Ident. | Authors (with country if any) | Title |
---|
000032 (2010) |
Noel Oregan [Royaume-Uni] | Old friends and new discoveries |
000035 (2010) |
Eric Cross [Royaume-Uni] | Geistliche Konzerte |
000037 (2010) |
Elizabeth Eva Leach [Royaume-Uni] | Der Mensuralcodex St. Emmeram: Faksimile der Handschrift Clm 14274 der Bayerischen Staatsbibliothek Mnchen. Ed. by the Bayerischen Staatsbibliothek and Lorenz Welker with Commentary from Ian Rumbold and Peter Wright. |
000040 (2010) |
Bettina Varwig [Royaume-Uni] | A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. By Mark A. Peters. |
000041 (2010) |
David Trendell [Royaume-Uni] | A Tudor miscellany |
000050 (2010) |
Kieran Flanagan [Royaume-Uni] | A Secular Age: an exercise inbreach‐mending |
000056 (2009) |
Noel O'Regan [Royaume-Uni] | Sacred music from the long cinquecento |
000059 (2009) |
Michael Talbot [Royaume-Uni] | New approaches to Vivaldi |
000060 (2009) |
Tess Knighton [Royaume-Uni] | La Librera de Canto de rgano: Creacin y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla. By Juan Ruiz Jimnez. |
000062 (2009) |
Esperanza Rodríguez-García [Royaume-Uni] | Cristóbal de Morales. Sources, Influences, Reception. Ed. by Owen Rees and Bernadette Nelson. |
000063 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
000189 (2008) |
David Trendell [Royaume-Uni] | Tudor church music |
000192 (2008) |
Elizabeth Eva Leach [Royaume-Uni] | The arcane yet pervasive art of canon |
000193 (2008) |
Tom Scott [Royaume-Uni] | The Reformation between Deconstruction and Reconstruction: Reflections on Recent Writings on the German Reformation |
000194 (2008) |
Demmy Verbeke [Royaume-Uni] | The Need for Latin Textual Scholarship in Renaissance Musicology |
000196 (2008) |
Jonathan P. Wainwright [Royaume-Uni] | Richard Dering's Few-Voice ‘Concertato’ Motets |
000199 (2008) |
Ambrogio A. Caiani [Royaume-Uni] | Louis XVIs chapel and the French Revolution (17891792) |
000202 (2008) |
Fabrice Fitch [Royaume-Uni] | Hearing John Brownes motets: registral space in the music of the Eton Choirbook |
000205 (2008) |
Peter Holman [Royaume-Uni] | A century of English music |
000215 (2007) |
Eric Cross [Royaume-Uni] | The Austro-German Baroque |
000216 (2007) |
Andrew Parrott [Royaume-Uni] | Scholarly support? |
000218 (2007) |
Geoffrey Webber [Royaume-Uni] | Modes and tones in Buxtehude's organ works |
000219 (2007) |
Roger Bowers [Royaume-Uni] | Ludford illuminated |
000233 (2006) |
William Baker ; Halie Crocker ; Kirstie Blair [Royaume-Uni] ; David Finkelstein [Royaume-Uni] ; Jim Davis | XIIIThe Nineteenth Century: The Victorian Period |
000239 (2006) |
Noel O'Regan [Royaume-Uni] | Monteverdi motets and madrigals |
000271 (2005) |
Timothy Day [Royaume-Uni] | Tallis in performance |
000282 (2005) |
David Skinner [Royaume-Uni] | Further thoughts on the Lambeth Choirbook and Jena |
000292 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
000302 (2004) |
David Ganz [Royaume-Uni] | Review: The Lindisfarne Gospels: Society, Spirituality and the Scribe [Reviews] |
000310 (2004) |
Noel O'Regan [Royaume-Uni] | New approaches to Victoria |
000315 (2004) |
A. D. Nuttall [Royaume-Uni] | Auerbach's Mimesis |
000330 (2003) |
Leslie Stevenson [Royaume-Uni] | Twelve Conceptions of Imagination |
000334 (2003) |
Noel O'Regan [Royaume-Uni] | Review: ‘Al decoro della Chiesa, & à lode del Signore Iddio’: I vespri concertati nella Roma del Seicento |
000389 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
000411 (2000) |
Noel O'Regan [Royaume-Uni] | Tomás Luis de Victoria‘s Roman churches revisited |
000413 (2000) |
Peter Holman ; Richard Maunder [Royaume-Uni] | The accompaniment of concertos in 18th-century England |
000422 (2000) |
Richard Maunder [Royaume-Uni] | Mozart's Walter fortepiano |
000426 (2000) |
Vicki Bertram [Royaume-Uni] | Making friends? contemporary women poets' difficulties with friendship* |
000432 (2000) |
Noel O'Regan [Royaume-Uni] | Battles and burials in Renaissance Spain |
000439 (2000) |
Anabel Thomas [Royaume-Uni] | Collaborations in the Workshop |
000456 (1999) |
Noel O'Regan [Royaume-Uni] | Marenzio's sacred music: the Roman context |
000458 (1999) |
Noel O'Regan [Royaume-Uni] | Late 16th-century Spanish polyphony |
000468 (1999) |
Mary Vincent [Royaume-Uni] | The Martyrs and the Saints: Masculinity and the Construction of the Francoist Crusade |
000506 (1998) |
Tim Carter (musicologue) [Royaume-Uni] | Baroque splendours |
000510 (1998) |
Martin Dzelzainis [Royaume-Uni] | ANTONY AND CLEOPATRA, Liii. 102–5 AND SPENSER'S RUINES OF ROME |
000524 (1997) |
Magnus Williamson [Royaume-Uni] | The early Tudor court, the provinces and the Eton Choirbook |
000530 (1997) |
Noel O'Regan [Royaume-Uni] | REVIEWS OF BOOKS |
000567 (1996) |
Robert Spencer [Royaume-Uni] | The theorbo in England |
000568 (1996) |
Noel O'Regan [Royaume-Uni] | The performance of Palestrina: some further observations |
000569 (1996) |
Tim Carter (musicologue) [Royaume-Uni] | The glory of Venice |
000582 (1996) |
Noel O'Regan [Royaume-Uni] | New Gabrieli complete edition |