MusiqueCeltiqueV1, PascalFrancis, Curation, bibRecord, 000002

Drum source separation using percussive feature detection and spectral modulation

Identifieur interne : 000002 ( PascalFrancis/Curation ); précédent : 000001; suivant : 000003

Drum source separation using percussive feature detection and spectral modulation

Auteurs : Dan Barry [Irlande (pays)] ; Derry Fitzgerald [Irlande (pays)] ; Eugene Coyle [Irlande (pays)] ; Bob Lawlor [Irlande (pays)]

Source :

IEE conference publication

RBID : Pascal:06-0140009

Descripteurs français

Pascal (Inist)
- Instrument musique, Estimation paramètre, Séparation source, Détection contour, Extraction caractéristique, Modulation, Méthode séparation, Méthode domaine fréquence, Méthode sous espace, Tonie, Instrumentation, Estimation signal, Traitement signal, Détection forme, Signal acoustique.

English descriptors

KwdEn :
- Acoustic signal, Edge detection, Feature extraction, Frequency domain method, Instruments, Modulation, Musical instrument, Parameter estimation, Pitch(acoustics), Separation method, Shape detection, Signal estimation, Signal processing, Source separation, Subspace method.

Abstract

We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.

A05				`@2 511`
A08	`01`	`1`	`ENG`	`@1 Drum source separation using percussive feature detection and spectral modulation`
A09	`01`	`1`	`ENG`	`@1 IEE Irish signals and systems conference 2005 : Dublin Ireland, 1-2 September 2005`
A11	`01`	`1`		`@1 BARRY (Dan)`
A11	`02`	`1`		`@1 FITZGERALD (Derry)`
A11	`03`	`1`		`@1 COYLE (Eugene)`
A11	`04`	`1`		`@1 LAWLOR (Bob)`
A14	`01`			`@1 Digital Audio Research Group, Dublin Institute of Technology, Kevin St @2 Dublin @3 IRL @Z 1 aut. @Z 3 aut.`
A14	`02`			`@1 Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue @2 Bishopstown, Cork @3 IRL @Z 2 aut.`
A14	`03`			`@1 Dept. of Electronic Engineering, National University of Ireland @2 Maynooth @3 IRL @Z 4 aut.`
A20				`@1 13-17`
A21				`@1 2005`
A23	`01`			`@0 ENG`
A26	`01`			`@0 0-86341-549-0`
A43	`01`			`@1 INIST @2 12497 @5 354000138725780030`
A44				`@0 0000 @1 © 2006 INIST-CNRS. All rights reserved.`
A45				`@0 10 ref.`
A47	`01`	`1`		`@0 06-0140009`
A60				`@1 P @2 C`
A61				`@0 A`
A64	`01`	`2`		`@0 IEE conference publication`
A66	`01`			`@0 GBR`
C01	`01`		`ENG`	@0 We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.
C02	`01`	`X`		`@0 001D04A04A2`
C02	`02`	`X`		`@0 001D04A05A`
C02	`03`	`X`		`@0 001D04A04F`
C03	`01`	`X`	`FRE`	`@0 Instrument musique @5 01`
C03	`01`	`X`	`ENG`	`@0 Musical instrument @5 01`
C03	`01`	`X`	`SPA`	`@0 Instrumento musical @5 01`
C03	`02`	`X`	`FRE`	`@0 Estimation paramètre @5 02`
C03	`02`	`X`	`ENG`	`@0 Parameter estimation @5 02`
C03	`02`	`X`	`SPA`	`@0 Estimación parámetro @5 02`
C03	`03`	`X`	`FRE`	`@0 Séparation source @5 03`
C03	`03`	`X`	`ENG`	`@0 Source separation @5 03`
C03	`03`	`X`	`SPA`	`@0 Separación señal @5 03`
C03	`04`	`X`	`FRE`	`@0 Détection contour @5 04`
C03	`04`	`X`	`ENG`	`@0 Edge detection @5 04`
C03	`04`	`X`	`SPA`	`@0 Detección contorno @5 04`
C03	`05`	`3`	`FRE`	`@0 Extraction caractéristique @5 05`
C03	`05`	`3`	`ENG`	`@0 Feature extraction @5 05`
C03	`06`	`X`	`FRE`	`@0 Modulation @5 06`
C03	`06`	`X`	`ENG`	`@0 Modulation @5 06`
C03	`06`	`X`	`SPA`	`@0 Modulación @5 06`
C03	`07`	`X`	`FRE`	`@0 Méthode séparation @5 07`
C03	`07`	`X`	`ENG`	`@0 Separation method @5 07`
C03	`07`	`X`	`SPA`	`@0 Método separación @5 07`
C03	`08`	`X`	`FRE`	`@0 Méthode domaine fréquence @5 08`
C03	`08`	`X`	`ENG`	`@0 Frequency domain method @5 08`
C03	`08`	`X`	`SPA`	`@0 Método dominio frecuencia @5 08`
C03	`09`	`X`	`FRE`	`@0 Méthode sous espace @5 09`
C03	`09`	`X`	`ENG`	`@0 Subspace method @5 09`
C03	`09`	`X`	`SPA`	`@0 Método subespacio @5 09`
C03	`10`	`X`	`FRE`	`@0 Tonie @5 10`
C03	`10`	`X`	`ENG`	`@0 Pitch(acoustics) @5 10`
C03	`10`	`X`	`SPA`	`@0 Altura sonida @5 10`
C03	`11`	`X`	`FRE`	`@0 Instrumentation @5 11`
C03	`11`	`X`	`ENG`	`@0 Instruments @5 11`
C03	`11`	`X`	`SPA`	`@0 Instrumentación @5 11`
C03	`12`	`X`	`FRE`	`@0 Estimation signal @5 31`
C03	`12`	`X`	`ENG`	`@0 Signal estimation @5 31`
C03	`12`	`X`	`SPA`	`@0 Estimación señal @5 31`
C03	`13`	`X`	`FRE`	`@0 Traitement signal @5 32`
C03	`13`	`X`	`ENG`	`@0 Signal processing @5 32`
C03	`13`	`X`	`SPA`	`@0 Procesamiento señal @5 32`
C03	`14`	`X`	`FRE`	`@0 Détection forme @5 33`
C03	`14`	`X`	`ENG`	`@0 Shape detection @5 33`
C03	`14`	`X`	`SPA`	`@0 Detección forma @5 33`
C03	`15`	`X`	`FRE`	`@0 Signal acoustique @5 34`
C03	`15`	`X`	`ENG`	`@0 Acoustic signal @5 34`
C03	`15`	`X`	`SPA`	`@0 Señal acústica @5 34`
N21				`@1 086`
N44	`01`			`@1 OTO`
N82				`@1 OTO`

A30	`01`	`1`	`ENG`	`@1 IEE Irish signals and systems conference @3 Dublin IRL @4 2005-09-01`

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Le document en format XML

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<term>Musical instrument</term>
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<front><div type="abstract" xml:lang="en">We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.</div>
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<fC01 i1="01" l="ENG"><s0>We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.</s0>
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<s5>08</s5>
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<pR><fA30 i1="01" i2="1" l="ENG"><s1>IEE Irish signals and systems conference</s1>
<s3>Dublin IRL</s3>
<s4>2005-09-01</s4>
</fA30>
</pR>
</standard>
</inist>
</record>

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   |area=    MusiqueCeltiqueV1
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   |texte=   Drum source separation using percussive feature detection and spectral modulation
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Drum source separation using percussive feature detection and spectral modulation

Drum source separation using percussive feature detection and spectral modulation

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