Pourquoi le singing-formant ? Données scientifiques et hypothèses musicologiques relatives à son apparition
Identifieur interne : 000918 ( Hal/Checkpoint ); précédent : 000917; suivant : 000919Pourquoi le singing-formant ? Données scientifiques et hypothèses musicologiques relatives à son apparition
Auteurs : Claire Pillot-Loiseau [France] ; Sophie Quattrocchi [France] ; Pascal Bezard [France]Source :
- Médecine des arts [ 1240-3784 ] ; 1998-12-04.
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Abstract
The singing formant is a harmonic reinforcement that occurs at about 3000 Hz in opera singers. The first part of this article describes the singing formant from a scientific point of view by defining it in acoustic and physiological terms. Perceptual judgements have shown that it gives a particular vocal quality (the voice is "bright" and carries), as often mentioned by voice teachers and musicians.
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Hal:halshs-00609079Le document en format XML
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<front><div type="abstract" xml:lang="en">The singing formant is a harmonic reinforcement that occurs at about 3000 Hz in opera singers. The first part of this article describes the singing formant from a scientific point of view by defining it in acoustic and physiological terms. Perceptual judgements have shown that it gives a particular vocal quality (the voice is "bright" and carries), as often mentioned by voice teachers and musicians.</div>
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<abstract xml:lang="en">The singing formant is a harmonic reinforcement that occurs at about 3000 Hz in opera singers. The first part of this article describes the singing formant from a scientific point of view by defining it in acoustic and physiological terms. Perceptual judgements have shown that it gives a particular vocal quality (the voice is "bright" and carries), as often mentioned by voice teachers and musicians.</abstract>
<abstract xml:lang="fr">Le singing-formant est un renforcement harmonique aux alentours de 3000 Hz chez les chanteurs lyriques. Cet article, dans sa première partie, le décrit d'un point de vue scientifique en le définissant au travers de descriptions acoustiques et de données physiologiques. Des jugements perceptifs montrent qu'il correspond à une qualité vocale donnée (voix portée, brillante) largement évoquée par les pédagogues et les musiciens.</abstract>
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