><titleStmt><title xml:lang="fr">L'art lyrique en Provence :
une diffusion au-delà du périmètre
spatial et musical de l'opéra</title>
<author role="aut"><persName><forename type="first">Pierre</forename>
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<sourceDesc><biblStruct><analytic><title xml:lang="fr">L'art lyrique en Provence :
une diffusion au-delà du périmètre
spatial et musical de l'opéra</title>
<author role="aut"><persName><forename type="first">Pierre</forename>
<surname>Jamar</surname>
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<abstract xml:lang="en">In addition to musicological and aesthetical approaches - both of which study Art for Art's sake - a sociological look at lyric art (i.e. vocal music) cannot avoid a geographical analysis with its bonds to territory and identity. Our exhaustive inventory of lyric art performances in Provence shows that within a radius of eighty kilometres no day goes by without a lyric art performance, mostly outside the opera houses. Unlike the popular representation of Provence – lavender, pastis and cicadas – the diffusion of lyric art is moreover not limited to Summer. It is indeed part of the historical roots of Provence, the South of France region where the proximity with lyric voices is particularly popular. By underlining the paradox between the true Provencal identity and its advertised image, we raise again the issue of elitism in the lyric art field, in particular if we take into account the large variety of the non-institutional forms of lyric art, beyond the sole institutional form : opera.</abstract>
<abstract xml:lang="fr">En complément des approches musicologique et esthétique, qui cantonnent l'étude de l'art à la sphère artistique, le regard sociologique porté sur l'art lyrique ne peut échapper à une analyse géographique qui prend en compte ses ancrages territorial et identitaire. Notre recensement des manifestations lyriques en Provence montre que, dans un rayon de quatre-vingts kilomètres, il ne se passe pas un jour sans qu'une représentation lyrique ne soit programmée, majoritairement en-dehors des maisons d'opéras. De plus, contrairement aux images d'épinal de la Provence – lavande, pastis, cigales – la diffusion de l'art lyrique ne s'y réduit pas à la saison estivale. La vie lyrique est d'ailleurs ancrée dans les racines historiques de cette région du Sud de la France, où l'attachement à la voix lyrique relève d'une tendance populaire. En soulevant le paradoxe entre les identités réelle et affichée de la Provence, c'est la question de l'élitisme de l'art lyrique qui est renouvelée par la prise en compte de la diversité des formes lyriques non-institutionnelles, au-delà de la seule forme institutionnalisée : l'opéra.</abstract>
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spatial et musical de l'opéra }}
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