| Ident. | Authors (with country if any) | Title |
|---|
| 000000 (2015) |
Geraint A. Wiggins [Royaume-Uni] ; Peter Tyack [Royaume-Uni] ; Constance Scharff [Allemagne] ; Martin Rohrmeier [Allemagne] | The evolutionary roots of creativity: mechanisms and motivations |
| 000028 (2011) |
Clare Mcmanus [Royaume-Uni] | Henrietta Maria: Piety, Politics and Patronage, ed. Erin Griffey |
| 000052 (2010) |
John Casken [Royaume-Uni] | Nigel FortuneA Personal Tribute |
| 000053 (2010) |
Tim Shephard [Royaume-Uni] | Music and the Myth of Arcadia in Renaissance Italy. By Giuseppe Gerbino. |
| 000054 (2010) |
Gregory Camp [Royaume-Uni] | Monteverdi's infinite variety |
| 000059 (2010) |
Laurie Stras [Royaume-Uni] | Getting to know Monteverdi |
| 000060 (2010) |
Eric Cross [Royaume-Uni] | Geistliche Konzerte |
| 000069 (2010) |
Bettina Varwig [Royaume-Uni] | A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. By Mark A. Peters. |
| 000071 (2010) |
Mark Bishop ; Margaret A. Boden [Royaume-Uni] | The Turing test and artistic creativity |
| 000079 (2010) |
John Butt [Royaume-Uni] | Emotion in the German Lutheran Baroque and the Development of Subjective Time Consciousness |
| 000087 (2009) |
Bettina Varwig [Royaume-Uni] | ‘Mutato semper habitu’: Heinrich Schütz and the Culture of Rhetoric |
| 000098 (2009) |
Laura Tunbridge [Royaume-Uni] | Poetry and the Romantic Musical Aesthetic. By James H. Donelan. |
| 000101 (2009) |
Susan Rutherford [Royaume-Uni] | Opera from the Greek: Studies in the Poetics of Appropriation. By Michael Ewans. |
| 000111 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
| 000117 (2009) |
M. W. Rowe [Royaume-Uni] | Aesthetics and Music |
| 000128 (2009) |
Noel O Egan [Royaume-Uni] | Monteverdi's Last Operas: A Venetian Trilogy ‐ by Ellen Rosand |
| 000271 (2008) |
John Bryan [Royaume-Uni] | Verie sweete and artificiall: Lorenzo Costa and the earliest viols |
| 000280 (2008) |
Jonathan P. Wainwright [Royaume-Uni] | Richard Dering's Few-Voice ‘Concertato’ Motets |
| 000281 (2008) |
Ben Earle [Royaume-Uni] | Remembering the Future. By Luciano Berio. |
| 000285 (2008) |
Geoff Baker [Royaume-Uni] | Latin American Baroque: performance as a post-colonial act? |
| 000291 (2008) |
John Butt [Royaume-Uni] | From early to modern music |
| 000298 (2008) |
Peter Holman [Royaume-Uni] | A century of English music |
| 000310 (2008) |
Ortiz Pérez [Royaume-Uni] ; Benjamin Knapp [Royaume-Uni] | BioTools: A Biosignal Toolbox for Composers and Performers |
| 000319 (2007) |
Geoffrey Webber [Royaume-Uni] | The Stylus Phantasticus and Free Keyboard Music of the North German Baroque. By Paul Collins. |
| 000321 (2007) |
Vassilis Vavoulis [Royaume-Uni] | The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe, Ed. by Juan José Carreras, Bernardo García García, and Tess Knighton. Trans. by Yolanda Acker. |
| 000323 (2007) |
Eric Cross [Royaume-Uni] | The Austro-German Baroque |
| 000325 (2007) |
Andrew Parrott [Royaume-Uni] | Scholarly support? |
| 000337 (2007) |
Peter Branscombe [Royaume-Uni] | Haydn's Masses en masse |
| 000367 (2006) |
Noel O'Regan [Royaume-Uni] | Monteverdi motets and madrigals |
| 000391 (2006) |
Ben Earle [Royaume-Uni] | Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo |
| 000423 (2005) |
D. Gagnevin [Irlande (pays)] ; J. S. Daly [Irlande (pays)] ; G. Poli [Italie] ; D. Morgan [Royaume-Uni] | Microchemical and Sr Isotopic Investigation of Zoned K-feldspar Megacrysts: Insights into the Petrogenesis of a Granitic System and Disequilibrium Crystal Growth |
| 000437 (2005) |
Noel O'Regan [Royaume-Uni] | A guide to Willaert |
| 000470 (2004) |
Andrew Parrott [Royaume-Uni] | Performing pitch |
| 000511 (2003) |
Ronnie Ferguson [Royaume-Uni] | The Formation of the Dialect of Venice |
| 000562 (2002) |
Thomas Rutledge [Royaume-Uni] | Robert Henryson's Orpheus and Eurydice: A Northern Humanism? |
| 000586 (2001) |
Richard Lane [Royaume-Uni] | Sanctuary in Spitalfields |
| 000600 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
| 000601 (2001) |
Z. Billinghurst [Royaume-Uni] ; A. S Clare [Royaume-Uni] ; M. H Depledge [Royaume-Uni] | Effects of 4- n -nonylphenol and 17β-oestradiol on early development of the barnacle Elminius modestus |
| 000604 (2001) |
Bill Bynum [Royaume-Uni] | Chlorosls |
| 000611 (2001) |
John Mccann [Royaume-Uni] | The Narrator as Special Pleader: The death of a child in La Peste |
| 000623 (2001) |
K. J. Laing [Royaume-Uni] ; J. Holland [Royaume-Uni] ; S. Bonilla [Royaume-Uni, Espagne] ; C. Cunningham [Norvège] ; C. J. Secombes [Royaume-Uni] | Cloning and sequencing of caspase 6 in rainbow trout, Oncorhynchus mykiss , and analysis of its expression under conditions known to induce apoptosis |
| 000628 (2000) |
Peter Holman ; Richard Maunder [Royaume-Uni] | The accompaniment of concertos in 18th-century England |
| 000647 (2000) |
M. K. Bhat [Royaume-Uni] | Cellulases and related enzymes in biotechnology |
| 000657 (2000) |
Lorraine Limburn [Royaume-Uni] | A Mass of contradictions |
| 000678 (1999) |
Noel O'Regan [Royaume-Uni] | Recent recordings of Palestrina |
| 000680 (1999) |
Noel O'Regan [Royaume-Uni] | REVIEWS OF MUSIC |
| 000703 (1999) |
Noel O'Regan [Royaume-Uni] | Late 16th-century Spanish polyphony |
| 000704 (1999) |
Tim Carter (musicologue) [Royaume-Uni] | Lamenting Ariadne? |
| 000707 (1999) |
Tim Carter (musicologue) [Royaume-Uni] | Editorial |
| 000724 (1998) |
Js Jenkins [Royaume-Uni] | The voice of the castrato |
| 000728 (1998) |
Scott Nixon [Royaume-Uni] | THE SOURCES OF MUSICAL SETTINGS OF THOMAS CAREW'S POETRY |
