URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS
Identifieur interne : 000006 ( PascalFrancis/Corpus ); précédent : 000005; suivant : 000007URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS
Auteurs : Diane NegraSource :
- Cultural studies [ 0950-2386 ] ; 2010.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Written in 2006, at the end of an era that Fintan O'Toole has aptly characterized as one in which the Irish economy served as 'the poster child of free- market globalization,' (O'Toole, F., Ship of Fools: How Stupidity and Corruption Sank the Celtic Tiger, London, Faber & Faber, 2009) this essay seeks to elucidate some of the features of what we might now designate late stage Celtic Tigerism. Its central concern is with an exploration of the affective parameters of boom-era Irishness in a period driven by the national priority of being 'business-friendly." Charting a shift in the discursive repertoire of Irishness from warmth to coolness, and considering the emergence of Ireland's position as an exemplary scene of capitalism in the first half of the twenty-first century's first decade, the piece examine a range of suggestive examples including a music video by an Irish pop group, an Irish-themed financial advice book and the rhetoric of promotion that surrounded the opening of Ireland's largest shopping mall in 2005.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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Format Inist (serveur)
| NO : | FRANCIS 11-0250334 INIST |
|---|---|
| FT : | (L'espace urbain, le commerce de détail du luxe et le nouveau caractère irlandais) |
| ET : | URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS |
| AU : | NEGRA (Diane); HIGGINS (Michael) |
| AF : | University College Dublin/Irlande (1 aut.); School of Humanities at the University of Strathclyde/Royaume-Uni (1 aut.) |
| DT : | Publication en série; Niveau analytique |
| SO : | Cultural studies; ISSN 0950-2386; Royaume-Uni; Da. 2010; Vol. 24; No. 6; Pp. 836-853; Bibl. 1 p.1/4 |
| LA : | Anglais |
| EA : | Written in 2006, at the end of an era that Fintan O'Toole has aptly characterized as one in which the Irish economy served as 'the poster child of free- market globalization,' (O'Toole, F., Ship of Fools: How Stupidity and Corruption Sank the Celtic Tiger, London, Faber & Faber, 2009) this essay seeks to elucidate some of the features of what we might now designate late stage Celtic Tigerism. Its central concern is with an exploration of the affective parameters of boom-era Irishness in a period driven by the national priority of being 'business-friendly." Charting a shift in the discursive repertoire of Irishness from warmth to coolness, and considering the emergence of Ireland's position as an exemplary scene of capitalism in the first half of the twenty-first century's first decade, the piece examine a range of suggestive examples including a music video by an Irish pop group, an Irish-themed financial advice book and the rhetoric of promotion that surrounded the opening of Ireland's largest shopping mall in 2005. |
| CC : | 52960Y; 529 |
| FD : | Europe septentrionale; Irlande; Identité culturelle; Commerce de détail; Image de marque; Irlandais; Musique; Luxe; Celtique |
| ED : | Northern Europe; Ireland; Cultural identity; Retail trade; Public Image; Irish; Music |
| LO : | INIST-26522.354000192530390040 |
| ID : | 11-0250334 |
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Francis:11-0250334Le document en format XML
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Its central concern is with an exploration of the affective parameters of boom-era Irishness in a period driven by the national priority of being 'business-friendly." Charting a shift in the discursive repertoire of Irishness from warmth to coolness, and considering the emergence of Ireland's position as an exemplary scene of capitalism in the first half of the twenty-first century's first decade, the piece examine a range of suggestive examples including a music video by an Irish pop group, an Irish-themed financial advice book and the rhetoric of promotion that surrounded the opening of Ireland's largest shopping mall in 2005.</div></front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0950-2386</s0></fA01><fA03 i2="1"><s0>Cult. stud.</s0></fA03><fA05><s2>24</s2></fA05><fA06><s2>6</s2></fA06><fA08 i1="01" i2="1" l="ENG"><s1>URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS</s1></fA08><fA09 i1="01" i2="1" l="ENG"><s1>Cultural Studies and Ireland</s1></fA09><fA11 i1="01" i2="1"><s1>NEGRA (Diane)</s1></fA11><fA12 i1="01" i2="1"><s1>HIGGINS (Michael)</s1><s9>ed.</s9></fA12><fA14 i1="01"><s1>University College Dublin</s1><s3>IRL</s3><sZ>1 aut.</sZ></fA14><fA15 i1="01"><s1>School of Humanities at the University of Strathclyde</s1><s3>GBR</s3><sZ>1 aut.</sZ></fA15><fA20><s1>836-853</s1></fA20><fA21><s1>2010</s1></fA21><fA23 i1="01"><s0>ENG</s0></fA23><fA43 i1="01"><s1>INIST</s1><s2>26522</s2><s5>354000192530390040</s5></fA43><fA44><s0>0000</s0><s1>© 2011 INIST-CNRS. 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Its central concern is with an exploration of the affective parameters of boom-era Irishness in a period driven by the national priority of being 'business-friendly." Charting a shift in the discursive repertoire of Irishness from warmth to coolness, and considering the emergence of Ireland's position as an exemplary scene of capitalism in the first half of the twenty-first century's first decade, the piece examine a range of suggestive examples including a music video by an Irish pop group, an Irish-themed financial advice book and the rhetoric of promotion that surrounded the opening of Ireland's largest shopping mall in 2005.</s0></fC01><fC02 i1="01" i2="N"><s0>52960Y</s0><s1>V</s1></fC02><fC02 i1="02" i2="N"><s0>529</s0></fC02><fC03 i1="01" i2="S" l="FRE"><s0>Europe septentrionale</s0><s2>NG</s2><s5>01</s5></fC03><fC03 i1="01" i2="S" l="ENG"><s0>Northern Europe</s0><s2>NG</s2><s5>01</s5></fC03><fC03 i1="02" i2="N" l="FRE"><s0>Irlande</s0><s2>NG</s2><s5>02</s5></fC03><fC03 i1="02" i2="N" l="ENG"><s0>Ireland</s0><s2>NG</s2><s5>02</s5></fC03><fC03 i1="03" i2="N" l="FRE"><s0>Identité culturelle</s0><s5>03</s5></fC03><fC03 i1="03" i2="N" l="ENG"><s0>Cultural identity</s0><s5>03</s5></fC03><fC03 i1="04" i2="S" l="FRE"><s0>Commerce de détail</s0><s5>04</s5></fC03><fC03 i1="04" i2="S" l="ENG"><s0>Retail trade</s0><s5>04</s5></fC03><fC03 i1="05" i2="S" l="FRE"><s0>Image de marque</s0><s5>05</s5></fC03><fC03 i1="05" i2="S" l="ENG"><s0>Public Image</s0><s5>05</s5></fC03><fC03 i1="06" i2="N" l="FRE"><s0>Irlandais</s0><s2>NN</s2><s5>06</s5></fC03><fC03 i1="06" i2="N" l="ENG"><s0>Irish</s0><s2>NN</s2><s5>06</s5></fC03><fC03 i1="07" i2="N" l="FRE"><s0>Musique</s0><s5>07</s5></fC03><fC03 i1="07" i2="N" l="ENG"><s0>Music</s0><s5>07</s5></fC03><fC03 i1="08" i2="N" l="FRE"><s0>Luxe</s0><s4>INC</s4><s5>26</s5></fC03><fC03 i1="09" i2="N" l="FRE"><s0>Celtique</s0><s4>INC</s4><s5>27</s5></fC03><fN21><s1>171</s1></fN21></pA></standard><server><NO>FRANCIS 11-0250334 INIST</NO><FT>(L'espace urbain, le commerce de détail du luxe et le nouveau caractère irlandais)</FT><ET>URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS</ET><AU>NEGRA (Diane); HIGGINS (Michael)</AU><AF>University College Dublin/Irlande (1 aut.); School of Humanities at the University of Strathclyde/Royaume-Uni (1 aut.)</AF><DT>Publication en série; Niveau analytique</DT><SO>Cultural studies; ISSN 0950-2386; Royaume-Uni; Da. 2010; Vol. 24; No. 6; Pp. 836-853; Bibl. 1 p.1/4</SO><LA>Anglais</LA><EA>Written in 2006, at the end of an era that Fintan O'Toole has aptly characterized as one in which the Irish economy served as 'the poster child of free- market globalization,' (O'Toole, F., Ship of Fools: How Stupidity and Corruption Sank the Celtic Tiger, London, Faber & Faber, 2009) this essay seeks to elucidate some of the features of what we might now designate late stage Celtic Tigerism. Its central concern is with an exploration of the affective parameters of boom-era Irishness in a period driven by the national priority of being 'business-friendly." Charting a shift in the discursive repertoire of Irishness from warmth to coolness, and considering the emergence of Ireland's position as an exemplary scene of capitalism in the first half of the twenty-first century's first decade, the piece examine a range of suggestive examples including a music video by an Irish pop group, an Irish-themed financial advice book and the rhetoric of promotion that surrounded the opening of Ireland's largest shopping mall in 2005.</EA><CC>52960Y; 529</CC><FD>Europe septentrionale; Irlande; Identité culturelle; Commerce de détail; Image de marque; Irlandais; Musique; Luxe; Celtique</FD><ED>Northern Europe; Ireland; Cultural identity; Retail trade; Public Image; Irish; Music</ED><LO>INIST-26522.354000192530390040</LO><ID>11-0250334</ID></server></inist></record>Pour manipuler ce document sous Unix (Dilib)
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