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4Cambridge
3LEEDS
3E-mail: mauro.calcagno@gmail.com
2Yale University
2University of Reading
2The Queen's University of Belfast
2ST ANDREWS
2NEWCASTLE UPON TYNE
2E-mail: forqueray@ntlworld.com
2E-mail: ebw.roche@googlemail.com
21995).
1with both period and modern orchestras.
1will be published by Indiana University Press in 2006.
1which will include a number of further pieces on various aspects of Vivaldi's life and works.
1which is to be published in 1993.
1which has recently issued two Monteverdi recordings. He has directed staged performances of all three of Monteverdi's extant operas.
1which has a particularly high reputation for its interpretations of Monteverdi. He also follows an international career as a conductor of opera
1which appeared in ‘Rivista italiana di musicologia‘ 10 (1975). pp.360–78.
1where the research for this was begun. He is the founding editor of British postgraduate musicology (now at www.bpmonline.org.uk) and recently completed a PhD at Combridge University on the interaction between Debussy and Stravinsky.
1was the founder and managing director of the record company Europa. He is currently working as a producer for BMG records and as a professor of systematic musicology at Hamburg University
1to be published in the American Institute of Musicology series of critical editions.
1their music and performance practices
1the history of broadcasting and Italian music in the 20th century
1teaches music history at the university of kentucky
1studied at Rome University and the Sorbonne. He has been carrying out research in the music archives of Mdina Cathedral Museum since 1991 and has been a Lecturer in Musicology at the University of Malta since 1994
1specializing in the performance and history of the Renaissance flute.
1since 1987. He has written books on Opera before Mozart (1968). Naples and Neapolitan Opera (1972) and is currently working on a thematic catalogue of the works of Giovanni Paisiello.
1since 1968
1particularly on the musical patronage of the city's confraternities.
1particularly on the musical patronage of the city's confraternities. He is currently completing his book Roman sacred music in the age of Palestrina.
1on 25 May at 7.30 p.m.
1olume study of the Old French lyric lai and related Latin song to c.1300 will shortly be published by Pendragon Press. She is currently writing a book on music in medieval Irel
1odern musical strings. He edits and contributes to FoMRHI[Fellowship of Makers and Researchers of Historical Instruments] Quarterly. His training as a physicist has led him to make judgement subservient to evidence whenever they conflict. His results are thus sometimes contrary to popular assumptions of the early music movement.
1no AF
1monteverdi@mdeverywhere.com
1modal and harmonic theories.
1manufacture and use of the Classic trumpet
1lect of the American Musicological Society
1is producing a new edition of De la bellezza le dovute lodi
1is presently working on a book on Mozart's La Clemenza di Tito for the Cambridge Opera Handbook series
1is in the English Department of the University of Aberdeen in Scotland.
1is forthcoming 1991 (Princeton University Press).
1is a specialist in music of the Renaissance. Her editions of music by Giovanni Ferretti and Orazio Vecchi have appeared in the series Recent Researches in the Music of the Renaissance
1is a singer who specializes in florid vocal music and has recorded with the Schola Cantorum Basiliensis
1including the 1610 Vespers (EMI/Virgin Classics)
1he has written a number of articles on the manuscripts in which the songs appear.
1he currently holds a Leverhulme Fellowship and in 1985 will become artistic dirermr of the new European Baroque Orchestra based in Oxford.
1having spent most of the 1980s teaching Italian at the Universities of St Andrew's and Edinburgh He has published several articles on literary and musical verismo
1forthcoming)
1for Libreria Musicale Italiana (Lucca).
1exted works of Busnoys was published in 1990 by Broude Bros. He has contributed over 160 articles on Russian music to the New Grove Dictionary of Operaand has written substantial books on Musorgsky and Stravinsky which are due for publication in 1992 and 1993 respectively.
1especially of the medieval and Renaissance periods
1entury concertos.
1entury Italian sacred pieces.
1enaissance Italy
1ed. R. Stowell(cup).
1ech
1doktorant w Katedrze Teorii Literatury Wydziału Polonistyki UJ.
1ditor of the forthcoming Japanese edition of New Grove.
1cm IDS
1cantatas and sacred music in the ljth century
1and
1and the impact of technology on the construction of musical instruments.
1and performs internationally with Musica Antiqua of London and the Rose Consort of Viols. He is also an Artistic Adviser to the York Early Music Festival.
1and others) with teaching and conducting.
1and on issues of gender and sexuality in relation to music
1and is writing a book on the circulation of music books in late medieval France
1and is currently involved in further development of the instrument
1and is currently completing an edition and translation of Gughelmo Ebreo's Pratica seu arte tripudii.
1and is a member of the Early Dance Consort.
1and his writings include a monograph on the composer Luca Bati
1and for many years directed the Hartt Early Music Ensemble and Madrigal Singers.
1and edited his first dramatic opera for performance there /'The Tempest 1982) He is a director of the Early English Opera Society
1and directs the shawm ensemble Ercole
1and director of the ensemble Gothic Voices
1and conducts the Cambridge Taverner Choir and A Capella Portuguesa
1and broadcasts for the BBC Radio 3 on related topics
1and an editor of the Tijdschrift voor muziektheorie. He is currently praparing a complete edition of Escobedo's works.
1and also writes programme notes and concert reviews.
1and English madrigals
1Zeist
1York
1York University
1Würzburg
1Wirral L44 9DD.
1Wimbledon School of Art
1William Paterson College
1West Virginia University
1Warwick
1Wake Forest University
1W. Sussex
1Vézelay
1Voorburg
1Urbana
1University of York
1University of Wisconsin‐Milwaukee
1University of Warwick
1University of Surrey
1University of Southampton
1University of Singapore
1University of Sheffield
1University of Regensburg
1University of Queensland
1University of Pennsylvania
1University of Newcastle–upon–Tyne
1University of New Orleans
1University of Minnesota
1University of Miami
1University of London. His book Imposing harmony: music and society in colonial Cuzco was published in 2008 by Duke University Press.
1University of London. He Publishes on early music and on aesthetics.
1University of Liverpool
1University of Livepool
1University of East Anglia
1University of Durham
1University of Copenhagen
1University of Ceylon.
1University of British Columbia
1University of Bristol
1University of Alberta
1University College Cork
1Universitt Heidelberg
1Union Theological Seminary
1UNIVERSITY OF WARWICK
1UNIVERSITY OF MISSOURI‐COLUMBIA
1Tuscaloosa
1Thüringer Landessternwarte Tautenburg Karl‐Schwarzschild‐Observatorium D‐07778 Tautenburg Germany
1Thérèse de Goede is a harpsichordist and teaches basso continuo and historical performance practice at Amsterdam Conservatory. Presently she is preparing a doctoral thesis for the University of Utrecht on early basso continuo with an emphasis on the realization of unfigured basses.
1These authors contributed equally to this work.
1The University of York.
1The University of Bologna
1The Stockholm School of Economics
1The Gabrieh Players and The King's Consort. He is active in costumed entertainment and interpretation at heritage sites such as Hampton Court Palace and plays at Shakespeare's Globe where he is also a music assistant. The alta capella Hercules performs under his direction He teaches at the Royal Academy of Music
1TN. She studies Baroque opera and enjoys performing dances of the late Renaissance whenever she has the chance.
1Södcrby
1Syracuse University
1Syracuse University in Florence
1Suzanne G. Cusik teaches music history and criticism at the University of Virginia She is Currently working on a book about Francesca Caccini and representation of gender in early modern music.
1Sussex GU28 9LD
1Studied the ‘pardessus de viole’ under Cécile Dolmetsch. He is a graduate of the Universities of London and Nottingham (where he obtained an M.A. in the editing and interpretation of Renaissance and Baroque music). He is a member of the Société Française de Musicologie.
1Stirling
1Stirling University
1Steven Zohn is Assistant Professor of Music History at Temple University. He Performs on Baroque and Classical flutes and is co-director of The Publick Musick.
1State University of New York at Fredonia
1Stanford University
1St. Andrews
1St Andrews
1Spain Fax: (+34)‐965 903549
1Southwestern Oklahoma State University
1Southampton
1Somerset
1Smithsonian Institution
1Servicio de Hematologa. Institut dInvestigacions Biomdiques August Pi i Sunyer. Hospital Clnic. Barcelona.
1Schweden
1Santpoort
1San Jose State University
1Salem College
1SUSSEX
1Rugby
1Royal College of Music
1Roehampton University
1Rob C. Wegman teaches at Princeton University. His research interests include Josquin des Prez and the history of musical aesthetics.
1Richard Witts is the author of Nico: the life and lies of an icon (1993) and Artist unknown: analternative history of the Arts Council (1998). A CD compilation of his song parodies was recently released by Cherry Red Records
1Revue de musicologie and several other leading journals.
1Quinault and their operas
1Professor of English and women's studies at the University of Michigan.
1Peterborough
1PEI7 2AA
1Oxford ox1 1DP
1Orpington
1Northern Illinois University
1New York University
1New Brunswick
1Neal Zaslaw is Professor of Music at Cornell University. his forthcoming books include a study of Mozart's symphonies
1N1G 2W1 Canada
1N.W.6
1N.J. 08540 U.S.A.
1N.C.
1N. W. 3.
1Münster i. W.
1Mozart and the history of Venetian musical institutions
1Molecular and Environmental Toxicology Center and
1Middlesex HA8 6TL
1Middlesex HA1 INX
1Massachusetts. This article is drawn from more extensive material to be presented in his forthcoming study of the papal choir in the 16th century.
1Marlborough
1Madrid
1Madison
1Macquarie
1Macquarie University
1M13 9PL
1Lyric Opera of Chicago
1Lund
1Luis Robledo is professor of music history and aesthetics at the conservatorio de Madrid-Amaniel.He has published an edition of the complete works of Juan Blas de Castro and several articles on Spanish music at the royal court in the time of the Habsburgs
1London.
1London School of Economics
1London Green
1London E17 4BW
1London Collegeof Furniture
1Liverpool L69 7WZ
1Lewes BN8 6LR
1Letchworth
1Les Hollandes
1Lehman College
1Lecturer in Performance Studies at the University of Southampton
1Lecturer in Music at the University of Southampton
1Las Vegas
1Lancaster LA1 4YW
1LL57 2DG
1Köln
1Kyoto
1Kiel
1Kerry McCarthy is assistant professor of music at Duke University. She is currently finishing a book on Byrd's Gradualia
1Kenneth Kreitner is Associate Professor of Musicology at the University of Memphis.
1KINGSTON-UPON-THAMES
1K1N 6N5
1K1A 0L2
1K1A 0H3
1Johannesburg
1Jeffery Kurtzman is Professor of Music at Washington University in St. Louis. His research and publications focus principally on 16th and 17th century Italian sacred music. His edition of Monteverdi' Vespers of 1610 and a companion book on the Vespers will be published by Oxford University Press. His editions of Monteverdi' complete Mass music are being published by Carus-Verlg of Stuttgart.
1Janet K. Page is Associate Professor of Music History at the University of Memphis. She is working on a book on convents and music in 17th- and 18th-century Vienna.
1Jacobs School of Music.
1Italy and
1Irvine
1Institute of Semiconductor Materials at Emei
1Indiana University‐Purdue University Fort Wayne
1Illinois. He has recently edited a volume of Pevernage chansons for Das Chorwerk.
1Ibaraki 305 (Japan) Telefax: Int. + 298/53‐6503
1Hitotsubashi University
1Heather Professor of Music at the University of Oxford died earlier this year An obituary appears on page 623.
1Head of the Maxwell Music Library at Tulane University in New Orleans
1Has taught at Yale and at the University of Texas in San Antonio.
1Harpist specialising in Celtic repertoire. She serves on the committee of the United Kingdom Harp Association
1HEXHAM
1Göttingen
1Guildhall Library and Art Gallery
1Graham Dixon is Editor of early music programmes on BBC Radio 3
1Graduate student in musicology at the University of Chicago
1Gießen
1George A. Saden Professor of Music in the department of music at Yale.
1Gent
1Freiburg Hochschule für Musik
1Framingham State College
1Fr.
1Firenze
1Ferrara
1Fax: (+34) 957‐212066
1Fax: (+33) 1‐44276033
1E‐mail Jorge_Pinzon@ssaihq.com
1Exter University
1Essex IG8 OPP
1Essex 1GB OPP
1Elberfeld
1Edinburgh University
1E-mail:gallegonc@ornl.gov
1E-mail:contescuci@ornl.gov
1E-mail:bhatvv@ornl.gov
1E-mail: watson2@niehs.nih.gov
1E-mail: vilson@void.cc
1E-mail: sharon.hook@pnl.gov
1E-mail: renato.fabbri@gmail.com
1E-mail: nicholas.anderson@btinternet.com
1E-mail: mills.lesley@epa.gov
1E-mail: mcdowell@lanl.gov
1E-mail: liciamari@hotmail.com
1E-mail: ldfcosta@gmail.com
1E-mail: hornung.michael@epa.gov
1E-mail: himself@stembridge.org
1E-mail: ebw_roche@hotmail.com
1E-mail: earlymusic@oxfordjournal.org
1E-mail: carriechurnside@hotmail.com
1E-mail: btoomey@dellnet.com
1E-mail: billpagehook@hotmail.com
1E-mail: alvkintz@hotmail.com
1D‐4300 Essen
1D‐35096 Weimar (Lahn)
1D‐3300 Braunschweig
1D‐26133 Oldenburg
1Düsseldorf
1Durham
1Durham University
1Duke University
1Dublin. He is working on a book about modes and vocal scoring in the Renaissance and Baroque periods.
1Dr Patrick J Rogers is Director of the Fiske Museum of Musical Instruments. Claremount California
1Director of Musica Contexta
1Dickinson College
1Davis
1David Humphreys lectures on music at Cardiff University. His research interests include the music of J. S. Bach (especially symbolic aspects of the late keyboard works) and music of the Tudor period
1DURHAM
1DK 8000 Aarhus C Denmark
1Curtis Price is the author of Henry Purcell and the London stage (1984) and is King Edward Professor of Music at King's College London
1Corresponding author.
1Corresponding author. Tel.: +44-1224-272872; fax: +44-1224-272396
1Corresponding author. Tel.: +34-96-387-7343; fax: +34-96-387-7349
1Corresponding author. Tel.: +31 71 5263598; fax: +31 71 5266752
1Co-director of The Parley of Instruments He has broadcast and published frequently on 17th-century music The Parley has recently recorded the Concert in his reconstruction for future transmission on BBC Radio 3
1Clarinettist and programme annotator/ researcher for the US Air Force Band. Washington D C He received his doctorate in music from The Catholic University of America in 1981
1City College and Graduate School City University of New York
1Chengdu
1Chapel Hill. He holds a doctorate in German and plays both gamba and buroque flute.
1Cardiff
1Canterbury
1Canisius College
1C.2. 28 April 1965
1Bussum
1Bucks HPU 6BT
1Bruckner and Mahler
1British Columbia.
1Bristol
1Bologna
1BR3 INA
1Author to whom any correspondence should be addressed
1Astronomisches Rechen‐Institut Mönchhofstr. 12–14 D‐69120 Heidelberg Germany
1Assistant professor of musicology and oboe at the University of Memphis
1Assistant professor of music at the University of Iowa from 2001 to 2004
1Assistant Professor in the Department of Music at the University of North Carolina at Chapel Hill and a member of the Society of Fellows of the American Academy in Rome
1Ankara
1Andrew Walkling is Visiting Instructor in History at Oberlin College and Visiting Scholar at Dartmouth College. He is working on the performance circumstances and political implications of masque and opera in the reigns of Charles II and James II.
1Aerdenhout
1Acting Chair of the Department of Music History. University of Hartford
1Aberystwyth
1Aberdeen AB9 2UE.
1ATHENS
1???
175252 Paris Cedex 05 (France)
175005 Paris (France)
156100 Pisa
151 2304.
1449634
140126 Bologna Italy
138677
135100 Padova Italy
127708–0328; and
127708
11Etti G. Baranoff is associate professor of insurance and finance at Virginia Commonwealth University.
11
11994). He contributed to Gramophone for 25 years and now writes for the BBC Music Magazine.
11992). He has recently been awarded a Leverhulme Research Fellowship to investigate the role ofinstruments in late medieval notated music.
11987)
118223 Prague 8 (Czech Republic)
11 Equal contribution to the work.
11 Co-corresponding author.
11 Also corresponding author. Tel.: +1-919-6138024; fax: +1-919-6848741.
1*To whom correspondence should be addressed.
1*To whom correspondence should be addressed in Lisboa. Fax: +351 213 635031.
1*Queen's University Belfast.
1*Corresponding author. Telephone: (+353) 1 716 2138. Fax: (+353) 1 2837733.
1* University of Washington.
1(Mi) Italy

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