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List of bibliographic references

Number of relevant bibliographic references: 359.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000309 (2008) Charles Edward McguireEdward Elgar: Modern or Modernist? Construction of an Aesthetic Identity in the British Music Press, 18951934
000444 (2005) Lynn HookerModernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912
000498 (2004) Leslie A. SproutMessiaen, Jolivet, and the Soldier–Composers of Wartime France
000587 (2002) Jane F. FulcherThe Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s
000603 (2002) Jesse RosenbergAbramo Basevi: A Music Critic in Search of a Context
000609 (2001) David J. Levin“Father Knows Best”: Paternity and Mise-en-Scene in Hans Pfitzner's Palestrina
000637 (2001) John ByrtAlteration in Handel: A Fresh Approach
000680 (2000) Kim H. KowalkeBurying the Past: Carl Orff and His Brecht Connection
000743 (1999) Anne MacneilA Portrait of the Artist as a Young Woman
000824 (1997) Beth L. GlixonNew Light on the Life and Career of Barbara Strozzi
000861 (1996) Silke Leopold ; Irene ZedlacherThe Orchestra in Early Opera
000889 (1996) John SpitzerMetaphors of the Orchestra— The Orchestra as a Metaphor
000939 (1995) Edgar H. SparksREVIEWS OF RECORDS
000965 (1995) Jürg StenzlIn Search of a History of Musical Interpretation
000969 (1995) Nors S. JosephsonCyclical Structures in the Late Music of Leoš Janáček
000988 (1994) Neal ZaslawThe New Grove Dictionary of Opera
000A15 (1994) Timothy A. JohnsonMinimalism: Aesthetic, Style, or Technique?
000A23 (1994) Mark SwedEditor's Introduction to “Synergetic Dynamics in John Cage's Europeras 1 & 2”
000A35 (1994) Marc PerlmanAmerican Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter
000B33 (1992) David MontgomeryViews, Reviews, and Nonviews: Two Studies in Historical Performance Practice
000B91 (1991) Eric SalzmanWhither American Music Theater?

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