Drum source separation using percussive feature detection and spectral modulation
Identifieur interne : 000029 ( PascalFrancis/Corpus ); précédent : 000028; suivant : 000030Drum source separation using percussive feature detection and spectral modulation
Auteurs : Dan Barry ; Derry Fitzgerald ; Eugene Coyle ; Bob LawlorSource :
- IEE conference publication
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
pA |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
pR |
|
Format Inist (serveur)
NO : | PASCAL 06-0140009 INIST |
---|---|
ET : | Drum source separation using percussive feature detection and spectral modulation |
AU : | BARRY (Dan); FITZGERALD (Derry); COYLE (Eugene); LAWLOR (Bob) |
AF : | Digital Audio Research Group, Dublin Institute of Technology, Kevin St/Dublin/Irlande (1 aut., 3 aut.); Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue/Bishopstown, Cork/Irlande (2 aut.); Dept. of Electronic Engineering, National University of Ireland/Maynooth/Irlande (4 aut.) |
DT : | Publication en série; Congrès; Niveau analytique |
SO : | IEE conference publication; Royaume-Uni; Da. 2005; Vol. 511; Pp. 13-17; Bibl. 10 ref. |
LA : | Anglais |
EA : | We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments. |
CC : | 001D04A04A2; 001D04A05A; 001D04A04F |
FD : | Instrument musique; Estimation paramètre; Séparation source; Détection contour; Extraction caractéristique; Modulation; Méthode séparation; Méthode domaine fréquence; Méthode sous espace; Tonie; Instrumentation; Estimation signal; Traitement signal; Détection forme; Signal acoustique |
ED : | Musical instrument; Parameter estimation; Source separation; Edge detection; Feature extraction; Modulation; Separation method; Frequency domain method; Subspace method; Pitch(acoustics); Instruments; Signal estimation; Signal processing; Shape detection; Acoustic signal |
SD : | Instrumento musical; Estimación parámetro; Separación señal; Detección contorno; Modulación; Método separación; Método dominio frecuencia; Método subespacio; Altura sonida; Instrumentación; Estimación señal; Procesamiento señal; Detección forma; Señal acústica |
LO : | INIST-12497.354000138725780030 |
ID : | 06-0140009 |
Links to Exploration step
Pascal:06-0140009Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Drum source separation using percussive feature detection and spectral modulation</title>
<author><name sortKey="Barry, Dan" sort="Barry, Dan" uniqKey="Barry D" first="Dan" last="Barry">Dan Barry</name>
<affiliation><inist:fA14 i1="01"><s1>Digital Audio Research Group, Dublin Institute of Technology, Kevin St</s1>
<s2>Dublin</s2>
<s3>IRL</s3>
<sZ>1 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Fitzgerald, Derry" sort="Fitzgerald, Derry" uniqKey="Fitzgerald D" first="Derry" last="Fitzgerald">Derry Fitzgerald</name>
<affiliation><inist:fA14 i1="02"><s1>Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue</s1>
<s2>Bishopstown, Cork</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Coyle, Eugene" sort="Coyle, Eugene" uniqKey="Coyle E" first="Eugene" last="Coyle">Eugene Coyle</name>
<affiliation><inist:fA14 i1="01"><s1>Digital Audio Research Group, Dublin Institute of Technology, Kevin St</s1>
<s2>Dublin</s2>
<s3>IRL</s3>
<sZ>1 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Lawlor, Bob" sort="Lawlor, Bob" uniqKey="Lawlor B" first="Bob" last="Lawlor">Bob Lawlor</name>
<affiliation><inist:fA14 i1="03"><s1>Dept. of Electronic Engineering, National University of Ireland</s1>
<s2>Maynooth</s2>
<s3>IRL</s3>
<sZ>4 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">06-0140009</idno>
<date when="2005">2005</date>
<idno type="stanalyst">PASCAL 06-0140009 INIST</idno>
<idno type="RBID">Pascal:06-0140009</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000029</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Drum source separation using percussive feature detection and spectral modulation</title>
<author><name sortKey="Barry, Dan" sort="Barry, Dan" uniqKey="Barry D" first="Dan" last="Barry">Dan Barry</name>
<affiliation><inist:fA14 i1="01"><s1>Digital Audio Research Group, Dublin Institute of Technology, Kevin St</s1>
<s2>Dublin</s2>
<s3>IRL</s3>
<sZ>1 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Fitzgerald, Derry" sort="Fitzgerald, Derry" uniqKey="Fitzgerald D" first="Derry" last="Fitzgerald">Derry Fitzgerald</name>
<affiliation><inist:fA14 i1="02"><s1>Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue</s1>
<s2>Bishopstown, Cork</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Coyle, Eugene" sort="Coyle, Eugene" uniqKey="Coyle E" first="Eugene" last="Coyle">Eugene Coyle</name>
<affiliation><inist:fA14 i1="01"><s1>Digital Audio Research Group, Dublin Institute of Technology, Kevin St</s1>
<s2>Dublin</s2>
<s3>IRL</s3>
<sZ>1 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Lawlor, Bob" sort="Lawlor, Bob" uniqKey="Lawlor B" first="Bob" last="Lawlor">Bob Lawlor</name>
<affiliation><inist:fA14 i1="03"><s1>Dept. of Electronic Engineering, National University of Ireland</s1>
<s2>Maynooth</s2>
<s3>IRL</s3>
<sZ>4 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">IEE conference publication</title>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">IEE conference publication</title>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic signal</term>
<term>Edge detection</term>
<term>Feature extraction</term>
<term>Frequency domain method</term>
<term>Instruments</term>
<term>Modulation</term>
<term>Musical instrument</term>
<term>Parameter estimation</term>
<term>Pitch(acoustics)</term>
<term>Separation method</term>
<term>Shape detection</term>
<term>Signal estimation</term>
<term>Signal processing</term>
<term>Source separation</term>
<term>Subspace method</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Instrument musique</term>
<term>Estimation paramètre</term>
<term>Séparation source</term>
<term>Détection contour</term>
<term>Extraction caractéristique</term>
<term>Modulation</term>
<term>Méthode séparation</term>
<term>Méthode domaine fréquence</term>
<term>Méthode sous espace</term>
<term>Tonie</term>
<term>Instrumentation</term>
<term>Estimation signal</term>
<term>Traitement signal</term>
<term>Détection forme</term>
<term>Signal acoustique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA05><s2>511</s2>
</fA05>
<fA08 i1="01" i2="1" l="ENG"><s1>Drum source separation using percussive feature detection and spectral modulation</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>IEE Irish signals and systems conference 2005 : Dublin Ireland, 1-2 September 2005</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>BARRY (Dan)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>FITZGERALD (Derry)</s1>
</fA11>
<fA11 i1="03" i2="1"><s1>COYLE (Eugene)</s1>
</fA11>
<fA11 i1="04" i2="1"><s1>LAWLOR (Bob)</s1>
</fA11>
<fA14 i1="01"><s1>Digital Audio Research Group, Dublin Institute of Technology, Kevin St</s1>
<s2>Dublin</s2>
<s3>IRL</s3>
<sZ>1 aut.</sZ>
<sZ>3 aut.</sZ>
</fA14>
<fA14 i1="02"><s1>Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue</s1>
<s2>Bishopstown, Cork</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</fA14>
<fA14 i1="03"><s1>Dept. of Electronic Engineering, National University of Ireland</s1>
<s2>Maynooth</s2>
<s3>IRL</s3>
<sZ>4 aut.</sZ>
</fA14>
<fA20><s1>13-17</s1>
</fA20>
<fA21><s1>2005</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA26 i1="01"><s0>0-86341-549-0</s0>
</fA26>
<fA43 i1="01"><s1>INIST</s1>
<s2>12497</s2>
<s5>354000138725780030</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2006 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>10 ref.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>06-0140009</s0>
</fA47>
<fA60><s1>P</s1>
<s2>C</s2>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="2"><s0>IEE conference publication</s0>
</fA64>
<fA66 i1="01"><s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>001D04A04A2</s0>
</fC02>
<fC02 i1="02" i2="X"><s0>001D04A05A</s0>
</fC02>
<fC02 i1="03" i2="X"><s0>001D04A04F</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Instrument musique</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Musical instrument</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Instrumento musical</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Estimation paramètre</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Parameter estimation</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Estimación parámetro</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Séparation source</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Source separation</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Separación señal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Détection contour</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Edge detection</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Detección contorno</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="3" l="FRE"><s0>Extraction caractéristique</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="3" l="ENG"><s0>Feature extraction</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Modulation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Modulation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Modulación</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Méthode séparation</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Separation method</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Método separación</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>Méthode domaine fréquence</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG"><s0>Frequency domain method</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA"><s0>Método dominio frecuencia</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE"><s0>Méthode sous espace</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG"><s0>Subspace method</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA"><s0>Método subespacio</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Tonie</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Pitch(acoustics)</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Altura sonida</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE"><s0>Instrumentation</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="ENG"><s0>Instruments</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="SPA"><s0>Instrumentación</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE"><s0>Estimation signal</s0>
<s5>31</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG"><s0>Signal estimation</s0>
<s5>31</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA"><s0>Estimación señal</s0>
<s5>31</s5>
</fC03>
<fC03 i1="13" i2="X" l="FRE"><s0>Traitement signal</s0>
<s5>32</s5>
</fC03>
<fC03 i1="13" i2="X" l="ENG"><s0>Signal processing</s0>
<s5>32</s5>
</fC03>
<fC03 i1="13" i2="X" l="SPA"><s0>Procesamiento señal</s0>
<s5>32</s5>
</fC03>
<fC03 i1="14" i2="X" l="FRE"><s0>Détection forme</s0>
<s5>33</s5>
</fC03>
<fC03 i1="14" i2="X" l="ENG"><s0>Shape detection</s0>
<s5>33</s5>
</fC03>
<fC03 i1="14" i2="X" l="SPA"><s0>Detección forma</s0>
<s5>33</s5>
</fC03>
<fC03 i1="15" i2="X" l="FRE"><s0>Signal acoustique</s0>
<s5>34</s5>
</fC03>
<fC03 i1="15" i2="X" l="ENG"><s0>Acoustic signal</s0>
<s5>34</s5>
</fC03>
<fC03 i1="15" i2="X" l="SPA"><s0>Señal acústica</s0>
<s5>34</s5>
</fC03>
<fN21><s1>086</s1>
</fN21>
<fN44 i1="01"><s1>OTO</s1>
</fN44>
<fN82><s1>OTO</s1>
</fN82>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>IEE Irish signals and systems conference</s1>
<s3>Dublin IRL</s3>
<s4>2005-09-01</s4>
</fA30>
</pR>
</standard>
<server><NO>PASCAL 06-0140009 INIST</NO>
<ET>Drum source separation using percussive feature detection and spectral modulation</ET>
<AU>BARRY (Dan); FITZGERALD (Derry); COYLE (Eugene); LAWLOR (Bob)</AU>
<AF>Digital Audio Research Group, Dublin Institute of Technology, Kevin St/Dublin/Irlande (1 aut., 3 aut.); Dept. Electrical Engineering, Cork Institute of Technology, Rossa Avenue/Bishopstown, Cork/Irlande (2 aut.); Dept. of Electronic Engineering, National University of Ireland/Maynooth/Irlande (4 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>IEE conference publication; Royaume-Uni; Da. 2005; Vol. 511; Pp. 13-17; Bibl. 10 ref.</SO>
<LA>Anglais</LA>
<EA>We present a method for the separation and resynthesis of drum sources from single channel polyphonic mixtures. The frequency domain technique involves identifying the presence of a drum using a novel percussive feature detection function, after which the short-time magnitude spectrum is estimated and scaled according to an estimated time-amplitude function derived from the percussive measure. In addition to producing high quality separation results, the method we describe is also a useful pre-process for drum transcription techniques such as Prior Subspace Analysis in the presence of pitched instruments.</EA>
<CC>001D04A04A2; 001D04A05A; 001D04A04F</CC>
<FD>Instrument musique; Estimation paramètre; Séparation source; Détection contour; Extraction caractéristique; Modulation; Méthode séparation; Méthode domaine fréquence; Méthode sous espace; Tonie; Instrumentation; Estimation signal; Traitement signal; Détection forme; Signal acoustique</FD>
<ED>Musical instrument; Parameter estimation; Source separation; Edge detection; Feature extraction; Modulation; Separation method; Frequency domain method; Subspace method; Pitch(acoustics); Instruments; Signal estimation; Signal processing; Shape detection; Acoustic signal</ED>
<SD>Instrumento musical; Estimación parámetro; Separación señal; Detección contorno; Modulación; Método separación; Método dominio frecuencia; Método subespacio; Altura sonida; Instrumentación; Estimación señal; Procesamiento señal; Detección forma; Señal acústica</SD>
<LO>INIST-12497.354000138725780030</LO>
<ID>06-0140009</ID>
</server>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MusiqueCeltiqueV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000029 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000029 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= MusiqueCeltiqueV1 |flux= PascalFrancis |étape= Corpus |type= RBID |clé= Pascal:06-0140009 |texte= Drum source separation using percussive feature detection and spectral modulation }}
This area was generated with Dilib version V0.6.38. |