List of bibliographic references indexed by 0027-4631
Number of relevant bibliographic references: 1343.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000577 (2011) |
Leon Botstein [États-Unis] | Why Beethoven? |
| 000857 (2010) |
Carl B. Schmidt [États-Unis] | Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship |
| 001027 (2008) |
James R. Currie [États-Unis] | Waiting for the Viennese Classics |
| 001040 (2008) |
Jenny Doctor | The Parataxis of British Musical Modernism |
| 001059 (2008) |
Blake Howe | Norman Rockwell's Shuffleton's Barbershop: A MusicalIconographical Riddle |
| 001075 (2008) |
Carl Niekerk | Mahler's Goethe |
| 001097 (2008) |
Leon Botstein | Elliott Carter: An Appreciation |
| 001102 (2008) |
Joshua S. Walden | Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich |
| 001106 (2008) |
Paul Hawkshaw [États-Unis] | Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 184555 |
| 001312 (2007) |
Leon Botstein [États-Unis] | Reinventing Life and Career: The Perils of Emigration |
| 001348 (2007) |
Matthew Mcdonald | Death and the Donkey: Schubert at Random in Au Hasard, Balthazar |
| 001361 (2007) |
Lily E. Hirsch [États-Unis] | Anneliese Landau and the Kulturbund: In Her Own Words |
| 001363 (2007) |
Jewel A. Smith | Academic and Music Curricula in Nineteenth-Century American Women's Education: A Comparison of the Moravian Young Ladies' Seminary and Nazareth Hall |
| 001933 (2005) |
William Kinderman | “Ich bin der Welt abhanden gekommen”: Mahler’s Rückert Setting and the Aesthetics of Integration in the Fifth Symphony |
| 001A74 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
| 001A82 (2005) |
Sarah Hamilton-Tyrrell | Mário de Andrade, Mentor: Modernism and Musical Aesthetics in Brazil, 1920–1945 |
| 001A91 (2005) |
Dana Gooley | La Commedia del Violino: Paganini’s Comic Strains |
| 001A92 (2005) |
Joy H. Calico | Jüdische Chronik: The Third Space of Commemoration between East and West Germany |
| 001A99 (2005) |
Barbara Barry | In Beethoven’s Clock Shop: Discontinuity in the Opus 18 Quartets |
| 001B07 (2005) |
Leon Botstein | History and Performance Practices |
| 001C70 (2004) |
Leon Botstein | Why Music Matters |
| 001D00 (2004) |
Pieter C. Van Den Toorn | Stravinsky, Adorno, and the Art of Displacement |
| 001D56 (2004) |
Walter Frisch | Reger’s Historicist Modernism |
| 001D57 (2004) |
Christopher Anderson | Reger in Bach’s Notes: On Self-Image and Authority in Max Reger’s Bach Playing |
| 001D64 (2004) |
Caryl Clark | Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa |
| 001D74 (2004) |
Richard Will | Pergolesi’s Stabat Mater and the Politics of Feminine Virtue |
| 001D96 (2004) |
Leslie A. Sprout | Messiaen, Jolivet, and the Soldier–Composers of Wartime France |
| 001E13 (2004) |
Berthold Hoeckner | Homage to Adorno’s “Homage to Zerlina” |
| 001E14 (2004) |
Leon Botstein | History and Max Reger |
| 001E68 (2004) |
Thomas Bauman | Becoming Original: Haydn and the Cult of Genius |
| 001E75 (2004) |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
| 002247 (2002) |
Laura E. Demarco | The Fact of the Castrato and the Myth of the Countertenor |
| 002261 (2002) |
Severine Neff [États-Unis] | Schoenberg's Kristallnacht Fugue: Contrapuntal Exercise or Unknown Piece? |
| 002262 (2002) |
Leon Botstein | Schenker the Regressive: Observations on the Historical Schenker |
| 002266 (2002) |
Morten Kristiansen | Richard Strauss, Die Moderne, and the Concept of Stilkunst |
| 002333 (2002) |
Karen Painter [États-Unis] | Mozart at Work: Biography and a Musical Aesthetic for the Emerging German Bourgeoisie |
| 002335 (2002) |
Daniel M. Grimley [Royaume-Uni] | Modernism and Closure: Nielsen's Fifth Symphony |
| 002357 (2002) |
| Index to Volume 86 |
| 002359 (2002) |
Lydia Goehr | In the Shadow of the Canon |
| 002365 (2002) |
Jeremy Grimshaw | High, “Low,” and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction |
| 002387 (2002) |
Victor Yuzefovich ; Marina Kostalevsky | Chronicle of a Non-Friendship: Letters of Stravinsky and Koussevitzky |
| 002406 (2002) |
Dorothy Lamb Crawford | Arnold Schoenberg in Los Angeles |
| 002474 (2001) |
Emanuele Senici | Verdi's Falstaff at Italy's Fin de Siècle |
| 002484 (2001) |
Pamela M. Potter | The Politicization of Handel and His Oratorios in the Weimar Republic, the Third Reich, and the Early Years of the German Democratic Republic |
| 002489 (2001) |
Karen Painter | Symphonic Ambitions, Operatic Redemption: Mathis der Maler and Palestrina in the Third Reich |
| 002493 (2001) |
Frederic M. Scherer | Servility, Opportunity, and Freedom in the Choice of Music Composition as a Profession |
| 002519 (2001) |
Julian Horton | Postmodernism and the Critique of Musical Analysis |
| 002540 (2001) |
Leon Botstein | In the Shadows of September 11, 2001 |
| 002541 (2001) |
Stanley Cavell | Impressions of Revolution |
| 002550 (2001) |
Thomas Eisner | Fritz Busch: A Friend Remembered |
| 002588 (2001) |
Leon Botstein | Artur Schnabel and the Ideology of Interpretation |
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