The aesthetics of nations: anthropological and historical approaches

The aesthetics of nations: anthropological and historical approaches

Source :

• Journal of the Royal Anthropological Institute [ 1359-0987 ] ; 2011-05.

English descriptors

• KwdEn :
  • Absolute return, Aesthetic artefacts, Aesthetic manifestations, Aesthetic objects, Aesthetic practices, Aesthetic registers, Aesthetic representations, Aesthetic structures, Aesthetics, Affective, Affective responses, Afrikaner volk, Annie coombes, Anthem, Anthropological, Anthropological institute, Artefact, Available http, Bangla, Bangladesh, Bangladeshi, Bangladeshi nation, Bengali, Bengali muslim identity, Bhabha, Blom hansen, Butler spivak, California press, Centre stage, Chris pinney, Collective memory, Colonial administrators, Contestation, Coombes, Cultural heritage, Cultural property, Diasporic indians, Different factions, Different ways, Duke university press, Durham university, Enunciative, Enunciative authority, Everyday state, Fault lines, First nations, Gayatri chakravorty spivak, Genocidal cosmopolitanism, Golden bengal, Green background, Independent bangladesh, Interpersonal networks, Iteration, Local knowledge, Memorial museum, Memorial museums, Memorialization, Memory site, Modern india, Mookherjee, Muktir gaan, Multiple senses, Narcissistic empathy, National anthem, National anthems, National culture, National feeling, National language, Nayanika, Nayanika mookherjee, Necessary slippage, Northern ireland, Ongoing reconstruction, Original emphasis, Past injustices, Peculiar emotion, Performative, Personal experience, Pinney, Political science, Power relations, Powerful image, Public culture, Quotidian reproducibility, Real power, Reconciliation, Reconciliation commission, Redemptive criticism, Relational aesthetics, Routledge, Rowlands, Rowlands butler, Same time, Second edition, Sens, Sensorial engagements, Sensual practices, Sexual violence, Shonar, Shonar bangla, Slippage, Social practice, Special issue, Spivak, Universal museum, Universal museums, University press, Various artefacts, Violent encounters, Violent injustice, Violent pasts, Visual culture, Walter benjamin, West pakistan, Western knowledge factory, Winter olympics.
• Teeft :
  • Absolute return, Aesthetic artefacts, Aesthetic manifestations, Aesthetic objects, Aesthetic practices, Aesthetic registers, Aesthetic representations, Aesthetic structures, Aesthetics, Affective, Affective responses, Afrikaner volk, Annie coombes, Anthem, Anthropological, Anthropological institute, Artefact, Available http, Bangla, Bangladesh, Bangladeshi, Bangladeshi nation, Bengali, Bengali muslim identity, Bhabha, Blom hansen, Butler spivak, California press, Centre stage, Chris pinney, Collective memory, Colonial administrators, Contestation, Coombes, Cultural heritage, Cultural property, Diasporic indians, Different factions, Different ways, Duke university press, Durham university, Enunciative, Enunciative authority, Everyday state, Fault lines, First nations, Gayatri chakravorty spivak, Genocidal cosmopolitanism, Golden bengal, Green background, Independent bangladesh, Interpersonal networks, Iteration, Local knowledge, Memorial museum, Memorial museums, Memorialization, Memory site, Modern india, Mookherjee, Muktir gaan, Multiple senses, Narcissistic empathy, National anthem, National anthems, National culture, National feeling, National language, Nayanika, Nayanika mookherjee, Necessary slippage, Northern ireland, Ongoing reconstruction, Original emphasis, Past injustices, Peculiar emotion, Performative, Personal experience, Pinney, Political science, Power relations, Powerful image, Public culture, Quotidian reproducibility, Real power, Reconciliation, Reconciliation commission, Redemptive criticism, Relational aesthetics, Routledge, Rowlands, Rowlands butler, Same time, Second edition, Sens, Sensorial engagements, Sensual practices, Sexual violence, Shonar, Shonar bangla, Slippage, Social practice, Special issue, Spivak, Universal museum, Universal museums, University press, Various artefacts, Violent encounters, Violent injustice, Violent pasts, Visual culture, Walter benjamin, West pakistan, Western knowledge factory, Winter olympics.

Abstract

• https://api.istex.fr/document/4FF2DE873CC9CD1C2D6EF0A46F02F7308EACBA6D/fulltext/pdf

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