| Ident. | Authors (with country if any) | Title |
|---|
| 000564 (2011) |
Adeline Nyamathi ; Alexandra Slagle ; Alexandra Thomas ; Angela Hudson ; Farinaz Khalilifard ; Glenna Avila ; Julie Orser ; Manuel Cuchilla | Art Messaging as a Medium to Engage Homeless Young Adults Art Messaging as a Medium to Engage Homeless Youth |
| 000623 (2011) |
Thomas Storck [États-Unis] | Seeking Beauty in Art: Some Implicationsof a Thomistic Statement about Glass Saws |
| 000645 (2011) |
José Fornari [Brésil] | Path of Patches: Implementing an Evolutionary Soundscape Art Installation |
| 000661 (2011) |
Roman Ivanovitch | Mozart's Art of Retransition |
| 000710 (2011) |
Christy Mag Uidhir [États-Unis] ; P. D. Magnus | ART CONCEPT PLURALISM |
| 000891 (2010) |
Brigitte Derlon ; Monique Jeudy Allini | The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell |
| 000937 (2010) |
Mara Miller [États-Unis] | Muroji: Rearranging Art and History at a Japanese Buddhist Temple by fowler, sherry d.Daitokuji: The Visual Cultures of a Zen Monastery by levine, gregory p. a. |
| 000951 (2010) |
Marianna Wahlsten | LE CORBUSIER – THE ART OF ARCHITECTURE BY STANISLAUS VON MOOS ET AL. (EDS) AND LE CORBUSIER AND THE OCCULT BY J K BIRKSTED |
| 000B54 (2009) |
Cynthia A. Freeland | What Happened to Art Criticism? by elkins, jamesCritical Mess: Art Critics on the State of Their Practice edited by rubinstein, raphael |
| 000C05 (2009) |
Brian Gregor [États-Unis] | THINKING THROUGH KIERKEGAARD'S ANTI‐CLIMACUS: ART, IMAGINATION, AND IMITATION |
| 000C95 (2009) |
Andreea Deciu Ritivoi | Interpretation and Transformation: Explorations in Art and the Self by krausz, michael |
| 000D15 (2009) |
Faye Carey [Colombie] | Freud's Art: Psychoanalysis Retold – By Janet Sayers |
| 000D62 (2009) |
Sarah J. Skinner ; Robert B. Ekelund Jr. ; John D. Jackson | Art Museum Attendance, Public Funding, and the Business Cycle |
| 001164 (2008) |
Monique Roelofs | Only a Promise of Happiness: The Place of Beauty in a World of Art by nehamas, alexander |
| 001407 (2007) |
Zed Adams | The Objective Eye: Color, Form, and Reality in the Theory of Art by hyman, john |
| 001441 (2007) |
Tom Meyer | Routledge Philosophy Guidebook to Nietzsche on Art by ridley, aaron |
| 001567 (2007) |
Noël Carroll [États-Unis] | Art and Globalization: Then and Now |
| 001607 (2006-01-23) |
Marvin Bram | The art of fugue |
| 001630 (2006) |
Friedrich W. Rösing [Allemagne] | [Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart]. |
| 001726 (2006) |
Angelo Caranfa [États-Unis] | Voices of Silence in Pedagogy: Art, Writing and Self‐Encounter |
| 001731 (2006) |
Karen Haworth [États-Unis] | Upper Paleolithic art, autism, and cognitive style: Implications for the evolution of language |
| 001806 (2006) |
Paul Dash [Royaume-Uni] | Heritage, Identity and Belonging: African Caribbean Students and Art Education |
| 001858 (2006) |
Justin O'Connor | Art, popular culture and cultural policy: variations on a theme of John Carey |
| 001867 (2006) |
Denis Dutton [Nouvelle-Zélande] | A Naturalist Definition of Art |
| 001977 (2005) |
Heinrich Schenker ; William Drabkin | The Decline of the Art of Composition: A Technical‐Critical Study |
| 001A33 (2005) |
Norbert Lynton [Royaume-Uni] | Review: Benjamin Harshav (ed.), Marc Chagall on Art and Culture; Benjamin Harshav, Marc Chagall and his Times: A Documentary Narrative |
| 001A36 (2005) |
| Review: Art and Literature of the Second Empire/Les Arts et la littérature sous le Second Empire |
| 001B83 (2005) |
Constantijn Koopman | Art as Fulfilment: on the Justification of Education in the Arts |
| 001C65 (2004) |
Jenny Doctor | ‘Vital to the very survival of music as a living art’: Hans Keller's Radio World |
| 001D00 (2004) |
Pieter C. Van Den Toorn | Stravinsky, Adorno, and the Art of Displacement |
| 001D11 (2004) |
Peter Grahame Woolf | Review: Vladimir de Pachmann: A Piano Virtuoso's Life and Art |
| 001D55 (2004) |
Robert Toft | Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music |
| 001D73 (2004) |
Sarah Tomlin | Physics and music: Brothers in art |
| 001F50 (2003) |
Nicholas Wolterstorff [États-Unis] | Why Philosophy of Art Cannot Handle Kissing, Touching, and Crying |
| 001F64 (2003) |
James Shelley [États-Unis] | The Problem of Non‐Perceptual Art |
| 001F72 (2003) |
Andy Hamilton [Royaume-Uni] | The Art of Recording and the Aesthetics of Perfection |
| 001F93 (2003) |
John Potter | Review: Traité complet de l'art du chant en deux parties |
| 002101 (2003) |
Leslie Cunliffe [Royaume-Uni] | Connectivity for Showing and Saying Across Differences in Art Education |
| 002309 (2002) |
Robert Baxter | Puccini: His International Art |
| 002311 (2002) |
Gary Kemp [Royaume-Uni] | Philosophies of Art and Beauty |
| 002385 (2002) |
Mark Carroll | Commitment or Abrogation? Avant‐Garde Music and Jean‐Paul Sartre's Idea of Committed Art |
| 002386 (2002) |
Berys Gaut [Royaume-Uni] | Cinematic Art |
| 002390 (2002) |
Jonathan Le Cocq | COMMERCIAL ART MUSIC |
| 002414 (2002) |
Adrian C. North [Royaume-Uni] ; David J. Hargreaves [Royaume-Uni] | Age variations in judgments of ‘great’ art works |
| 002455 (2001) |
Peter Scher | Evidence-based art? |
| 002963 (2000) |
John Saunders | The practice of clinical medicine as an art and as a science |
| 002C83 (1999) |
D. Angus Vail | The Commodification of Time in Two Art Worlds |
| 002C84 (1999) |
Andy Hamilton ; Roger Scruton | The Aesthetics of Western Art Music |
| 002D53 (1999) |
Carol A. Flath | Art and Idleness: Chekhov's “The House with a Mezzanine” |
| 002F90 (1998) |
Patrick Talbot [France] | In Praise of Art Schools |
| 003021 (1998) |
Robert Kudielka [Allemagne] | According to What: Art and the Philosophy of the “End of Art” |
