Serveur d'exploration sur Monteverdi - Exploration (Accueil)

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List of bibliographic references indexed by 0736-0053

Number of relevant bibliographic references: 220.
[0-50] [0 - 20][0 - 50][50-70]
Ident.Authors (with country if any)Title
000049 (2010) Michael Markham [États-Unis]Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction
000062 (2010) Christopher Morris [Irlande (pays)]Digital Diva: Opera on Video
000089 (2009) Christopher Morris [Irlande (pays)]Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, eds. Opera and Society in Italy and France from Monteverdi to Bourdieu
000090 (2009) Wendy Heller [États-Unis]Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD
000091 (2009) Guillaume Bernardi [Canada]Trisha Brown's L'Orfeo: Postmodern Meets Baroque
000092 (2009) Franco Manfriani [États-Unis]Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy
000095 (2009) Heather Wiebe [Niger]The Rake's Progress as Opera Museum
000096 (2009) Franco ManfrianiThe Fascination with Distance: An Interview with Luca Ronconi
000099 (2009) Mauro CalcagnoPerforming the Self
000100 (2009) Bonnie Gordon [États-Unis]Orfeo's Machines
000104 (2009) Stle Wikshland [Norvège]Monteverdi's Voices: The Construction of Subjectivity
000107 (2009) Arman Schwartz [États-Unis]Mechanism and Tradition in Puccini's Turandot
000108 (2009) Gary Tomlinson [États-Unis]Hamlet and Poppea: Musicking Benjamin's Trauerspiel
000116 (2009) Herbert Lindenberger [États-Unis]Anatomy of a Warhorse: Il trovatore from A to Z
000118 (2009) Mauro CalcagnoA Note from the Guest Editor
000269 (2008) Daniel Herwitz [États-Unis]Writing American Opera: William Bolcom on Music, Language, and Theater
000272 (2008) Herbert Lindenberger [États-Unis]Three Faces of Opera Study: Reception, Money, Performing Practice
000278 (2008) Joseph Auner [États-Unis]Schoenberg as Moses and Aron
000286 (2008) Bruce Redford [États-Unis]Jessica Waldoff: Recognition in Mozart's OperasDavid Cairns: Mozart and His Operas
000288 (2008) Bianca Michaels [Allemagne]Interview with Robert AshleyNew York, April 23, 2003
000400 (2005) Daniel K. L. ChuaUntimely Reflections on Operatic Echoes:
000410 (2005) John Louis DigaetaniReview: Opera—The Art of Dying
000415 (2005) John Louis DigaetaniReview: Death-Devoted Heart: Sex and the Sacred in Wagner’s “Tristan and Isolde”
000417 (2005) Recordings Received
000447 (2004) …al fine Special Correspondence Section: Tributes to Tom Glasow
000453 (2004) Robert E. SeletskyThe Performance Practice of Maria Callas
000454 (2004) Joe K. LawSutherland before Lucia
000465 (2004) Robert BaxterReverenza!
000482 (2004) DVDs Received
000506 (2003) Videos Received
000510 (2003) Warren KirkendaleThe Myth of the “Birth of Opera” in the Florentine Camerata Debunked by Emilio de'Cavalieri: A Commemorative Lecture
000520 (2003) Recordings Received
000521 (2003) Recordings Received
000522 (2003) Recordings Received
000523 (2003) E. Thomas GlasowLes nuits d'été. Hector Berlioz
000524 (2003) William Fregosi [États-Unis]La Cecchina, ossia La buona figliuola. Niccolò Piccinni
000526 (2003) Roland GraemeHercules. George Frideric Handel
000527 (2003) Roger PinesFarnace. Antonio Vivaldi
000529 (2003) DVDs Received
000531 (2003) Byron NelsonCinema's Illusions, Opera's Allure: The Operatic Impulse on Film
000532 (2003) E. Thomas GlasowArias for Farinelli
000533 (2003) Roger PinesAida. Giuseppe Verdi
000557 (2002) William Fregosi [États-Unis]Zazà. Ruggero Leoncavallos
000561 (2002) George JellinekSamson et Dalila. Camille Saint‐Saëns
000577 (2002) Eugene H. CropseyA Conversation with William Mason, General Director of Lyric Opera of Chicago
000593 (2001) RECORDINGS RECEIVED
000597 (2001) Roland GraemeMacbeth (1847 version). Giuseppe Verdi
000629 (2000) The Opera Quarterly Index to Volume 16
000634 (2000) RECORDINGS RECEIVED
000635 (2000) William AshbrookPhyllis Curtin: Opera Arias (1960—1968)
000642 (2000) Roland GraemeL‘Orfeo. Claudio Monteverdi

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