Serveur d'exploration sur Monteverdi

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

A Monteverdi Vespers in 1611

Identifieur interne : 000017 ( Istex/Corpus ); précédent : 000016; suivant : 000018

A Monteverdi Vespers in 1611

Auteurs : Licia Mari ; Jeffrey Kurtzman

Source :

RBID : ISTEX:D0C82D5396C1204023CB69EEEFE0736C529D25C0
Url:
DOI: 10.1093/em/can096

Links to Exploration step

ISTEX:D0C82D5396C1204023CB69EEEFE0736C529D25C0

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title>A Monteverdi Vespers in 1611</title>
<author>
<name sortKey="Mari, Licia" sort="Mari, Licia" uniqKey="Mari L" first="Licia" last="Mari">Licia Mari</name>
<affiliation>
<mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation>
</affiliation>
</author>
<author>
<name sortKey="Kurtzman, Jeffrey" sort="Kurtzman, Jeffrey" uniqKey="Kurtzman J" first="Jeffrey" last="Kurtzman">Jeffrey Kurtzman</name>
<affiliation>
<mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:D0C82D5396C1204023CB69EEEFE0736C529D25C0</idno>
<date when="2008" year="2008">2008</date>
<idno type="doi">10.1093/em/can096</idno>
<idno type="url">https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000017</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a">A Monteverdi Vespers in 1611</title>
<author>
<name sortKey="Mari, Licia" sort="Mari, Licia" uniqKey="Mari L" first="Licia" last="Mari">Licia Mari</name>
<affiliation>
<mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation>
</affiliation>
</author>
<author>
<name sortKey="Kurtzman, Jeffrey" sort="Kurtzman, Jeffrey" uniqKey="Kurtzman J" first="Jeffrey" last="Kurtzman">Jeffrey Kurtzman</name>
<affiliation>
<mods:affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</mods:affiliation>
</affiliation>
<affiliation>
<mods:affiliation>E-mail: liciamari@hotmail.com</mods:affiliation>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Early Music</title>
<idno type="ISSN">0306-1078</idno>
<idno type="eISSN">1741-7260</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date>2008</date>
<biblScope unit="volume">36</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="547">547</biblScope>
<biblScope unit="page" to="556">556</biblScope>
</imprint>
<idno type="ISSN">0306-1078</idno>
</series>
<idno type="istex">D0C82D5396C1204023CB69EEEFE0736C529D25C0</idno>
<idno type="DOI">10.1093/em/can096</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0306-1078</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<istex>
<corpusName>oup</corpusName>
<author>
<json:item>
<name>Licia Mari</name>
<affiliations>
<json:string>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</json:string>
<json:string>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</json:string>
<json:string>E-mail: liciamari@hotmail.com</json:string>
</affiliations>
</json:item>
<json:item>
<name>Jeffrey Kurtzman</name>
<affiliations>
<json:string>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</json:string>
<json:string>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</json:string>
<json:string>E-mail: liciamari@hotmail.com</json:string>
</affiliations>
</json:item>
</author>
<subject>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>ARTICLES</value>
</json:item>
</subject>
<language>
<json:string>eng</json:string>
</language>
<qualityIndicators>
<score>4.753</score>
<pdfVersion>1.3</pdfVersion>
<pdfPageSize>536 x 697 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<keywordCount>1</keywordCount>
<abstractCharCount>0</abstractCharCount>
<pdfWordCount>4741</pdfWordCount>
<pdfCharCount>28781</pdfCharCount>
<pdfPageCount>10</pdfPageCount>
<abstractWordCount>1</abstractWordCount>
</qualityIndicators>
<title>A Monteverdi Vespers in 1611</title>
<genre>
<json:string>research-article</json:string>
</genre>
<host>
<volume>36</volume>
<pages>
<last>556</last>
<first>547</first>
</pages>
<issn>
<json:string>0306-1078</json:string>
</issn>
<issue>4</issue>
<genre></genre>
<language>
<json:string>unknown</json:string>
</language>
<eissn>
<json:string>1741-7260</json:string>
</eissn>
<title>Early Music</title>
</host>
<categories>
<wos>
<json:string>MUSIC</json:string>
</wos>
</categories>
<copyrightDate>2008</copyrightDate>
<doi>
<json:string>10.1093/em/can096</json:string>
</doi>
<id>D0C82D5396C1204023CB69EEEFE0736C529D25C0</id>
<fulltext>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/pdf</uri>
</json:item>
<json:item>
<original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a">A Monteverdi Vespers in 1611</title>
<respStmt xml:id="ISTEX-API" resp="Références bibliographiques récupérées via GROBID" name="ISTEX-API (INIST-CNRS)"></respStmt>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher>Oxford University Press</publisher>
<availability>
<p>OUP</p>
</availability>
<date>2008</date>
</publicationStmt>
<sourceDesc>
<biblStruct type="inbook">
<analytic>
<title level="a">A Monteverdi Vespers in 1611</title>
<author>
<persName>
<forename type="first">Licia</forename>
<surname>Mari</surname>
</persName>
<email>liciamari@hotmail.com</email>
<affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</affiliation>
<affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</affiliation>
</author>
<author>
<persName>
<forename type="first">Jeffrey</forename>
<surname>Kurtzman</surname>
</persName>
<email>liciamari@hotmail.com</email>
<affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</affiliation>
<affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</affiliation>
</author>
</analytic>
<monogr>
<title level="j">Early Music</title>
<idno type="JournalID">earlyj</idno>
<idno type="pISSN">0306-1078</idno>
<idno type="eISSN">1741-7260</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date>2008</date>
<biblScope unit="volume">36</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="547">547</biblScope>
<biblScope unit="page" to="556">556</biblScope>
</imprint>
</monogr>
<idno type="istex">D0C82D5396C1204023CB69EEEFE0736C529D25C0</idno>
<idno type="DOI">10.1093/em/can096</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<creation>
<date>2008</date>
</creation>
<langUsage>
<language ident="en">en</language>
</langUsage>
<textClass>
<keywords scheme="keyword">
<list>
<item>
<term>ARTICLES</term>
</item>
</list>
</keywords>
</textClass>
</profileDesc>
<revisionDesc>
<change>undefined</change>
<change>[object Object]</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item>
<original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="corpus oup" wicri:toSee="no header">
<istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document>
<article article-type="research-article">
<front>
<journal-meta>
<journal-id journal-id-type="hwp">earlyj</journal-id>
<journal-id journal-id-type="publisher-id">earlyj</journal-id>
<journal-title>Early Music</journal-title>
<issn pub-type="epub">1741-7260</issn>
<issn pub-type="ppub">0306-1078</issn>
<publisher>
<publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.1093/em/can096</article-id>
<article-categories>
<subj-group>
<subject>ARTICLES</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>A Monteverdi Vespers in 1611</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Mari</surname>
<given-names>Licia</given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Kurtzman</surname>
<given-names>Jeffrey</given-names>
</name>
</contrib>
</contrib-group>
<aff>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 1561–1602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).
<email>liciamari@hotmail.com</email>
</aff>
<aff>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdi’s Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.
<email>jgkurtzman@wustl.edu</email>
</aff>
<pub-date pub-type="epub-ppub">
<month>11</month>
<year>2008</year>
</pub-date>
<volume>36</volume>
<issue>4</issue>
<fpage>547</fpage>
<lpage>556</lpage>
<permissions>
<copyright-statement>
<italic>Early Music</italic>
, Vol. XXXVI, No. 4 © The Author 2008. Published by Oxford University Press. All rights reserved.</copyright-statement>
<copyright-year>2008</copyright-year>
</permissions>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo>
<title>A Monteverdi Vespers in 1611</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA">
<title>A Monteverdi Vespers in 1611</title>
</titleInfo>
<name type="personal">
<namePart type="given">Licia</namePart>
<namePart type="family">Mari</namePart>
<affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</affiliation>
<affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</affiliation>
<affiliation>E-mail: liciamari@hotmail.com</affiliation>
<role>
<roleTerm type="text">author</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Jeffrey</namePart>
<namePart type="family">Kurtzman</namePart>
<affiliation>Licia Mari is a musicologist and choral director in Mantua. Her recent research has focused on the palace basilica of Santa Barbara and she has published essays on the Antegnati organ (1565) of the church, a Mass by Giaches de Wert only partially available in a modern edition, and a manuscript diary of 15611602. She is currently preparing a critical edition of the Messe a otto voci (Venice, 1612) by Stefano Nascimbeni, maestro di cappella of Santa Barbara, for Libreria Musicale Italiana (Lucca).</affiliation>
<affiliation>Jeffrey Kurtzman is Professor of Music at Washington University in St Louis. He has published books and articles on Claudio Monteverdis Vespers and other sacred and secular music, articles on Italian music in the 16th and 17th centuries, and critical editions of the sacred music of Monteverdi and other Italian composers of the 17th century. He is currently preparing a catalogue of all Office music published in Italy in the 16th and 17th centuries, and is General Editor of the Opera Omnia of Alessandro Grandi, to be published in the American Institute of Musicology series of critical editions.</affiliation>
<affiliation>E-mail: liciamari@hotmail.com</affiliation>
<role>
<roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article">research-article</genre>
<subject>
<topic>ARTICLES</topic>
</subject>
<originInfo>
<publisher>Oxford University Press</publisher>
<copyrightDate encoding="w3cdtf">2008</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<physicalDescription>
<internetMediaType>text/html</internetMediaType>
</physicalDescription>
<relatedItem type="host">
<titleInfo>
<title>Early Music</title>
</titleInfo>
<identifier type="ISSN">0306-1078</identifier>
<identifier type="eISSN">1741-7260</identifier>
<identifier type="JournalID">earlyj</identifier>
<identifier type="JournalID-hwp">earlyj</identifier>
<part>
<date>2008</date>
<detail type="volume">
<caption>vol.</caption>
<number>36</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>4</number>
</detail>
<extent unit="pages">
<start>547</start>
<end>556</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">D0C82D5396C1204023CB69EEEFE0736C529D25C0</identifier>
<identifier type="DOI">10.1093/em/can096</identifier>
<accessCondition type="use and reproduction" contentType="Copyright">Early Music, Vol. XXXVI, No. 4 The Author 2008. Published by Oxford University Press. All rights reserved.</accessCondition>
<recordInfo>
<recordContentSource>OUP</recordContentSource>
</recordInfo>
</mods>
</metadata>
<covers>
<json:item>
<original>true</original>
<mimetype>image/tiff</mimetype>
<extension>tiff</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/covers/tiff</uri>
</json:item>
</covers>
<annexes>
<json:item>
<original>true</original>
<mimetype>image/jpeg</mimetype>
<extension>jpeg</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/annexes/jpeg</uri>
</json:item>
<json:item>
<original>true</original>
<mimetype>image/gif</mimetype>
<extension>gif</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/annexes/gif</uri>
</json:item>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/annexes/pdf</uri>
</json:item>
</annexes>
<enrichments>
<istex:catWosTEI uri="https://api.istex.fr/document/D0C82D5396C1204023CB69EEEFE0736C529D25C0/enrichments/catWos">
<teiHeader>
<profileDesc>
<textClass>
<classCode scheme="WOS">MUSIC</classCode>
</textClass>
</profileDesc>
</teiHeader>
</istex:catWosTEI>
</enrichments>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MonteverdiV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000017 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000017 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    MonteverdiV1
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:D0C82D5396C1204023CB69EEEFE0736C529D25C0
   |texte=   A Monteverdi Vespers in 1611
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Mon May 9 21:59:15 2016. Site generation: Mon Feb 12 09:57:54 2024