MusiqueCeltiqueV1, PascalFrancis, Curation, bibRecord, 000014

A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY

Identifieur interne : 000014 ( PascalFrancis/Curation ); précédent : 000013; suivant : 000015

A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY

Auteurs : David Robb [Royaume-Uni]

Source :

Traditiones - Inštitut za slovensko narodopisje, Ljubljana [ 0352-0447 ] ; 2009.

RBID : Francis:10-0243648

Descripteurs français

Pascal (Inist)
- Chanson populaire, Renouveau, Chant révolutionnaire, Siècle 19, Héritage, Irlande, Allemagne, Europe, Révolution industrielle, Famine, Emigration, Antimilitarisme, Artisan, Travail itinérant, Analyse comparative, Différence.
Wicri :
- geographic : Allemagne.
- topic : Héritage, Révolution industrielle, Artisan, Analyse comparative.

English descriptors

KwdEn :
- Antimilitarism, Century 19, Comparative analysis, Craftsman, Differences, Emigration, Europe, Famine, Germany, Heritage, Industrial Revolution, Ireland, Itinerant labour, Popular song, Revival, Revolutionary song.

Abstract

This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.

A01	`01`	`1`		`@0 0352-0447`
A03		`1`		`@0 Tradit. - Inšt. slov. narodop. Ljublj.`
A05				`@2 38`
A06				`@2 1`
A08	`01`	`1`	`ENG`	`@1 A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY`
A11	`01`	`1`		`@1 ROBB (David)`
A14	`01`			`@1 School of Languages, Literatures and Performing Arts, Queen's University of Belfast @2 Belfast BT7 1NN, North Ireland @3 GBR @Z 1 aut.`
A20				`@1 141-160`
A21				`@1 2009`
A23	`01`			`@0 ENG`
A24	`01`			`@0 slv`
A43	`01`			`@1 INIST @2 25644 @5 354000171768100100`
A44				`@0 0000 @1 © 2010 INIST-CNRS. All rights reserved.`
A45				`@0 1 p.`
A47	`01`	`1`		`@0 10-0243648`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Traditiones - Inštitut za slovensko narodopisje, Ljubljana`
A66	`01`			`@0 SVN`
A99				`@0 version slovéne abrégée`
C01	`01`		`ENG`	@0 This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.
C02	`01`	`N`		`@0 52992 @1 VII`
C02	`02`	`N`		`@0 529`
C03	`01`	`N`	`FRE`	`@0 Chanson populaire @5 01`
C03	`01`	`N`	`ENG`	`@0 Popular song @5 01`
C03	`02`	`N`	`FRE`	`@0 Renouveau @5 02`
C03	`02`	`N`	`ENG`	`@0 Revival @5 02`
C03	`03`	`N`	`FRE`	`@0 Chant révolutionnaire @5 03`
C03	`03`	`N`	`ENG`	`@0 Revolutionary song @5 03`
C03	`04`	`N`	`FRE`	`@0 Siècle 19 @2 ND @5 04`
C03	`04`	`N`	`ENG`	`@0 Century 19 @2 ND @5 04`
C03	`05`	`N`	`FRE`	`@0 Héritage @5 05`
C03	`05`	`N`	`ENG`	`@0 Heritage @5 05`
C03	`06`	`N`	`FRE`	`@0 Irlande @2 NG @5 06`
C03	`06`	`N`	`ENG`	`@0 Ireland @2 NG @5 06`
C03	`07`	`N`	`FRE`	`@0 Allemagne @2 NG @5 07`
C03	`07`	`N`	`ENG`	`@0 Germany @2 NG @5 07`
C03	`08`	`N`	`FRE`	`@0 Europe @2 NG @5 08`
C03	`08`	`N`	`ENG`	`@0 Europe @2 NG @5 08`
C03	`09`	`S`	`FRE`	`@0 Révolution industrielle @5 09`
C03	`09`	`S`	`ENG`	`@0 Industrial Revolution @5 09`
C03	`10`	`N`	`FRE`	`@0 Famine @5 10`
C03	`10`	`N`	`ENG`	`@0 Famine @5 10`
C03	`11`	`N`	`FRE`	`@0 Emigration @5 11`
C03	`11`	`N`	`ENG`	`@0 Emigration @5 11`
C03	`12`	`S`	`FRE`	`@0 Antimilitarisme @5 12`
C03	`12`	`S`	`ENG`	`@0 Antimilitarism @5 12`
C03	`13`	`N`	`FRE`	`@0 Artisan @5 13`
C03	`13`	`N`	`ENG`	`@0 Craftsman @5 13`
C03	`14`	`N`	`FRE`	`@0 Travail itinérant @5 14`
C03	`14`	`N`	`ENG`	`@0 Itinerant labour @5 14`
C03	`15`	`N`	`FRE`	`@0 Analyse comparative @5 15`
C03	`15`	`N`	`ENG`	`@0 Comparative analysis @5 15`
C03	`16`	`S`	`FRE`	`@0 Différence @5 16`
C03	`16`	`S`	`ENG`	`@0 Differences @5 16`
N21				`@1 165`

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to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000011

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Francis:10-0243648

Le document en format XML

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<author><name sortKey="Robb, David" sort="Robb, David" uniqKey="Robb D" first="David" last="Robb">David Robb</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY</title>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Antimilitarism</term>
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<front><div type="abstract" xml:lang="en">This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.</div>
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Serveur d'exploration sur la musique celtique

A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY

A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri