A Monteverdi Vespers in 1611
Identifieur interne : 000015 ( Istex/Curation ); précédent : 000014; suivant : 000016A Monteverdi Vespers in 1611
Auteurs : Licia Mari ; Jeffrey KurtzmanSource :
- Early Music [ 0306-1078 ] ; 2008.
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DOI: 10.1093/em/can096
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Licia Mari<affiliation><mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation><affiliation><mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation>Le document en format XML
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She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation></author><author><name sortKey="Kurtzman, Jeffrey" sort="Kurtzman, Jeffrey" uniqKey="Kurtzman J" first="Jeffrey" last="Kurtzman">Jeffrey Kurtzman</name><affiliation><mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:D0C82D5396C1204023CB69EEEFE0736C529D25C0</idno><date when="2008" year="2008">2008</date><idno type="doi">10.1093/em/can096</idno><idno type="url">https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000017</idno><idno type="wicri:Area/Istex/Curation">000015</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">A Monteverdi Vespers in 1611</title><author><name sortKey="Mari, Licia" sort="Mari, Licia" uniqKey="Mari L" first="Licia" last="Mari">Licia Mari</name><affiliation><mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation><wicri:noCountry code="subField">to be published in the American Institute of Musicology series of critical editions.</wicri:noCountry></affiliation><affiliation><mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation><wicri:noCountry code="no comma">E-mail: liciamari@hotmail.com</wicri:noCountry></affiliation></author><author><name sortKey="Kurtzman, Jeffrey" sort="Kurtzman, Jeffrey" uniqKey="Kurtzman J" first="Jeffrey" last="Kurtzman">Jeffrey Kurtzman</name><affiliation><mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation><wicri:noCountry code="subField">for Libreria Musicale Italiana (Lucca).</wicri:noCountry></affiliation><affiliation><mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. 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