List of bibliographic references indexed by 1477-4631
Number of relevant bibliographic references: 2611.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000807 (2010) |
W. Dean Sutcliffe | Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on his Eightieth Birthday. Ed. by Robert Curry, David Gable, and Robert L. Marshall. |
| 000815 (2010) |
Jann Pasler | The Socit des Concerts du Conservatoire, 18281967. By D. Kern Holoman. |
| 000816 (2010) |
Dai Griffiths | The Rock Canon: Canonical Values in the Reception of Rock Albums. By Carys Wyn Jones. |
| 000817 (2010) |
Malcolm Miller | The Music of Michael Nyman: Texts, Contexts and Intertexts. By Pwyll ap Sin. |
| 000818 (2010) |
Simon P. Keefe | The Mozart Cache: The Discovery and Examination of a Previously Unknown Collection of Mozartiana. By Daniel N. Leeson. |
| 000820 (2010) |
Hugo Shirley [Royaume-Uni] | The Ballet Collaborations of Richard Strauss. By Wayne Heisler, Jr. |
| 000821 (2010) |
John Tyrrell | Teoretick dlo. By Leo Janek. Edited by Leo Faltus, Eva Drlkov, Svatava Pibova, and Jii Zahrdka.Teoretick dlo. By Leo Janek. Edited by Leo Faltus, Eva Drlkov, and Svatava Pibova. |
| 000823 (2010) |
Bonnie J. Blackburn [Royaume-Uni] | Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (13751550). By Blake Wilson. |
| 000828 (2010) |
| Reviews of Books: Index |
| 000836 (2010) |
John Tyrrell | Opery Zdeka Fibicha z devadestch let 19. stolet. By Ji Kopeck. |
| 000842 (2010) |
Hendrik Schulze | Monteverdi's Last Operas: A Venetian Trilogy. By Ellen Rosand. The Cambridge Companion to Monteverdi. Ed. by John Whenham and Richard Wistreich. |
| 000846 (2010) |
Nicholas Till [Royaume-Uni] | Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theatre. By David J. Buch. |
| 000848 (2010) |
Edward Venn | Landscapes of the Mind: The Music of John McCabe. Compiled and ed. by George Odam.The Innumerable Dance: The Life and Work of William Alwyn. By Adrian Wright. |
| 000856 (2010) |
Charles Medlam | Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School. By Michael OLoghlin. |
| 000866 (2010) |
David J. Code [Royaume-Uni] | Debussys Late Style. By Marianne Wheeldon. |
| 000868 (2010) |
Nancy November | Communication in Eighteenth-Century Music. Ed. by Danuta Mirka and Kofi Agawu. |
| 000871 (2010) |
| Books Received |
| 000872 (2010) |
| Books Received |
| 000874 (2010) |
Clair Rowden | An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. |
| 000A28 (2009-04-28) |
| Books Received |
| 000A67 (2009) |
Simon P. Keefe | W. A. Mozart. By Hermann Abert. Trans. by Stewart Spencer and ed. by Cliff Eisen. |
| 000A79 (2009) |
Daniel Leech-Wilkinson | The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. |
| 000A81 (2009) |
Richard Will | The Cambridge Companion to Haydn. Ed. by Caryl Clark. |
| 000A89 (2009) |
| Reviews of Books: Index |
| 000A91 (2009) |
Laura Tunbridge [Royaume-Uni] | Poetry and the Romantic Musical Aesthetic. By James H. Donelan. |
| 000A98 (2009) |
W. Dean Sutcliffe | Music in the Galant Style. By Robert O. Gjerdingen. |
| 000B01 (2009) |
| Music & Letters Awards |
| 000B02 (2009) |
Julian Rushton [Royaume-Uni] | Mozart's Viennese Instrumental Music. A Study of Stylistic Re-Invention. By Simon P. Keefe. |
| 000B04 (2009) |
Richard Taruskin [États-Unis] | Material Gains: Assessing Susan McClary |
| 000B06 (2009) |
Peter Tregear | Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. By Michael P. Steinberg. |
| 000B07 (2009) |
Anthony Gritten | Layers of Musical Meaning. By Finn Egeland Hansen. |
| 000B08 (2009) |
David Yearsley [États-Unis] | J. S. Bach's Concerted Ensemble Music: The Concerto. Ed. by Gregory Butler. |
| 000B12 (2009) |
Ruth Smith | Händels Oratorien: Ein musikalischer Werkführer. By Claus Bockmaier. |
| 000B15 (2009) |
Francis Maes | History of Music in Russia from Antiquity to 1800. Volume 1: From Antiquity to the Beginning of the Eighteenth Century; Volume 2: The Eighteenth Century. By Nikolai Findeizen. Ed. by Milo Velimirovi and Claudia R. Jensen; trans. by Samuel William Pring. |
| 000B18 (2009) |
R. Larry Todd | Fanny Hensels Chorwerke. By Stefan Wolitz. |
| 000B22 (2009) |
Barry Cooper [Royaume-Uni] | Diagnosing Genius: The Life and Death of Beethoven. By Franois Martin Mai. |
| 000B25 (2009) |
Sanna Pederson [États-Unis] | Defining the Term ‘Absolute Music’ Historically |
| 000B29 (2009) |
| Books Received |
| 000B30 (2009) |
| Books Received |
| 000B31 (2009) |
| Authors of Articles in this Issue |
| 000B41 (2009) |
John Butt [Royaume-Uni] | About Bach. Ed. by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer. |
| 000B43 (2009) |
Barry Cooper [Royaume-Uni] | 1808 ein Jahr mit Beethoven. Ed. by Ute Jung-Kaiser and Matthias Kruse. |
| 000F70 (2008-08-22) |
| Books Received |
| 000F78 (2008-02) |
| Books Received |
| 001025 (2008) |
Suzanne Cole [Australie] | Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England |
| 001030 (2008) |
Charles Edward Mcguire | Vincent Novello (1781–1861): Music for the Masses. By Fiona M. Palmer. |
| 001039 (2008) |
Bennett Zon | The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. By Christina Bashford. |
| 001045 (2008) |
Matthew Riley [Royaume-Uni] | Sonata Principles |
| 001046 (2008) |
John Potter | Singing in Style: A Guide to Vocal Performance Practices. By Martha Elliott. |
| 001047 (2008) |
Laura Tunbridge [Royaume-Uni] | Schumanns Albumblätter. Ed. by Ute Jung-Kaiser and Matthias Kruse. |
| 001053 (2008) |
W. Dean Sutcliffe | Pleasure and Meaning in the Classical Symphony. By Melanie Lowe. |
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