The aesthetics of nations: anthropological and historical approaches
Identifieur interne : 000147 ( Main/Merge ); précédent : 000146; suivant : 000148The aesthetics of nations: anthropological and historical approaches
Auteurs : Nayanika Mookherjee [Royaume-Uni]Source :
- Journal of the Royal Anthropological Institute [ 1359-0987 ] ; 2011-05.
Descripteurs français
- Wicri :
- geographic : Bangladesh.
- topic : Hymne, Patrimoine culturel, Science politique, Violence sexuelle.
English descriptors
- KwdEn :
- Absolute return, Aesthetic artefacts, Aesthetic manifestations, Aesthetic objects, Aesthetic practices, Aesthetic registers, Aesthetic representations, Aesthetic structures, Aesthetics, Affective, Affective responses, Afrikaner volk, Annie coombes, Anthem, Anthropological, Anthropological institute, Artefact, Available http, Bangla, Bangladesh, Bangladeshi, Bangladeshi nation, Bengali, Bengali muslim identity, Bhabha, Blom hansen, Butler spivak, California press, Centre stage, Chris pinney, Collective memory, Colonial administrators, Contestation, Coombes, Cultural heritage, Cultural property, Diasporic indians, Different factions, Different ways, Duke university press, Durham university, Enunciative, Enunciative authority, Everyday state, Fault lines, First nations, Gayatri chakravorty spivak, Genocidal cosmopolitanism, Golden bengal, Green background, Independent bangladesh, Interpersonal networks, Iteration, Local knowledge, Memorial museum, Memorial museums, Memorialization, Memory site, Modern india, Mookherjee, Muktir gaan, Multiple senses, Narcissistic empathy, National anthem, National anthems, National culture, National feeling, National language, Nayanika, Nayanika mookherjee, Necessary slippage, Northern ireland, Ongoing reconstruction, Original emphasis, Past injustices, Peculiar emotion, Performative, Personal experience, Pinney, Political science, Power relations, Powerful image, Public culture, Quotidian reproducibility, Real power, Reconciliation, Reconciliation commission, Redemptive criticism, Relational aesthetics, Routledge, Rowlands, Rowlands butler, Same time, Second edition, Sens, Sensorial engagements, Sensual practices, Sexual violence, Shonar, Shonar bangla, Slippage, Social practice, Special issue, Spivak, Universal museum, Universal museums, University press, Various artefacts, Violent encounters, Violent injustice, Violent pasts, Visual culture, Walter benjamin, West pakistan, Western knowledge factory, Winter olympics.
- Teeft :
- Absolute return, Aesthetic artefacts, Aesthetic manifestations, Aesthetic objects, Aesthetic practices, Aesthetic registers, Aesthetic representations, Aesthetic structures, Aesthetics, Affective, Affective responses, Afrikaner volk, Annie coombes, Anthem, Anthropological, Anthropological institute, Artefact, Available http, Bangla, Bangladesh, Bangladeshi, Bangladeshi nation, Bengali, Bengali muslim identity, Bhabha, Blom hansen, Butler spivak, California press, Centre stage, Chris pinney, Collective memory, Colonial administrators, Contestation, Coombes, Cultural heritage, Cultural property, Diasporic indians, Different factions, Different ways, Duke university press, Durham university, Enunciative, Enunciative authority, Everyday state, Fault lines, First nations, Gayatri chakravorty spivak, Genocidal cosmopolitanism, Golden bengal, Green background, Independent bangladesh, Interpersonal networks, Iteration, Local knowledge, Memorial museum, Memorial museums, Memorialization, Memory site, Modern india, Mookherjee, Muktir gaan, Multiple senses, Narcissistic empathy, National anthem, National anthems, National culture, National feeling, National language, Nayanika, Nayanika mookherjee, Necessary slippage, Northern ireland, Ongoing reconstruction, Original emphasis, Past injustices, Peculiar emotion, Performative, Personal experience, Pinney, Political science, Power relations, Powerful image, Public culture, Quotidian reproducibility, Real power, Reconciliation, Reconciliation commission, Redemptive criticism, Relational aesthetics, Routledge, Rowlands, Rowlands butler, Same time, Second edition, Sens, Sensorial engagements, Sensual practices, Sexual violence, Shonar, Shonar bangla, Slippage, Social practice, Special issue, Spivak, Universal museum, Universal museums, University press, Various artefacts, Violent encounters, Violent injustice, Violent pasts, Visual culture, Walter benjamin, West pakistan, Western knowledge factory, Winter olympics.
Abstract
The nation, it is increasingly recognized, needs to be performed and materialized. The representation of national conflicts and contested pasts by governments and communities through various aesthetic artefacts and practices seeks to evoke and regulate multiple senses and feelings. But is a straightforwardly productive affect –feeling– always manifested? In this introduction, I reflect critically on some of the anthropological scholarship on nation, aesthetics, and senses and seek to offer new terms of analysis and styles of interpretation. Overall, I seek to problematize the often too easily invoked relationship between performative material embodiment and the nation. It is at the (often fractured) intersection of these multiple levels and through an ethnographic engagement with the acts of production, consumption, and social participation in the aesthetic representation of these national pasts that I locate the analytical focus of the anthropology of nation, aesthetics, and feelings in this special issue of the Journal of the Royal Anthropological Institute.
Url:
DOI: 10.1111/j.1467-9655.2011.01686.x
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<term>Aesthetic manifestations</term>
<term>Aesthetic objects</term>
<term>Aesthetic practices</term>
<term>Aesthetic registers</term>
<term>Aesthetic representations</term>
<term>Aesthetic structures</term>
<term>Aesthetics</term>
<term>Affective</term>
<term>Affective responses</term>
<term>Afrikaner volk</term>
<term>Annie coombes</term>
<term>Anthem</term>
<term>Anthropological</term>
<term>Anthropological institute</term>
<term>Artefact</term>
<term>Available http</term>
<term>Bangla</term>
<term>Bangladesh</term>
<term>Bangladeshi</term>
<term>Bangladeshi nation</term>
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<term>Bengali muslim identity</term>
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<term>Blom hansen</term>
<term>Butler spivak</term>
<term>California press</term>
<term>Centre stage</term>
<term>Chris pinney</term>
<term>Collective memory</term>
<term>Colonial administrators</term>
<term>Contestation</term>
<term>Coombes</term>
<term>Cultural heritage</term>
<term>Cultural property</term>
<term>Diasporic indians</term>
<term>Different factions</term>
<term>Different ways</term>
<term>Duke university press</term>
<term>Durham university</term>
<term>Enunciative</term>
<term>Enunciative authority</term>
<term>Everyday state</term>
<term>Fault lines</term>
<term>First nations</term>
<term>Gayatri chakravorty spivak</term>
<term>Genocidal cosmopolitanism</term>
<term>Golden bengal</term>
<term>Green background</term>
<term>Independent bangladesh</term>
<term>Interpersonal networks</term>
<term>Iteration</term>
<term>Local knowledge</term>
<term>Memorial museum</term>
<term>Memorial museums</term>
<term>Memorialization</term>
<term>Memory site</term>
<term>Modern india</term>
<term>Mookherjee</term>
<term>Muktir gaan</term>
<term>Multiple senses</term>
<term>Narcissistic empathy</term>
<term>National anthem</term>
<term>National anthems</term>
<term>National culture</term>
<term>National feeling</term>
<term>National language</term>
<term>Nayanika</term>
<term>Nayanika mookherjee</term>
<term>Necessary slippage</term>
<term>Northern ireland</term>
<term>Ongoing reconstruction</term>
<term>Original emphasis</term>
<term>Past injustices</term>
<term>Peculiar emotion</term>
<term>Performative</term>
<term>Personal experience</term>
<term>Pinney</term>
<term>Political science</term>
<term>Power relations</term>
<term>Powerful image</term>
<term>Public culture</term>
<term>Quotidian reproducibility</term>
<term>Real power</term>
<term>Reconciliation</term>
<term>Reconciliation commission</term>
<term>Redemptive criticism</term>
<term>Relational aesthetics</term>
<term>Routledge</term>
<term>Rowlands</term>
<term>Rowlands butler</term>
<term>Same time</term>
<term>Second edition</term>
<term>Sens</term>
<term>Sensorial engagements</term>
<term>Sensual practices</term>
<term>Sexual violence</term>
<term>Shonar</term>
<term>Shonar bangla</term>
<term>Slippage</term>
<term>Social practice</term>
<term>Special issue</term>
<term>Spivak</term>
<term>Universal museum</term>
<term>Universal museums</term>
<term>University press</term>
<term>Various artefacts</term>
<term>Violent encounters</term>
<term>Violent injustice</term>
<term>Violent pasts</term>
<term>Visual culture</term>
<term>Walter benjamin</term>
<term>West pakistan</term>
<term>Western knowledge factory</term>
<term>Winter olympics</term>
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<term>Aesthetic artefacts</term>
<term>Aesthetic manifestations</term>
<term>Aesthetic objects</term>
<term>Aesthetic practices</term>
<term>Aesthetic registers</term>
<term>Aesthetic representations</term>
<term>Aesthetic structures</term>
<term>Aesthetics</term>
<term>Affective</term>
<term>Affective responses</term>
<term>Afrikaner volk</term>
<term>Annie coombes</term>
<term>Anthem</term>
<term>Anthropological</term>
<term>Anthropological institute</term>
<term>Artefact</term>
<term>Available http</term>
<term>Bangla</term>
<term>Bangladesh</term>
<term>Bangladeshi</term>
<term>Bangladeshi nation</term>
<term>Bengali</term>
<term>Bengali muslim identity</term>
<term>Bhabha</term>
<term>Blom hansen</term>
<term>Butler spivak</term>
<term>California press</term>
<term>Centre stage</term>
<term>Chris pinney</term>
<term>Collective memory</term>
<term>Colonial administrators</term>
<term>Contestation</term>
<term>Coombes</term>
<term>Cultural heritage</term>
<term>Cultural property</term>
<term>Diasporic indians</term>
<term>Different factions</term>
<term>Different ways</term>
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<term>Durham university</term>
<term>Enunciative</term>
<term>Enunciative authority</term>
<term>Everyday state</term>
<term>Fault lines</term>
<term>First nations</term>
<term>Gayatri chakravorty spivak</term>
<term>Genocidal cosmopolitanism</term>
<term>Golden bengal</term>
<term>Green background</term>
<term>Independent bangladesh</term>
<term>Interpersonal networks</term>
<term>Iteration</term>
<term>Local knowledge</term>
<term>Memorial museum</term>
<term>Memorial museums</term>
<term>Memorialization</term>
<term>Memory site</term>
<term>Modern india</term>
<term>Mookherjee</term>
<term>Muktir gaan</term>
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<term>Narcissistic empathy</term>
<term>National anthem</term>
<term>National anthems</term>
<term>National culture</term>
<term>National feeling</term>
<term>National language</term>
<term>Nayanika</term>
<term>Nayanika mookherjee</term>
<term>Necessary slippage</term>
<term>Northern ireland</term>
<term>Ongoing reconstruction</term>
<term>Original emphasis</term>
<term>Past injustices</term>
<term>Peculiar emotion</term>
<term>Performative</term>
<term>Personal experience</term>
<term>Pinney</term>
<term>Political science</term>
<term>Power relations</term>
<term>Powerful image</term>
<term>Public culture</term>
<term>Quotidian reproducibility</term>
<term>Real power</term>
<term>Reconciliation</term>
<term>Reconciliation commission</term>
<term>Redemptive criticism</term>
<term>Relational aesthetics</term>
<term>Routledge</term>
<term>Rowlands</term>
<term>Rowlands butler</term>
<term>Same time</term>
<term>Second edition</term>
<term>Sens</term>
<term>Sensorial engagements</term>
<term>Sensual practices</term>
<term>Sexual violence</term>
<term>Shonar</term>
<term>Shonar bangla</term>
<term>Slippage</term>
<term>Social practice</term>
<term>Special issue</term>
<term>Spivak</term>
<term>Universal museum</term>
<term>Universal museums</term>
<term>University press</term>
<term>Various artefacts</term>
<term>Violent encounters</term>
<term>Violent injustice</term>
<term>Violent pasts</term>
<term>Visual culture</term>
<term>Walter benjamin</term>
<term>West pakistan</term>
<term>Western knowledge factory</term>
<term>Winter olympics</term>
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<front><div type="abstract">The nation, it is increasingly recognized, needs to be performed and materialized. The representation of national conflicts and contested pasts by governments and communities through various aesthetic artefacts and practices seeks to evoke and regulate multiple senses and feelings. But is a straightforwardly productive affect –feeling– always manifested? In this introduction, I reflect critically on some of the anthropological scholarship on nation, aesthetics, and senses and seek to offer new terms of analysis and styles of interpretation. Overall, I seek to problematize the often too easily invoked relationship between performative material embodiment and the nation. It is at the (often fractured) intersection of these multiple levels and through an ethnographic engagement with the acts of production, consumption, and social participation in the aesthetic representation of these national pasts that I locate the analytical focus of the anthropology of nation, aesthetics, and feelings in this special issue of the Journal of the Royal Anthropological Institute.</div>
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