| Ident. | Authors (with country if any) | Title |
|---|
| 000591 (2011) |
Nicholas Attfield [Royaume-Uni] | A Note from the Guest Editor |
| 000822 (2010) |
Anna Nisnevich [États-Unis] | Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov |
| 000833 (2010) |
Emanuele Senici [Royaume-Uni] | Porn Style? Space and Time in Live Opera Videos |
| 000844 (2010) |
Berta Joncus [Royaume-Uni] | Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy |
| 000862 (2010) |
Barbara Mittler [Allemagne] | Eight Stage Works for 800 Million People: The Great Proletarian Cultural Revolution in MusicA View from Revolutionary Opera |
| 000863 (2010) |
Melina Esse [États-Unis] | Don't Look Now: Opera, Liveness, and the Televisual |
| 000864 (2010) |
Christopher Morris [Irlande (pays)] | Digital Diva: Opera on Video |
| 000A66 (2009) |
Nicholas Till [Royaume-Uni] | Wolfgang Amadeus Mozart: Cos fan tutte |
| 000A68 (2009) |
Christopher Morris [Irlande (pays)] | Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, eds. Opera and Society in Italy and France from Monteverdi to Bourdieu |
| 000A69 (2009) |
Wendy Heller [États-Unis] | Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD |
| 000A77 (2009) |
Heather Wiebe [Niger] | The Rake's Progress as Opera Museum |
| 000A93 (2009) |
Mauro Calcagno | Performing the Self |
| 000A95 (2009) |
Marina Frolova-Walker [Royaume-Uni] | Opera and Obsolescence in the Russian Culture Wars |
| 000B03 (2009) |
Steven J. Cahn [États-Unis] | Michael Cherlin: Schoenberg's Musical Imagination |
| 000B23 (2009) |
Martha Feldman [États-Unis] | Denaturing the Castrato |
| 000B33 (2009) |
William Weber [États-Unis] | Art, Business, Canon, and Opera: Two New Studies |
| 000B36 (2009) |
Herbert Lindenberger [États-Unis] | Anatomy of a Warhorse: Il trovatore from A to Z |
| 000B42 (2009) |
Mauro Calcagno | A Note from the Guest Editor |
| 001022 (2008) |
Daniel Herwitz [États-Unis] | Writing American Opera: William Bolcom on Music, Language, and Theater |
| 001024 (2008) |
Enrique Sacau [Royaume-Uni] | Wolfgang Amadeus Mozart: La clemenza di Tito |
| 001033 (2008) |
Herbert Lindenberger [États-Unis] | Three Faces of Opera Study: Reception, Money, Performing Practice |
| 001048 (2008) |
Joseph Auner [États-Unis] | Schoenberg as Moses and Aron |
| 001060 (2008) |
Susan Rutherford [Royaume-Uni] | Non Voglio Morir: Manon's Death |
| 001074 (2008) |
Peter Brooks [États-Unis] | Marrying Figaro: A Review of Three Productions on DVD |
| 001081 (2008) |
Bruce Redford [États-Unis] | Jessica Waldoff: Recognition in Mozart's OperasDavid Cairns: Mozart and His Operas |
| 001105 (2008) |
| Books Received |
| 001112 (2008) |
Roger Parker [Royaume-Uni] | A Note from the Guest Editor |
| 001286 (2007) |
William Germano | Wagner in Pieces: Opera, the Fragment, and Acoustic Totality |
| 001292 (2007) |
Katherine K. Preston [États-Unis] | To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America |
| 001294 (2007) |
Anne Midgette | The Voice of American Opera |
| 001309 (2007) |
Nanette Nielsen [Royaume-Uni] | Sein oder Schein? Paul Bekker's Mirror Image and the Ethical Voice of Humane Opera |
| 001315 (2007) |
Pierpaolo Polzonetti [États-Unis] | Quakers and Cowboys: Italian Mythologies and Stereotypes of Americans from Piccinni to Puccini |
| 001320 (2007) |
Sander L. Gilman | Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century |
| 001335 (2007) |
Richard Cohn | Hexatonic Poles and the Uncanny in Parsifal |
| 001344 (2007) |
Larson Powell [États-Unis] | Dieter Thom: Totalitt und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-sthetische ModerneTobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners Ring des Nibelungen |
| 001354 (2007) |
Slavoj Iek | Brnnhilde's Act |
| 001356 (2007) |
| Books Received |
| 001716 (2006) |
Barbara White | “As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse |
| 001747 (2006) |
George Balanchine | The Dance Element in Stravinsky’s Music |
| 001759 (2006) |
Davinia Caddy | Rethinking Dance History: A Reader, ed. Alexandra Carter |
| 001788 (2006) |
Inger Damsholt | Mark Morris, Mickey Mouse, and Choreomusical Polemic |
| 001789 (2006) |
George Jellinek | L’Italiana in Algeri. Gioachino Rossini |
| 001795 (2006) |
Wayne Heisler | Kurt Weill and Bertolt Brecht: The Seven Deadly Sins (Die sieben Todsünden) |
| 001817 (2006) |
George Jellinek | Fernando Cortez. Gaspare Spontini |
| 001827 (2006) |
Robert Baxter | Elisabeth Schwarzkopf: The Beginning of a Legend Elisabeth Schwarzkopf Recital 1 |
| 001846 (2006) |
| Books Received |
| 001852 (2006) |
George Dorris | Balanchine on Stravinsky |
| 001947 (2005) |
George Martin | Verdi Onstage in the United States |
| 001958 (2005) |
Jeffrey L. Buller | Thomas May: Decoding Wagner: An Invitation to His World of Music Drama |
| 001988 (2005) |
M. E. Henstock | Susana Salgado: The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo |
| 001A28 (2005) |
Malcolm S. Cole | Review: From Garrick to Gluck: Essays on Opera in the Age of Enlightenment |
