Music in the Renaissance
Identifieur interne : 000027 ( Istex/Corpus ); précédent : 000026; suivant : 000028Music in the Renaissance
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1978-09.
English descriptors
- Teeft :
- Accurate discussions, Adrian willaert, Aesthetic appreciation, Aspiring, Aspiring musicians, Baroque eras, Chief genres, Choral ensembles, Church groups, Collegium, Collegium musicum ensembles, Colorful period, Concert halls, Court ensembles, Court functions, Different notational practices, Dramatic growth, Englewood, Englewood cliffs, Ensemble music, Equal time, First examples, First time, Foreign countries, Foreign languages, Fuller range, Gabrieli, General music teachers, General renaissance trend, Giovanni gabrieli, Giovanni pierluigi, Greater efforts, Gustave, Gustave music, Harpsichord, Important part, Individual flavors, Instructional books, Instrumental music, Johannes, Johannes ockeghem, Josquin, Keyboard instruments, Lending flemish, Lute, Lutenist, Many ways, Modern editions, Modern performers, More individuals, More music, Motet, Music publishing, Musical effects, Musicum, Norton company, Notational, Ockeghem, Other hand, Palestrina, Pierluigi, Prez, Regional styles, Renaissance literature, Renaissance music, Sacred works, Secularism, Simple forms, Small church, Small court, Solo performer, Solo string, Spanish music, Steady revival, Such names, Technical information, Ular, Western music, Wider audience, Willaert, Wind band.
Url:
DOI: 10.2307/3395525
Links to Exploration step
ISTEX:66025FAB5746A2CF6340DA7893F80C83B0BD5E10Le document en format XML
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<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3395525</article-id><article-id pub-id-type="publisher-id">10.2307_3395525</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Music in the Renaissance</article-title></title-group><pub-date pub-type="ppub"><month>09</month><year>1978</year></pub-date><volume>65</volume><issue>1</issue><fpage>0</fpage><lpage>0</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Journal Article</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> MUSIC IN THE RENAISSANCE The solo performer, illustrated by the lute-nist on the “Music in the Renaissance’ poster, symbolizes much of the spirit of the Renaissance more precisely than the small church and court ensembles that were also an important part of the period. The years between 1450 and 1600 witnessed, above all else, a new spirit of individualism and experimentation in music that, for the first time, made composers and performers international figures to be respected, envied, emulated, and honored. Such names as Johannes Ockeghem, Josquin des Prez, Adrian Willaert, Giovanni Pierluigi da Palestrina, Orlando di Lasso, and Giovanni Gabrieli are still familiar to members of wind band, madrigal, and collegium musicum ensembles. In many ways, music became a more immediate and personalized medium for expression during the Renaissance. Certainly more music was both composed and performed during this period than before. The general Renaissance trend toward individualism and secularism was reflected in the growth of a new aesthetic appreciation of music that was entertaining and expressive in itself and not simply a tool for religious or court functions. Composers made greater efforts to underline and illuminate words with musical effects, utilized a fuller range of instruments and voices, and devoted equal time and effort to secular and sacred works. The beginning of music publishing, in the 1470s, enabled composers to reach a vastly wider audience than before, including musicians in foreign countries. Instructional books provided aspiring musicians with a new source of technical information. Solo string and keyboard instruments, particularly lutes and harpsichords, became pop- ular, enabling more individuals to take up music as a hobby and form of relaxation. Small court and church groups continued the traditions of ensemble music, but instrumentation and form became more varied and complex. This period also saw the first examples of purely instrumental music. Masses, motets, and settings of secular lyric poetry remained the chief genres of composition, but a myriad of national and regional styles and forms evolved, lending Flemish, German, French, Italian, English, and Spanish music increasingly individual flavors. The Renaissance, in sum, was a dynamic, varied period of dramatic growth in music. It bequeathed a repertoire of works for study and performance that has been undergoing a steady revival in classrooms and concert halls over the last two decades. Foreign languages, hard-to-find instruments, and different nota-tional practices pose difficulties for modern performers; on the other hand, the simple forms, modest vocal ranges, and richly varied harmonies and textures provide compensating values. Directors of small instrumental and choral ensembles can investigate many fine recordings and modern editions of Renaissance literature. General music teachers may find this colorful period more immediately appealing to students than the medieval or Baroque eras. Readable, accurate discussions of Renaissance music can be found in Donald Jay Grout's A History of Western Music (revised edition, New York: W. W. Norton & Company, Inc., 1973), Howard M. Brown's Music in the Renaissance (Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1976), and Gustave Reece's Music in the Renaissance (revised edition, New York: W. W. Norton & Company, Inc., 1959). </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Music in the Renaissance</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Music in the Renaissance</title></titleInfo><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1978-09</dateIssued><copyrightDate encoding="w3cdtf">1978</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1978</date><detail type="volume"><caption>vol.</caption><number>65</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>0</start><end>0</end></extent></part></relatedItem><identifier type="istex">66025FAB5746A2CF6340DA7893F80C83B0BD5E10</identifier><identifier type="ark">ark:/67375/M70-4VK72RNX-L</identifier><identifier type="DOI">10.2307/3395525</identifier><identifier type="ArticleID">10.2307_3395525</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/66025FAB5746A2CF6340DA7893F80C83B0BD5E10/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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