Bulletin Board
Identifieur interne : 000372 ( Main/Corpus ); précédent : 000371; suivant : 000373Bulletin Board
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1970-05.
English descriptors
- Teeft :
- American federation, American guild, American music, Aural harmony, Basic music theory, Concert march, Eugene ellsworth, February, Further information, Georges bermont, Group instruction, Hofstra university, Kennedy center, Loyola university, Moravian music foundation, Music education, Music educators, Music students, Professional discount, Southern methodist university, Speakers bureau, Staten island, String pedagogy, World premieres, York city.
Url:
DOI: 10.2307/3392826
Links to Exploration step
ISTEX:E963604FE271567FD44CBA7EF6F50D10F90FF3D2Le document en format XML
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3392826</article-id><article-id pub-id-type="publisher-id">10.2307_3392826</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Bulletin Board</article-title></title-group><pub-date pub-type="ppub"><month>05</month><year>1970</year></pub-date><volume>56</volume><issue>9</issue><fpage>101</fpage><lpage>106</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> Bulletin Board FOR THE ADMINISTRATOR. A new course, “Music Education for the School Administrator,” will be implemented in the 1970-1971 school year at Central Michigan University, Mount Pleasant. Tailored to the needs of principals and superintendents, the course will explore the role of music in human life through lecture, demonstration, and discussion. Course content considers values derived from music instruction, objectives, trends, curriculum content and materials, budget, scheduling and related items, and program evaluation. The course will be open to those in elementary and secondary master of arts and specialist in education programs, but not to music majors. MUSIC OF OUR TIMES, a concert series by the New Music Ensemble of the San Francisco Conservatory of Music, San Francisco, California, is attempting to bridge the increasing gap between the composer of new music and the listener. By a series of concert tours, the Ensemble is bringing people throughout the Western United States within reach of live performances of contemporary music. The Ensemble, formed with the assistance of a Ford Foundation grant, is presenting the scope of modern music from turn-of-the-century compositions to present-day works for small ensemble, mixed media, and the stage (for example, Erik Satie's puppet opera Genevieve de Brabant). CHINESE FOLK MUSIC was presented in concert March 13, 1970, at the University of Pittsburgh, Pittsburgh, Pennsylvania. Part of a month-long festival of Chinese art and music, the concert featured Ellie Mok, who studied at China's Yenching University, and her daughter Gwendolyn. FACSIMILE CONCERT. How far most performances of Mozart's Symphony No. 35 differ from the composer's original intent was revealed in a concert March 4, 1970, at the New England Conservatory of Music, Boston, Massachusetts. Leon Barzin conducted the N.E.C. Orchestra in a version of the “Haffner” based directly upon the recently published composer's manuscript. Collaborating with Mr. Barzin was Sydney Beck, N.E.C. director of libraries. Before the performance, the two demonstrated, with slides and orchestral excerpts, the differences between the composer's manuscript and previous “authentic” editions. FOLKLIFE FESTIVAL. The 1970 Festival of American Folklife, sponsored by the Smithsonian Institution, will be held July 1-5, 1970, in Washington, D.C. Artists, craftsmen, dancers, and musicians of country, jazz, blues, and soul music are expected to participate. Arkansas will be the featured state this year, and will display apple-head doll makers and wine makers. The Southern Plains Indians will also occupy a place of importance, demonstrating crafts, foods, games, dancing, singing, drumming, and a nightly powwow. The Festival drew 600,000 people last year. STRADIVARIUS GO HOME. Four Stradivarius instruments once owned and used by Nicolo Paganini returned to the place of their creation via an Iowa String Quartet tour. On April 7, 1970, the Quartet performed at Cremona, Italy, where the instruments were made. The musicians are allowed to keep the instruments, on loan from the Corcoran Gallery of Art, Washington, D.C, as long as they remain together as agroup. CHILD LABOR AND THE AFM. The American Federation of Musicians has begun a special new program that will allow young musicians to become members of the union and protect them from exploitation. “Young Sounds,” which will be implemented at the discretion of local unions, features special wage scales geared to special categories of employment, installment paying of initiation fees and fee refundability within the first ninety days, and instruction and orientation sessions. The program was adopted to help young (fourteen to twenty-one) popular musicians, who are often more interested in exposure than in earning a just wage, to combat unscrupulous practices. For further information on the new program, write the American Federation of Musicians of the United States and Canada, AFL-CIO, 641 Lexington Avenue, New York City 10022, or contact an AFM local. YOUNG SONGWRITERS. The forty-two best songs to be written by children in the public elementary schools of Pittsburgh, Pennsylvania, in the last ten years have been compiled and arranged for use in the classroom. The results of a twenty-year program sponsored by the American Society of Composers, Authors and Publishers, the final songs were selected from a group of over four hundred prize-winning children'ssongs. ? our thing is time n takes us a long time to make our Handmade drumsticks,but it doesn't take us long to sell them. The drumsticks with time built In! I 0PCH P. O. BOX 8032 HOUSTON. TEXAS 77004 Kn v: '?. ---. IS Remembered After Childhood is Forgotten And some of the best memories come from Broadman children's recordings. These two new ones are full of exciting play and fun songs as well as inspiring songs about God. When you choose Broadman children's recordings, you give your children knowledge for a lifetime. For further information and prices on these children's recordings, send coupon below to Broadman Advertising Department, 127 Ninth Avenue, North, Nashville, Tennessee 37203 Please send the flyer on Broadman children's recordings (To God We Joyfully Sing and Together We Sing) MMMEJKB570 Name:. Street orRoute:____ City:____State:. _ZIP:. MAY, NINETEEN SEVENTY lOl A quality component playback system for Stereo and Monauralrecords and tapes. A 4-track Stereo tape unit for recording live performances and transfer from discs. A multi-purpose tape system for adding live or recorded commentary or music onto a previously recorded live or disc program. A complete, self-contained mobile public address system with separate microphone volume control for mixing live commentary with recorded programs. Alternate speaker output for multiple headphone listening. Removable speaker enclosures permit best acoustical placement in rooms or auditoriums. Lid with lock protects components when not in use. ==x7 Radio-Matic of America, Inc. Dept. C5, 760 Ramsey Ave., Hillside, N. J. 07205 Telephone: 201-687-0929 BY SIDNEY J. LAWRENCE I WANT TO QUIT! What do parents do when those words are uttered fiercely by their budding musician offspring? Advice to the parent is provided in a 12 pg pamphlet entitled: THIS BUSINESS OF MUSIC PRACTICING. Designed to prevent dropouts, it also deals with “practicing” problems and“interestinmusic.” 4 copies (minim.), $1.50, 12 copies, $3.95. 24 copies $7.60. 48 copies, $14.00. 100 copies, $25.00 post. incl. HAVE YOU READ IT YET? Widely Praised REMEDIAL SIGHTREADING FOR THE PIANO STUDENT A Study inCorrective TeachingProcedures.Recommended for every Music Teacher's library. Outstanding” N.Y.S.S.M.A. NEWS “Anadmirable approach”. JOURNAL OF RESEARCH INMUSICED. Clothbound,lllus.,post, incl.,no discount.___$6.25 If you have already read, digested and appreciated this Important textbook you will want the following special material. THE MUSIC EYE. patented, adjustable Eye-Focus Screen for VerticalReadingdrills.each $1.50(20% teacher's disc.)and THE ONCE-A-DAY SIGHTREADING PROGRAMFOR PIANO. Books I, 2, 3 each $1.50 (20% teacher's disc.)add $.30 post. Order from Workshop Music Teaching Publications, Inc., Dept. M, 315 Mill Rd., Hewlett. N.Y. 11557 KENNEDY CENTER SPEAKERS. The Friends of the Kennedy Center has a speakers bureau to inform, without charge, interested groups of the plans and progress of the John F. Kennedy Center for the Performing Arts, Washington, D.C. Colored slides are used in the talks about the Center and its plans; there is also a film about the making of the Japanese curtain, a gift of Japan for use in the Opera House. Further information can be had from the Speakers Bureau, The Friends of the Kennedy Center, Room 5217, 726 Jackson Place N.W., Washington, D.C. 20566. SWELL TIME. Buffalo, New York, will be the host city for the 1970 national convention of the American Guild of Organists, June 28-July 2. Recitals, concerts, contests, and musical dramas will highlight the meeting. The lecturers include Richard French, Union Theological Seminary, speaking on “Language and Vocation”; Paul Manz, Concordia College, lecturing/ demonstrating “Service Improvisations”; and conductor-composer Vaclav Nelhybel speaking on “Brass Instruments in the Church Service.” Also featured are programs of organ concerti and theater organ music and the premiere of Ed Summerlin and Roger Ort-mayer's “Contemporary Worship Celebration.” D.C. YOUTH TO SWITZERLAND. The District of Columbia Youth Symphony has been chosen to represent the United States at the second annual International Youth Symphony Orchestra Festival in St. Moritz, Switzerland, August 14-30, 1970. It will be one of twelve such groups from around the world performing, attending seminars, and competing for scholarships. D.C. Symphony is part of a program that offers free instrumental instruction to nearly seven hundred young people each week. A $75,000 drive is under way to finance the trip. Tax-deductible contributions may be sent to the D.C. Youth Orchestra Program, Box 4898, Cleveland Park Station, Washington, D.C. 20008. PHILADELPHIA CENTENNIAL. The Philadelphia Musical Academy, Philadelphia, Pennsylvania, celebrated its one-hundredth anniversary (1970) with a series of concerts. The P.M.A. Symphonic Wind Ensemble, with pianist Susan Starr, premiered on February 23 Michael White's Opposites for Wind Ensemble and Radical Sounds and Andrew Rudin's Stentoriae. On March 12, pianist Gary Graffman, violinist Henryk Szeryng, and the Academie String Quartet joined forces for a program of music by Mozart, Debussy, Beethoven, and Chausson. Maureen Forrester and the P.M.A. Boys Choir were featured in an evening of vocal music April 8. And on May 7, Maurice Kaplow and the P.M.A. Orchestra and Chorus presented the American premiere of Krzysztof Penderecki's Dies Irae and the world premiere of JosephCastaldo's Cycles.? PHOTO CREDITS Chester Garstki: pages 3436, 37(2 and 5), 38, 42(1 and 3),43, 45,46, 48 (2, 3, 4, and 5), 51 (34, and 5), 1 52 (bottom), and 55. BenjaminS. Dunham: pages 32, 37, (3 and 4),39, 40, 42 (2),48 (1), 51(1and2), 52 (top), and 69. 102 MUSIC EDUCATORS JOURNAL Music by HUGO DISTLER THE CHRISTMAS STORY For unaccompanied choir and six soloists. CHORALE MOTET “LO. HOW A ROSE” From The Christmas Story. A LITTLE ADVENT MUSIC 97-4780$2.00 97-4849$. 50 Score 97-6438$2.25 Chorus Part 97-4707.40 For chamber choir, flute, oboe, violin, keyboardinstrument, andnarrator. SELECTIONS FROM “DER JAHRKREIS”97-4846$1.75 20 compositions for SSA, SST, or SAB. oncordia MUSIC =C0NC0RDIA PUBLISHING HOUSE. ST. LOUIS. M0. 63118 Uniuersity of Florida Gator Band Richard W. Bowles, Director of Bands. Robert E. Foster, Asst. Band Director. “UNIFORMS BY OSTWALD” INC., OSTWALD PLAZA, STATEN ISLAND, N.Y. 10314 Send your full-color literature showing Ostwald's Styles for the Seventies. Name-------------Title----------------------------- School___ School Address. City_ _State_ _Zip_ MAHLER's MISPRINTS. The Philadelphia Orchestra under the direction of William R. Smith performed Mahler's Ninth Symphony for the first time free of approximately two hundred standard edition misprints, December 18, 1969. The corrected version was supplied by Parks Grant of the University of Mississippi. Mr. Grant worked on corrected editions of four Mahler symphonies while on sabbatical in Vienna, Austria, in 1965-1966. Because the corrected edition, published by Universal Edition, appeared in print too late for the orchestra to use, Mr. Grant provided them a list of the misprints, from which they prepared their performance. “VICTORIA's WORLD,” an eight-week series held at the University of Chicago, concerning life during the reign of England's Victoria, featured two “audience participation” concerts February 6 and 8, 1970. In the first, director John Klaus involved his audience in the singing of Sir John Stainer's popular oratorio The Crucifixion. The February 8 band concert included works by Gustav Hoist and Gilbert and Sullivan, and the playing of “God Save the Queen,” with the audience again singing. MORAVIAN MUSIC FOUNDATION, preserver and librarian of the Moravian and other early American musical traditions, was the recent recipient of a three-year, $82,880 grant from the National Endowment for the Humanities, Washington, D.C. The matching grant, with funds from the Mary Reynolds Bab-cock Foundation, the Z. Smith Reynolds Foundation, and Mr. and Mrs. Clarence T. Leinbach of Winston-Salem, North Carolina, is restricted to cataloging the more than 10,000 musical items in the Moravian Archives in Winston-Salem and Bethlehem, Pennsylvania. Contributions to the expanded needs of the Foundation, which also researches and publishes written compositions and recordings, may be sent to the Friends of the Moravian Music Foundation, Drawer Z, Salem Station, Winston-Salem 27108. COSI-A-GO-GO, a rock version of Mozart's Cosi Fan Tutte, was presented February 6-8, 1970, at Hofstra University, Hempstead, New York. Inspired by Broadway's Hair, the opera was staged (with light-show effects) and conducted by Herbert Beattie of the New York City and San Francisco Opera Companies. The production updated the scene to contemporary Long Island and the music to accompaniment by electronic harpsichord, piano, drums, and Moog synthesizer. SOUL HISTORY. An attempt in the Baltimore (Maryland) school system to go far beyond perfunctory recognition of Negro contributions to American music resulted in an in-depth unit on Afro-American music for secondary schools. With no attempt to gloss over or omit elements in black music history, the unit deals with several main topics: the characteristics of African music, which were gathered through interviews with African students and teachers and through research; the influence of religion on music; and stages and styles of black music, which are divided into “Seven Ages of Negro Music.” Considering “soul” as an important, overall element of the music, students explored such subunits as Negro secular music, spirituals, poems by black poets, gospel music, blues, and classical music. 104 MUSIC EDUCATORS JOURNAL AN AMERICAN IN POLAND. The James Aliferis Music Achievement Test, developed by James Aliferis, former assistant director of music education, Philadelphia Public Schools, has been “generally adopted” in Poland as an achievement test. Studied for ten years at The State College of Music, Warsaw, the test is now being used by another governmental institution, The Educational Center for Schools of Art and Music, Warsaw. Poland has no test-publishing house as yet, so the test is useful for predicting success in music education. The test, which appeared in 1954, assesses a student's power to visualize the notation for what he hears. “GOODBYE SOLDIER,” a Seattle (Washington) Opera rock work, had its first performance February 25, 1970, in Seattle, and then played twenty-one performances throughout the state's high schools under the auspices of the Washington State Cultural Enrichment Program. Written and performed by the Northwest Rock ‘n’ Roll Band, and featuring soloists from the Seattle Opera, dance, kinetic sculpture, and projections, the work was based on Igor Stravinsky's Story of a Soldier. The project attempted to expose students to a total performing arts experience. SORORITY CONVENTION. Mu Phi Epsilon, international music sorority, has scheduled its fortieth national and fourth international convention, to be held in Washington, D.C., August 22-26, 1970. STRING PEDAGOGY DEGREE. The School of the Arts of Southern Methodist University, Dallas, Texas, has announced a new master of music degree in string pedagogy. Some of the courses available are “Analysis of String Class Pedagogy,” “College Teaching in Strings,” “Orchestras: Organization and Development,” “Applied String Pedagogy/’ “Research Techniques,” “Research Project,” and “Applied Music.” For additional information, contact Eugene Bonelli, Chairman, Division of Music, Southern Methodist University, Dallas 75222. AFFILIATE ARTISTS, INC., the New York-based program in operation since 1965, now sponsors over fifty artists attached to colleges, arts councils, opera companies, and other educational institutions throughout the country. The program began in Beloit, Wisconsin, when baritone Ed Warner, scheduled to give a concert in a snowbound and nearly empty church, found that talking about music and his singing increased the audience's appreciation of his art. He later joined with Beloit College in a program for performing artists, one which uses the artist as an on-campus educator, yet leaves him free to pursue a performing career. In 1968, the Sears Roebuck Foundation, Skokie, Illinois, began its continuing support of the program with a pilot appointment in San Antonio, Texas. The artists, singers, instrumentalists, and dancers are selected and placed (for a minimum of fifty-six days a year) with an eye to their professionalism and flexibility: not only must they have talent and discipline, they must be able to perform under strenuous and often unusual conditions. Ultimately, the program not only brings the arts to the people, but also provides the artist the dignity of socially useful employment.? lUDWig ALL-ANGLE TOM TOM HOLDER.the finest in heavy-duty performance! Improved shell mount holder features a die-cast ratchet for fine angle adjustment; straight knurled angle arm to prevent movement; maximum holding power. See it at your local Ludwig dealer today! TOTALPERCUSSION 'laionor 1728 N. Damen Ave. Chicago, Illinois 60647 %eadyfor 1970 Adoption- NEW COLLEGE TEXTS Aural Harmony A. Eugene Ellsworth Southern Methodist University This new programmed text for first and second year harmony has evolved through many years of successful testing. Emphasis is shifted to development of auditory skills from the beginning—“hear and transcribe” in contrast to “read and transcribe” techniques commonly used. Almost 20 hours of parallel programmed tapes provide opportunity for individual programmed study and skill-perfection culminating in development to the level of actual past American Guild of Organist Choirmaster, Associate and Fellowship examinations. Aural Harmony is suggested for use as a basic or supplementary harmony text. Spiral Bound 6.95 Basic Music Theory William H. Douglas University of Georgia A pre-harmony text in linear programmed format. Designed to overcome the paradox created when music students are expected to register for first year harmony but lack an adequate basic theory background to successfully undertake a course of study at this level. Also proven successful as a basic music text for non-music majors and music students whose preparation has been primarily “performance oriented.” Basic Music Theory is an ideal high school level text to supplement and add content to performing group instruction. The format fulfills non-consumable textbook requirements.Paper 2.95 Beginning Piano For Adults Jane Smisor Bastien andJames Bastien Newcomb College/Tulane University Loyola University Now widely adopted, this text incorporates the most up-to-date techniques of keyboard instruction with sufficient music at each level to truly develop keyboard skills. The unique format allows instructors of one to four-semester courses to elect an emphasis on “functional piano technique” or “piano literature, technique and style” or, time permitting, both. The text and sequence of presentation enhances parallel harmony courses.Spiral Bound 5.95 —=”ir-n General Words & Music Co., College Department Att: Neil A. Kjos, Jr. 525 Busse Highway, Park Ridge, 111. 60068 PLEASE SEND ME: ? Aural Harmony; A. Eugene Ellsworth.Net 5.56 Basic Music Theory; William H. Douglas.Net 2.36 Beginning Piano For Adults; Bastien & Bastien.Net 4.76 On 30 day approval. If I adoptCourse:__Enrollment:___ for my course, I will notify you tocancelcharge.Ifnot,IwillProfessor:-----_—----------------------------------------- return, or purchase less 20% pro-r n fessional discount. college:----------------------------------------------------- For personalreferenceusingStreet: my 20% professional discount, payment is enclosed. City:State:_Zip:___ MAY, NINETEEN SEVENTY 105 MUSICORD SPECIALS WITH GREATPUPILINTEREST NEW.,Completely Revised and Updated! ANYONE CAN PLAY PIANO by Georges Bermont For beginners of all agesr for individual or group instruction. Combines basic fundamentals correlated with familiar classics and folk tunes, simply arranged, plus a unique system of keyboard harmony which enables the student to play Popular, Swing, Rock ‘n’ Roll and to harmonize a melody and make his own arrangements. $1.50 MUSIC BY THE MASTERS by Lanning A most useful collection of classical teaching pieces for 1st, 2nd, 3rd grades. Phrased and analyzed in a most remarkableand scholarly manner. Price $1.25 MY SCALE BOOK by Hirschberg A wonderful exercisebook. 24major and minor scales.1octave, 2, 3& 4 octaves. 85 cents PLAY THAT TUNE 4 books by Georges Bermont These well known songs are immediately playable and singable. Extra care maintained in arranging, fingering and holding to the average voice range. Excellent for limited technique as selections lie well under the hand in the five finger position. Each 95 cents These books available at your dealer MUSICORD PUBLICATIONS, INC. (Write for free catalogue) Staten Island, New York 10314 YOU, AND HANDBELLS, CAN INSPIRE A LIFE-LONG LOVE OF MUSIC Let beautifully toned Schulmerich Handbells open new opportunities in music for all children. Develop awareness, appreciation, understanding and confidence while teaching music fundamentals. Aid programs can help schools finance! Write SCHULMERICH CARILLONS, INC. 9850 Carillon Hill, Sellersville, Pa. 18960 FROM HAWAII We offer this package for Teachers “Introduction to the Hula” a10-page 8x11 looseleaf book of hulainstructionsforsongfolio: ″8 Children's Songs from Hawaii” with 2 accompanying records (45's) Total $5.00 ppd via ship Mele Loke Pub. Co., Box 7142 Honolulu, Hawaii 96821 PREMIERES. Word has been received of the following world premieres: Claudio Santoro's Intermitencias II, for solo piano (the pianist used both the keyboard and the insides of the piano) and thirteen orchestra players, with members of the Pro Arte Symphony Orchestra, Hofstra University, Hempstead, Long Island, New York, March 21, 1970; Alfred Reed's commissioned Pledge of Allegiance, with high school musicians of the combined Tri-State Band, Orchestra, and Chorus, at the thirty-eighth annual Tri-State Music Festival, Enid, Oklahoma, May 2, 1970; John D. White's Cantos of the Year (based on William Blake's poetry), with the Akron Symphony Orchestra, Akron, Ohio, March 17, 1970; and Ben Weber's commissioned Dedication for Solo Violin and Orchestra, with violinist Joseph Fuchs and the Manhattan School of Music Orchestra, New York City, February 27,1970. Also given world premieres were Frank Salisbury's The Beatitudes (a “soul” interpretation of the Beatitudes of the Bible), with Clark Terry, Stan Kenton, and the Chorale and Stage Band of The College of Emporia, Emporia, Kansas, March 21, 1970; Joseph Ott's Nomos, for solo double bass and orchestra, with bassist Susan Matthew and the St. Paul (Minnesota) Chamber Orchestra, St. Paul, February 28, 1970; Howard Swanson's commissioned Third Symphony, with Benjamin Steinberg conducting the Symphony of the New World, New York City, March 1, 1970; Gardner Read's Symphony No. 4, Op. 92, with the Cincinnati Symphony Orchestra, Cincinnati, Ohio, January 30, 1970; Father Bruno Markaitis's commissioned One Hundred Suns (commemorating the centennial of Loyola University, Chicago, Illinois), with orchestra, chorus, narrator, and dancers, at Loyola University, March 22, 1970; and Carl Alette's Symphony for Band (honoring the sesquicentennial of Maryville College, Maryville, Tennessee), with the Maryville College Concert Band, Maryville, February 7, 1970. YES, VIRGINIA, THERE IS.University of Virginia, Charlottesville, has received a $1 million gift from the William R. Kenan, Jr., Charitable Trust, New York City, to be used in the fine arts and the humanities. PLAYING FROM MEMORY. The twenty-second annual Institute of Contemporary American Music, March 15-20, 1970, at Hartt College of Music, West Hartford, Connecticut, presented the “Hartford Memory Space,” a re-creation on their instruments of sounds heard by musicians as they walked through Hartford. The Synket, a portable electronic synthesizer, was also demonstrated and played in concert; and a concert of works by Donald Erb, Barney Childs, and others was presented. The Institute also included environmental and mixed-media events. NORTH BY NORTHWEST. The Northwest Honors Band and the Northwest Folk Singers, both composed of students from Oregon and Washington, will tour Europe during the summer of 1970 under the planning of the American Heritage Association. The band will visit the Netherlands, Poland, the Soviet Union, Sweden, Norway, and Denmark, while the chorus will perform in the Netherlands, Austria, France, Germany, England, Scotland, and Ireland. DAR OUSTS ROCK. The Daughters of the American Revolution have officially closed the District of Columbia's Constitution Hall, home of the National Symphony, to rock groups. The decision followed disturbances at a concert by rock artists Sly and the Family Stone. RADIO CONCERT SERIES. Station WJR (760), Detroit, Michigan, began a thirteen-week series of broadcasts for music educators April 26, 1970, with “And the Band Played On,” an introduction to band instruments. The series— concerts with narratives—follows the development of American music. WJR reaches over the entire United States; the broadcasts will be made weekly on Sundays. For information, write Harold Arnoldi, Director of Bands, Wayne State University, Detroit, Michigan 48202. AMERICAN MUSIC GROUP of the University of Illinois, Urbana-Cham-paign, has been formed to perform little-known American music of the past. Among their repertoire are protest songs, political ballads, hymns, temperance songs, and an 1872 operetta for schoolchildren, Grandpa's Birthday. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Bulletin Board</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Bulletin Board</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1970-05</dateIssued><copyrightDate encoding="w3cdtf">1970</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1970</date><detail type="volume"><caption>vol.</caption><number>56</number></detail><detail type="issue"><caption>no.</caption><number>9</number></detail><extent unit="pages"><start>101</start><end>106</end></extent></part></relatedItem><identifier type="istex">E963604FE271567FD44CBA7EF6F50D10F90FF3D2</identifier><identifier type="ark">ark:/67375/M70-8255JSJB-J</identifier><identifier type="DOI">10.2307/3392826</identifier><identifier type="ArticleID">10.2307_3392826</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/E963604FE271567FD44CBA7EF6F50D10F90FF3D2/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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