EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE
Identifieur interne : 000283 ( Main/Merge ); précédent : 000282; suivant : 000284EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE
Auteurs : Stefano La ViaSource :
- Early Music History [ 0261-1279 ] ; 2002-10.
Abstract
The literary origins of the Italian sixteenth-century madrigal, as well as the presumed inexpressive nature of the so-called prima pratica as compared with the seconda pratica, perhaps represent two of the most abused commonplaces of modern musical historiography. Most scholars still believe that the linguistic, rhetorical and stylistic principles codified by Petrarchist humanists such as Pietro Bembo directly stimulated the birth of the new literary-musical genre. Even more problematic is the attitude of those who extract the dichotomy prima/seconda pratica from its specific cultural context - the Artusi-Monteverdi controversy - and apply it to an extended historical period, largely covering the whole history of the madrigal itself.
Url:
DOI: 10.1017/S0261127902002036
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000960
- to stream Istex, to step Curation: 000958
- to stream Istex, to step Checkpoint: 000277
Links to Exploration step
ISTEX:13FADE6B5A402DBD3256DE9A9B75ED2F2B303060Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE</title>
<author><name sortKey="La Via, Stefano" sort="La Via, Stefano" uniqKey="La Via S" first="Stefano" last="La Via">Stefano La Via</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:13FADE6B5A402DBD3256DE9A9B75ED2F2B303060</idno>
<date when="2002" year="2002">2002</date>
<idno type="doi">10.1017/S0261127902002036</idno>
<idno type="url">https://api.istex.fr/document/13FADE6B5A402DBD3256DE9A9B75ED2F2B303060/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000960</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000960</idno>
<idno type="wicri:Area/Istex/Curation">000958</idno>
<idno type="wicri:Area/Istex/Checkpoint">000277</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000277</idno>
<idno type="wicri:doubleKey">0261-1279:2002:La Via S:eros:and:thanatos</idno>
<idno type="wicri:Area/Main/Merge">000283</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE</title>
<author><name sortKey="La Via, Stefano" sort="La Via, Stefano" uniqKey="La Via S" first="Stefano" last="La Via">Stefano La Via</name>
<affiliation><wicri:noCountry code="no comma">Università degli Studi di Pavia</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Early Music History</title>
<idno type="ISSN">0261-1279</idno>
<idno type="eISSN">1474-0559</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2002-10">2002-10</date>
<biblScope unit="volume">21</biblScope>
<biblScope unit="page" from="75">75</biblScope>
<biblScope unit="page" to="116">116</biblScope>
</imprint>
<idno type="ISSN">0261-1279</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0261-1279</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">The literary origins of the Italian sixteenth-century madrigal, as well as the presumed inexpressive nature of the so-called prima pratica as compared with the seconda pratica, perhaps represent two of the most abused commonplaces of modern musical historiography. Most scholars still believe that the linguistic, rhetorical and stylistic principles codified by Petrarchist humanists such as Pietro Bembo directly stimulated the birth of the new literary-musical genre. Even more problematic is the attitude of those who extract the dichotomy prima/seconda pratica from its specific cultural context - the Artusi-Monteverdi controversy - and apply it to an extended historical period, largely covering the whole history of the madrigal itself.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV2/Data/Main/Merge
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000283 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Merge/biblio.hfd -nk 000283 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= LassusV2 |flux= Main |étape= Merge |type= RBID |clé= ISTEX:13FADE6B5A402DBD3256DE9A9B75ED2F2B303060 |texte= EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE }}
This area was generated with Dilib version V0.6.33. |