A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY
Identifieur interne : 000011 ( PascalFrancis/Corpus ); précédent : 000010; suivant : 000012A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY
Auteurs : David RobbSource :
- Traditiones - Inštitut za slovensko narodopisje, Ljubljana [ 0352-0447 ] ; 2009.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.
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Format Inist (serveur)
NO : | FRANCIS 10-0243648 INIST |
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ET : | A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY |
AU : | ROBB (David) |
AF : | School of Languages, Literatures and Performing Arts, Queen's University of Belfast/Belfast BT7 1NN, North Ireland/Royaume-Uni (1 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | Traditiones - Inštitut za slovensko narodopisje, Ljubljana; ISSN 0352-0447; Slovénie; Da. 2009; Vol. 38; No. 1; Pp. 141-160; Abs. slovène; Bibl. 1 p. |
LA : | Anglais |
EA : | This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s. |
CC : | 52992; 529 |
FD : | Chanson populaire; Renouveau; Chant révolutionnaire; Siècle 19; Héritage; Irlande; Allemagne; Europe; Révolution industrielle; Famine; Emigration; Antimilitarisme; Artisan; Travail itinérant; Analyse comparative; Différence |
ED : | Popular song; Revival; Revolutionary song; Century 19; Heritage; Ireland; Germany; Europe; Industrial Revolution; Famine; Emigration; Antimilitarism; Craftsman; Itinerant labour; Comparative analysis; Differences |
LO : | INIST-25644.354000171768100100 |
ID : | 10-0243648 |
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Francis:10-0243648Le document en format XML
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<front><div type="abstract" xml:lang="en">This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.</div>
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<ET>A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY</ET>
<AU>ROBB (David)</AU>
<AF>School of Languages, Literatures and Performing Arts, Queen's University of Belfast/Belfast BT7 1NN, North Ireland/Royaume-Uni (1 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
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<LA>Anglais</LA>
<EA>This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.</EA>
<CC>52992; 529</CC>
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