| Ident. | Authors (with country if any) | Title |
|---|
| 000046 (2010) |
Simon P. Keefe | The Mozart Cache: The Discovery and Examination of a Previously Unknown Collection of Mozartiana. By Daniel N. Leeson. |
| 000047 (2010) |
Stephen Hinton [États-Unis] | The Emancipation of Dissonance: Schoenbergs Two Practices of Composition |
| 000050 (2010) |
| Reviews of Books: Index |
| 000052 (2010) |
John Casken [Royaume-Uni] | Nigel FortuneA Personal Tribute |
| 000053 (2010) |
Tim Shephard [Royaume-Uni] | Music and the Myth of Arcadia in Renaissance Italy. By Giuseppe Gerbino. |
| 000055 (2010) |
Hendrik Schulze | Monteverdi's Last Operas: A Venetian Trilogy. By Ellen Rosand. The Cambridge Companion to Monteverdi. Ed. by John Whenham and Richard Wistreich. |
| 000056 (2010) |
Anthony Barone | Letters of Ralph Vaughan Williams 18951958. Ed. by Hugh Cobbe. |
| 000063 (2010) |
| Books Received |
| 000069 (2010) |
Bettina Varwig [Royaume-Uni] | A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. By Mark A. Peters. |
| 000087 (2009) |
Bettina Varwig [Royaume-Uni] | ‘Mutato semper habitu’: Heinrich Schütz and the Culture of Rhetoric |
| 000098 (2009) |
Laura Tunbridge [Royaume-Uni] | Poetry and the Romantic Musical Aesthetic. By James H. Donelan. |
| 000101 (2009) |
Susan Rutherford [Royaume-Uni] | Opera from the Greek: Studies in the Poetics of Appropriation. By Michael Ewans. |
| 000102 (2009) |
John Whenham | Nigel Fortune: An Appreciation |
| 000111 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
| 000112 (2009) |
| Books Received |
| 000259 (2008-08-22) |
| ‘Music & Letters’ Awards |
| 000260 (2008-08-22) |
| Authors of Articles in this Issue |
| 000261 (2008-05) |
| Books Received |
| 000270 (2008) |
Brian Hart | Vincent d’Indy et son temps. Ed. by Manuela Schwartz with the assistance of Myriam Chimènes. |
| 000274 (2008) |
David Schulenberg [États-Unis] | The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries. By Giulia Nuti. |
| 000276 (2008) |
John Potter | Singing in Style: A Guide to Vocal Performance Practices. By Martha Elliott. |
| 000277 (2008) |
Christopher Mark | Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ed by Alison Latham. |
| 000280 (2008) |
Jonathan P. Wainwright [Royaume-Uni] | Richard Dering's Few-Voice ‘Concertato’ Motets |
| 000281 (2008) |
Ben Earle [Royaume-Uni] | Remembering the Future. By Luciano Berio. |
| 000282 (2008) |
Massimo Ossi [États-Unis] | Monteverdi, Marenzio, and Battista Guarini's ‘Cruda Amarilli’ |
| 000318 (2007) |
Stephen Mcclatchie | The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan und Isolde. By Eric Chafe. |
| 000319 (2007) |
Geoffrey Webber [Royaume-Uni] | The Stylus Phantasticus and Free Keyboard Music of the North German Baroque. By Paul Collins. |
| 000320 (2007) |
Stephen Rumph [États-Unis] | The Sense of Touch in ‘Don Giovanni’ |
| 000321 (2007) |
Vassilis Vavoulis [Royaume-Uni] | The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe, Ed. by Juan José Carreras, Bernardo García García, and Tess Knighton. Trans. by Yolanda Acker. |
| 000322 (2007) |
David Schulenberg [États-Unis] | The Cambridge History of Seventeenth-Century Music. Edited by Tim Carter and John Butt. |
| 000331 (2007) |
Kate Van Orden [États-Unis] | Music and Ideas in the Sixteenth and Seventeenth Centuries. By Claude V. Palisca, Ed. by Thomas J. Mathiesen. |
| 000346 (2007) |
Jonathan R. J. Drennan [Niger] | Another Mass Attributable to Giovanni Rovetta |
| 000363 (2006) |
Andrew H. Weaver | Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657) |
| 000364 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000369 (2006) |
Stephen Walsh | György Kurtág: The Sayings of Péter Bornemisza, Op. 7: A Concerto for Soprano and Piano. By Rachel Beckles Willson. pp. xvi + 192; CD. Landmarks in Music since 1950. (Ashgate, Aldershot and Burlington, Vt., 2004, £35. ISBN 0-7546-0809-3.) |
| 000376 (2006) |
Michael Talbot | Cavalier Giovanni Battista Buonamente: Franciscan Violinist. By Peter Allsop. pp. xii + 252. (Ashgate, Aldershot and Burlington, Vt., 2005, £55. ISBN 1-84014-627-3.) |
| 000404 (2005) |
Lawrence Archbold | The Interpretation of Romantic and Late-Romantic Music: Papers Read at the International Organ Symposium Stockholm, 3–12 September 1998. Ed. by Erik Kjellberg, Erik Lundkvist, and Jan Roström. pp. 165; CD. (Uppsala University Press, Uppsala, 2002. ISSN 1102-6960.) |
| 000406 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 000408 (2005) |
Rachel Golden Carlson | Review: The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries |
| 000409 (2005) |
Carolyn Gianturco | Review: Polymath of the Baroque: Agostino Steffani and his Music |
| 000411 (2005) |
Erik Levi | Review: Music and Nazism: Art under Tyranny, 1933–1945 |
| 000413 (2005) |
Kenneth Gloag | Review: From the Erotic to the Demonic: On Critical Musicology |
| 000414 (2005) |
Antonio Cascelli | Review: Divining the Oracle: Monteverdi’s Seconda Prattica |
| 000420 (2005) |
Lucy Walker | Opera: The Art of Dying. By Linda Hutcheon and Michael Hutcheon. pp. x + 239. (Harvard University Press, Cambridge, Mass. and London, 2004, £18.95. ISBN 0-674-01326-3.) |
| 000425 (2005) |
Rachel A. Lewis | Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question |
| 000430 (2005) |
| Books Received |
| 000436 (2005) |
Richard Langham Smith | A la Recherche “des” Requiem de Fauré, ou L’Authenticité musicale en questions. By Mutien-Omer Houziaux. pp. xxiii + 249. Revue de la Société Liégeoise de Musicologie, 15–16 (2000). (Société Liégeoise de Musicologie, Liège, and Librairie Klincksieck, Paris, 2000, €25. ISBN 32-252-03344-4.) |
| 000455 (2004) |
Roger Bowers | Review: The Monteverdi Vespers of 1610: Music, Context, Performance |
| 000458 (2004) |
Virginia Hancock | Review: Newe deutzsche Lieder |
| 000459 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000461 (2004) |
Davide Daolmi | Review: La Galatea |
