Record Reviews
Identifieur interne : 000371 ( Main/Corpus ); précédent : 000370; suivant : 000372Record Reviews
Auteurs : Paul J. WeaverSource :
- Music educators journal [ 0027-4321 ] ; 1935-05.
English descriptors
- Teeft :
- Adaptation ment, Adelphia orchestra, Airplane piece, Alexandre selmer, Allen kemp, Annual piano contest, Anton symphony konrath, Arrangereleased ment, Bach records, Bach releases, Bach style, Band releases mirage hongroise, Bands catalog, Best flute players rise, Best reeds, Best sets, Best tango, Best wagner reavailable, Best waters rise, Best wthen brunsyou, Black line, Blue bird eric, Blue versions ulpon, Bold lines, Book binders, Brackner welon victor, Brahms rachmous, Brittany richard donovan, Brunsold piano, Brunswick versions, Buddhist processional, Canon form, Carl speech, Carte recordings, Catalog engravers, Catalog record reviews band music, Cavalleria russapete, Cello piano, Chamber music, Charles wakefield glory cadman, Chorus solo, Church street, Clarinet imrprove clayrinetstu1 hontl, Clarinet pupils wlho, Claudio muzio, Columbetter recording, Columbia cently, Columbia company, Columbia gluskin, Columbia goodman, Columbia pretation, Columbia recording, Combination finetextsandexceptionally, Concert vercordings sion, Concerti grossi, Connie brunswick, Contemporary position music, Conwinners musicianship, County plans state, Culmination music fesin, Current music, Dance music, Dearie hame marshall, Deperformance prelude, Descriptive work, Director education, Discussion work, Distinctive release, Dozen clarinet, Drama bookshop, Dust martin, Easy march, Edwin interpretation, Effective designs, Effects chestral, Eligible connational contest, Emma boynet, Ennis allen, Excellent pamphlet, Exceptional merit, Extrahelpanid advice, Fadeth tchesnokoff george ladies marianne, Fair suite, Familiar sibelius valse triste, Fascinating standpoint, Favorite spots, Fillmore advertiser, Fillmore cincinnati, Fillmore comas, Final fugue, Fine edwin fischer, Fine execution, Fine mozart works, Fine performance, Fine reading, Fine records, Fine sense, Fine thing, First dolondon philharmonic, First hearing, First time, Flower song, Flute sonatas, Folk type, Forceful statement, Forest butterfield, Fraternal song books service, Freddy wick, Fritz chestra zaun, Full band, Gardens marshall kernochan, Gena branscombe channing lefebvre love, General style, Georges enesco, Georges laurent, Good quality, Great beauty, Great charm, Great music, Great originals, Great string quartets, Hamilton harty, Handel recannot, Handel recordings, Haydn library, Haynes flutes, Heresame people, Herman test, Herter norversion, High praise, Hilliard harriet, Hillwood lakes, Hungarian rhapsodies, Ihouse ohio, Important ords, Impressive hungarian dance rhythms, Indian susannadmyers, Individual efforts, Inperior quality, Interesting sically duke, Intermincompletely music educators journal gles, Intrinsic merit, Isador philipp, Italian trio, Jennings west, Jounanl publications, Last fugue, Lener quartet, Light song, London philharmonic, London string, Long abremarkable, Lpage booklet, Luard john ireland, Management hill, Manuscript books, Many gaps, Many people, Mass arcds request, Massachusettsavenue mass, Micro dozen alto, Minneapolis symphony, Minor concerto, Minuet music, Mitschaikowsky symphony, More colors, Morning smiles, Much betlated, Music beth, Music bureau chicago, Music educators, Music ends, Music otherconcerted quartet, Music stores, Nathaniel kret, Neil brooks, Nelson ozzie, Night gustav, Nling wantto, Noteworthy addition, Number tihe, Oboe concerto, Official miami, Orchestra tion, Orchestral recording, Orchestral version, Ormandy minneapolis symof, Orswiss pianist, Paganini form, Page page, Part songs, Part songs tschaikowsky, Peppy march, Perfect composition, Performance sidered, Performance sticks, Perth bizet, Philadelphia forces, Philadelphia orchestra, Phrase page, Piano music, Pilqrim song delibes, Poor instruments, Practice exposition prehensive, Pressionistic spanish alborado, Prince nicolaus esterneeded, Profull gram, Public relations mecaskie, Recent releases, Recording anniversary, Recording cious, Recording performance, River ganges schnicke, River glommen trans, Roth quartet, Roumanian rhapsocomdy number, Same youngsters, Sample comrnet parts, Sarasate arrangement, School music materials, School orchestras, Schubert marche militaire, Schwartz musicco, Second record, Second trio, Serious mind, Sets merit, Several seasons, Short pieces, Short symphony, Singers players, Skilful combination, Slow movebeauty ment, Small amount, Small ensembles, Special kemp, Special scale, Splendid record, Sprach zarathustra, Stokowski orchestra, String quartet fugue, Strings hrindemith, Sullivan fans, Summer cyril scott, Superb workmanship, Superior recording, Symby huberman, Symphony state opera orplayed, Tains wvith, Teachers state, Third scene, Third symphony, Tour sendus, Trct trademarks, Trumpets trumpet, Tschaikowsky yolanda, Unbelievable piece, Unnamed orchestra, Vaughan williams, Versions mother, Victor catalog, Victor philadelphia, Victor record, Victor symphony, Viola music, Violin convictor, Violin music, Violin originals columbia, Vital interthe work, Walter kramer, Water murecommended, Welcome tschaikowsky, Werner janssen, Whole pracfugal, Winthrop toplansky, Worth ious attention, York city page, Young american, Youngsters harm.
Url:
DOI: 10.2307/3384862
Links to Exploration step
ISTEX:A90CAFA56F4ED90E467804A147E1E1241EBDE084Le document en format XML
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duke</json:string><json:string>fascinating standpoint</json:string><json:string>best tango</json:string><json:string>columbia gluskin</json:string><json:string>best wthen brunsyou</json:string><json:string>special kemp</json:string><json:string>ennis allen</json:string><json:string>effects chestral</json:string><json:string>tains wvith</json:string><json:string>brunswick versions</json:string><json:string>versions mother</json:string><json:string>allen kemp</json:string><json:string>connie brunswick</json:string><json:string>phrase page</json:string><json:string>nelson ozzie</json:string><json:string>hilliard harriet</json:string><json:string>brunsold piano</json:string><json:string>dust martin</json:string><json:string>freddy wick</json:string><json:string>columbia goodman</json:string><json:string>blue versions ulpon</json:string><json:string>catalog engravers</json:string><json:string>book binders</json:string><json:string>effective designs</json:string><json:string>more colors</json:string><json:string>manuscript books</json:string><json:string>fraternal song books service</json:string><json:string>school music materials</json:string><json:string>tour sendus</json:string><json:string>music bureau chicago</json:string><json:string>alexandre selmer</json:string><json:string>lpage booklet</json:string><json:string>clarinet imrprove clayrinetstu1 hontl</json:string><json:string>clarinet pupils wlho</json:string><json:string>nling wantto</json:string><json:string>extrahelpanid advice</json:string><json:string>indian susannadmyers</json:string><json:string>drama bookshop</json:string><json:string>york city page</json:string></teeft></keywords><author><json:item><name>Paul J. Weaver</name></json:item></author><articleId><json:string>10.2307_3384862</json:string></articleId><arkIstex>ark:/67375/M70-5TMW6T1X-G</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><qualityIndicators><score>3.836</score><pdfWordCount>1824</pdfWordCount><pdfCharCount>17299</pdfCharCount><pdfVersion>1.6</pdfVersion><pdfPageCount>3</pdfPageCount><pdfPageSize>648 x 864 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>1</abstractWordCount><abstractCharCount>0</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>Record Reviews</title><genre><json:string>research-article</json:string></genre><host><title>Music educators journal</title><language><json:string>unknown</json:string></language><issn><json:string>0027-4321</json:string></issn><eissn><json:string>1945-0087</json:string></eissn><publisherId><json:string>MEJ</json:string></publisherId><volume>21</volume><issue>6</issue><pages><first>58</first><last>63</last></pages><genre><json:string>journal</json:string></genre></host><namedEntities><unitex><date><json:string>1935</json:string><json:string>1693</json:string></date><geogName><json:string>River Glommen Gries</json:string><json:string>Sea Luard Selby</json:string><json:string>Hillwood Lakes</json:string></geogName><orgName><json:string>On CO</json:string><json:string>HAYNES CO.</json:string></orgName><orgName_funder></orgName_funder><orgName_provider></orgName_provider><persName><json:string>Roy Harris</json:string><json:string>Philadelphia Orchestra</json:string><json:string>Marianne Genet</json:string><json:string>N. Brook</json:string><json:string>Hamilton Harty</json:string><json:string>Viola Music</json:string><json:string>Marshall Kernochan</json:string><json:string>Harris</json:string><json:string>Paul J. Weaver</json:string><json:string>Koussevitzky</json:string><json:string>George Mead</json:string><json:string>Victor Symphony</json:string><json:string>Claudio Muzio</json:string><json:string>A. Walter</json:string><json:string>Shilkret</json:string><json:string>N. J. College</json:string><json:string>Yolanda Sleeps</json:string><json:string>Nicolaus</json:string><json:string>Emma Boynet</json:string><json:string>Mabel E. Bray</json:string><json:string>Carl Engel</json:string><json:string>Channing Lefebvre</json:string><json:string>My Darling</json:string><json:string>Herbert Orange</json:string><json:string>Georges Laurent</json:string><json:string>Anton Symphony</json:string><json:string>Stokowski</json:string><json:string>Eric Thiman</json:string><json:string>Marshall Bartholomew</json:string><json:string>Edwin Fischer</json:string><json:string>Connie Brunswick</json:string><json:string>Cyril Scott</json:string><json:string>Rose Requests</json:string><json:string>Werner Janssen</json:string><json:string>Georges Enesco</json:string><json:string>Harry Cumpson</json:string><json:string>Engel</json:string><json:string>Richard Donovan</json:string></persName><placeName><json:string>Minneapolis</json:string><json:string>Wakefield</json:string><json:string>Stanford</json:string><json:string>NewYork</json:string><json:string>Miami</json:string><json:string>Columbia</json:string><json:string>Nashville</json:string><json:string>Ennis</json:string><json:string>American</json:string><json:string>Sor</json:string><json:string>CINCINNATI</json:string><json:string>NEW YORK CITY</json:string><json:string>Perth</json:string><json:string>St. Dept</json:string><json:string>America</json:string><json:string>Vienna</json:string><json:string>Chicago</json:string><json:string>York</json:string><json:string>Ireland</json:string><json:string>Goldberg</json:string></placeName><ref_url></ref_url><ref_bibl></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-5TMW6T1X-G</json:string></ark><publicationDate>1935</publicationDate><copyrightDate>1935</copyrightDate><doi><json:string>10.2307/3384862</json:string></doi><id>A90CAFA56F4ED90E467804A147E1E1241EBDE084</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/A90CAFA56F4ED90E467804A147E1E1241EBDE084/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/A90CAFA56F4ED90E467804A147E1E1241EBDE084/fulltext/zip</uri></json:item><istex:fulltextTEI 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<pub-date pub-type="ppub"><month>5</month><year>1935</year></pub-date><volume>21</volume><issue>6</issue><fpage>58</fpage><lpage>63</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Journal Article</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>cover-date</meta-name><meta-value>May/June 1935</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> WHAT A CATALOG OF RECORD REVIEWS Paul J. Weaver ACH ANNIVERSARY. This month of real brings four Bach releases and great worth to the stuexcellence The Art of Fugue, dent and teacher: the Concertos in D minor for Piano and 1 in A minor for Violin, and Sonatas All three and 6 for Flute and Piano. sets merit The Art of high praise. is presented in String Quartet Fugue the adaptation by Herter Norversion, the performance ton and Roy Harris, by the Roth Quartet under Mr. Harris' Columbia set 206. Except supervision; of sections in the 13th for the switching fugue (the “inversa” coming first) the performance sticks very closely to the one must call it an notation; original an arrangethan rather adaptation ment; it ends with the incompleted B-A-C-H, the last fugue on the letters the master on which music great As is well known, this work worked. Bach's whole pracfugal summarizes the most comtice and is undoubtedly of that practice exposition prehensive The D which has ever been written. is played minor Concerto by the fine Edwin Fischer; the orSwiss pianist, score is splendidly chestral played by unnamed orchestra. an unfortunately The work is a great one, and the reis really stirring; corded performance The violin conVictor set M-252. certo, number 1 in A minor, is played the Vienna with Symby Huberman phony under the baton of Dobrov; it is issued as Columbia set 210. Huberman has a fine sense of Bach style and gives and vital interthe work an interesting set 203 contains + Columbia pretation. and the 6th (E the first (B minor) major) flute sonatas, played by Georges Laurent with Harry Cumpson at the number 1 the Spitta considers piano. ever written most perfect composition 6 is considered for flute; number tihe best of the three which were dedicated the Great; both are great to Frederick are admirably and both permusic, formed here. fandel The recording Anniversary. companies are giving us many fine Bach records this year, but are strangely neglecting to fill the many gaps in the library of Handel recordings. It would be fine to have one of the operas in reform, or to have domestic complete cordings of some of the concerti grossi. This month there is only one Handel recannot be and that one which lease, the Water Murecommended: heartily and the sic Suite, played by Stokowski Orchestra on Victor 8550-1. Philadelphia elaborated The music is unnecessarily emascuand terribly in this version, Much betlated in this performance. Sir Hamilton ter is the version by Harty for the Columbia Company. the Vienna under Anton Symphony Konrath. A splendid record. Georges Enesco: Roumanian Rhapsocomdy Number 1. A short orchestral in the general style of Liszt's position and containing Hungarian Rhapsodies, material of the folk type, interesting is adequately on Victor 1701presented 2 by Ormandy and the Minneapolis Symphony. Roy Harris: Trio for Violin, Cello Piano. and Vigorously finely and played by the Italian Trio (Poltronieri, Bonucci and Casello) in Columbia Modern Set 7. On first hearing one is impressed with the bold lines of the music, its clear and forceful statement, the exotic of the slow movebeauty ment and the strength of the final fugue. A noteworthy addition to the Haydn. is the F Sharp Minor Haydn library known as the “Farewell.” Symphony, This is fine to have, not only for the great beauty of the music but also as an example of Haydn's sly humour in music; the music ends with an adagio during which the players gradually get up and leave the stage until, at the there remain only a violinist end, and the conductor. The symphony was written as a hint to Prince Nicolaus Esterneeded a vacahazy that his orchestra tion; and the Prince took the hint. Second Trio for Strings Hrindemith: Issued (1933). as set by Columbia 209; the performance is by Messrs. Hindemith and Feuermann. Goldberg, Columbia has done a fine thing in makwork available, ing this significant and in providing the excellent pamphlet not only of the with its discussion work itself, but also of the composer's in contemporary position music. Werner Janssen: New Year's Eve in New York. ShilPlayed by Nathaniel kret and the Victor Symphony on Victor 36157-8. This is an early and highly descriptive work by the young American who has been so hailed as a conductor this season. The second record also contains an airplane piece called Skyward composed by Mr. Shilkret. Two fine Mozart works have Mozart. just been released. Victor set M-254 contains the Concerto in A major, K. 219, for violin and orchestra, played by Heifetz with the London Philharmonic conducted This replaces by Barbirolli. the Columbia recording by Wolfstahl, both because of its more finely sensitive and because interpretation of its con In Columbetter recording. siderably bia set 207 Sir Hamilton and Harty the London Philharmonic the present Divertimento No. 17, in D major, K. 334; four of the original six movements are recorded, making the work appear in the guise of a short symphony. This is charming the Minuet music, being one of Mozart's most frequently played the interpretation is gracompositions; and the recording cious and sensitive, very good. BAND MUSIC! FILLMORE offers new ones that have Now style, punch, and the good quality in the Fillmore comas expected positions. HERE ARE THE NEW … BAND RELEASES MIRAGE HONGROISE By F. L. Buchtel An overture of exceptional merit, having most beautiful and impressive Hungarian Dance Rhythms. SCORE IN C, FULL BAND, $2.50. COND. 50c. BY THE RIVER GANGES By Harry Schnicke A Buddhist Processional. A portrayal of a scene in India-the land of temples, yogas and mystics. Gives variety to your proFULL BAND, $1.25. gram. ARCH OF STEEL-March By John N. Klohr A medium difficult march with the featur and in introduction, ing of Trumpets Trumpet and Drums in the trio. FULL BAND, 75c. BIG DIPPER—March By Neil Brooks An easy march by a new writer. Showy and full in arrangement. FULL BAND, 75c. HAPPY By Neil HOLLOW-March Brooks Another easy march by Brooks. You'll like this peppy six-eight march. FULL BAND, 75c. THE VARSITY-PEP-March By I. C. Hamilton A real collegiate pep march. The official Miami U. March. FULL BAND, 75c. Ask for a copy of “Fillmore Advertiser” listing these numbers with sample comrnet parts. FILLMORE CINCINNATI, IHOUSE OHIO BUY THE BEST REEDS … for your Musical MICRO “BLACK LINE” Dozen Clarinet……. 264 5.28 Alto………. Mel. or Tenor. 6.60 7.92 Baritone…… iii Instrument H“‘”“”Y? ……. “‘”’“ c…my l …crCD TICR … RU-A CI. G MICRO “TRU-ART” Dozen Clarinet…….$2.16 3.60 Alto………. Mel. or Tenor. 5.04 Baritone…… 5.76 DEMAND “MICRO” REEDS be assured completesatisfaction of All Leading Music Stores Sell ‘MICRO“ Products. Music OtherConcerted Beethoven's Quartet in E flat, Op. 67 (“Harp”‘) is given a fine performance set the Lener Quartet in Columbia by established 202. This group of artists, of as one of the great string quartets abandoned the day, has, unfortunately, its plan to return to America next year after an absence of several seasons. Fair Suite. Maid of Perth Bizet: are movements Five short and pleasant on Columbia 9085splendidly presented 6M by Beecham and the London Philharmonic. Two Scherzi appearing by Brackner welon Victor 11726, are particularly come in view of the very small amount The Bruckner available. of recorded is Scherzo from the “Youth” Symphony State Opera Orplayed by the Berlin under Fritz chestra Zaun, and that from the Third Symphony (D minor) by nuowrr J. SCHWARTZ MUSICCO., Inc. 10 West 19th St. Dept. 3, New York, N. Y. please mention JOUNaNL When writing to advertisers, The Music EDucATORs Publications SCHOOL ORCHESTRAS and BANDS Catalog and Samples free. Established 1879 for Write today. Fourth EMILASCHER, Inc.,315 - Ave.,NewYork Page 58 Ravel: in Quartet Played ‘ major. set 208–a by the Leners in Columbia of what is convery fine performance sidered one of the greatest of pieces modern chamber music. This is a set of records to live with and dream over! for new Rachmaninoff's Rhapsodie is played by the Piano and Orchestra with Stokowsi and the Philcomposer in Victor set M-250. adelphia Orchestra in free This is a theme and variations, on the Paganini form, based primarily used in his fatheme which Brahms Rachmous two sets of variations. of this material is maninoff's treatment as to make it so original and distinctive new. With it he intermincompletely Music Educators Journal gles the Dies Irae which has so affected his thought for some years. The intrinsic merit of the music combined with fine execution and recording make this a distinctive release. Other important recordings. Eugene and the Ormandy Minneapolis Symof the imphony give a fine reading and decidedly pressionistic Spanish Alborado del Gracioso by Ravel (misspelled on the label) on Victor 8552. A fine performance of the familiar Sibelius Valse Triste and of an orchestral version of the Schubert Marche Militaire is on Columbia presented 7322M by Sir Hamilton Harty and the The first doLondon Philharmonic. mestic of Strauss' Also recording is released sprach Zarathustra by Victor as set M-257. Dr. Koussevitzky and the Boston returning Symphony, to the Victor catalog after a long abremarkable give a truly sence, performance of this great this, music; combined w ith superior recording, makes this one of the best sets of rec A very important ords ever issued. work is made available for Stravinsky the first time in Columbia set 204: Les Noces scored for pi(The Wedding), chorus solo and anos, percussion, voices. It is exciting which music will repay considerable study-indeed, it is music which means little or nothconsiderable The ing without study. conducted performance, by the comis exciting of itself, poser, when one follows the score and considers its dif Stokowski and complexity. ficulty and the Philadelphia Orchestra play the No. 5, E miTschaikowsky Symphony nor in Victor set M-253. Dr. Stokowski is at his best with this type of heavilyemotionalized and lovers of music, will greatly welcome Tschaikowsky the An orchestral recording. synthesis taken from the third act of Wagner's Parsifal is presented and by Stokowski the Philadelphia forces on Victor 8617-8 –fine records of great music finely played. Piano Music. An especially useful and beautiful small is Victor record of 1693, Edwin Fischer's interpretation the Minuet written by Mozart at the of five (an altogether age charming and unbelievable piece of music) and a Marcello The latter is arAdagio. ranged from an oboe concerto, and was recently by Victor in arrangereleased ment for viols, etc. (Music of Early Set 1). - Two pieces by the Composers, famous French teacher, Isador Philipp, are charmingly played by Emma Boynet on Victor 4279. Violin Music. has arranged Szigeti two short pieces by Elgar, and plays them in his usual fine style on Columbia 2150M. On Victor 1694 Heifetz a stunning gives of Deperformance Prelude to L'Enfant bussy's Prodigue, and the Sarasate arrangement of Moszkowski's Guitarre. Both of these records are well worth your attention. Viola Music. William the Primrose, violist of the recently disbanded London String a brilliant gives Quartet, of two Caprices which he performance has arranged from the violin originals Columbia 7323M. by Paganini; Operatic from Excerpts. Excerpts Die Walkiire Wagner's are performed in Victor set M-248 by Stokowski and the Philadelphia Orchestra with Tibbett singing the role of Wotan. The and recording performance are of suand this must be inperior quality, cluded among the very best Wagner reavailable. The “concert vercordings sion by Stokowski” is a skilful combination of the ending of the third scene of the second act, the Ride of the from Act Valkyries 3, and Wotan's Farewell to Briinnhilde. Tibbett's Wotan is especially Voi lo impressive. Cavalleria Russapete, from Mascagni's is gorgeously ticana, sung by Claudio Muzio on Columbia 9084M; the reverse side contains a light song by BuzziPeccia, sung with great charm. - For CHORUSES with a combination finetextsandexceptionally of interesting musical settings. SONGS Tschaikowsky ……………………….Pilqrim Song Delibes ………………….Flower Song from “Lakme” Short Two Part Songs in Canon Form Reinecke…….Ten (in two sets) Garden By the Sea Luard Selby………………….A John Ireland. …………….See How the Morning Smiles THREE PART (S. S. A.) Tschaikowsky ……………………… Yolanda Sleeps Trans. by A. Walter Kramer the River Glommen Gries……………………….By Trans. by Gena Branscombe Channing Lefebvre …………………. Love In Brittany Richard Donovan …………Down By the Sally Gardens Marshall Kernochan ……………. … Sleep of Summer Cyril Scott Come In Sir, Please! ……………….Don't MIXED VOICES (S. A. T. B.) Charles Wakefield Glory Cadman…………………. Dearie Hame Marshall Bartholomew…………….Hame Pessard………………………….Farewell At Morn As A Flower Sorely Fadeth Tchesnokoff ……………. George Mead………………………Spanish Ladies Marianne Genet………………….Hymn to the Night Gustav Turn Back O'Man Holst……………………. Just As the Tide Was Flowing R. Vaughan Williams……. C. V. Blue Bird Stanford……………………….The Eric Thiman……………………….Go, Lovely Rose Requests for these numbers on approval will be welcomed indeed TWO PART GALAXYMUSIC 17 West 46th St. CORPORATION New York, N. Y. Gilbert and Sullivan fans who cannot afford full we recommend recordings the new “Gems from” album issued by Victor as number C-23; it contains five records of favorite spots in five of the best of their operas. Performance is not quite up to that of the D'Oyly Carte recordings, but is adequate to make this a delightful small sample of the great originals. DanceRecords Do you remember Carl Engel's speech on “Jazz” at the Nashville of meeting the Conference? If you don't, get out that volume of the Book of Proceedings and read it. Many people thought at the time that Dr. Engel was a heresame people tic; and many of those realize today that much of the current music is worth sertemporarily-popular ious attention as well as thoughtless In including in these reenjoyment. for the first time, some comviews, ments on recent dance-record releases we make no apology, for that would be quite out of order; rather, we simply say to the teacher who reads these words that (1) much of the dance music of the day is decidedly enjoyable for its own sake and therefore not to be ignored; that (2) much of it is very written cleverly (melodically or harmonically or contrapuntally or and therefore is to atmospherically), be examined with profit to the serious mind; and that (3) those who teach do the cause of music great youngsters harm if they or even superciliously cut themselves earnestly off completely from a type of music which those same youngsters enjoy and which they hear and use. We shall selconstantly dom discuss any of these recordings in detail; rather, we shall point out those CONTINUED ON PAGE SIXTY-THREE May-June, Nineteen Thirty-five Page 59 on the part of individual efforts greater and small ensembles and singers players of standards toward attaining higher in these conWinners musicianship. the in will to compete tests be eligible conNational Contest. The instrumental of under the test was management Hill 146 Forest Butterfield, Jennings West N. J. and Herbert Orange, Road, Bound 603 North Church Street, Lloyd, ConJ. managed the Vocal N. Brook, annual Piano Contest. The fourth was held Herman test May l1th, Eliza412 Winthrop Toplansky, Place, was week N. J., chairman. Music beth, and rehearsals of many the culmination Music Fesin the form of County plans State. held the tivals throughout New the First On Saturday, May 18th, School Choral All-State Jersey High Festival was held at Hillwood Lakes, Teachers State N. J. College, Trenton, This festival was under the management of Music of Mabel E. Bray, director Education at the college. The objectives were to promote choral and to singing children of the the inspiration give for and with other. each singing Thus we bring the music to a close activities of this season, anticipating renewal in their the fall.-Elsie C. Public Relations Mecaskie, chairman, Committee. Head the Procession! Bau the Best Waters rise no higher than their source! The best Flute Players rise no higher than poor instruments allow them! Why be handicapped? Buy a flute that will help, not hinder. Wm. S. Haynes Flutes enjoy world wide fame. Special Scale, Superb Workmanship. Catalog sent uLpon request. (4 F PROTECT , W tS44AYESCO BOSTON. MASS arcds TrCt ArW .r YOURSELF! Be Sure Your InBears strument the Registered Trademarks 4le WM. S. HAYNES Founder WM. S. HAYNES Est. 1888 CO. RECORDREVIEWS Continued from page 59 which seem to us to have the most merit from one standpoint or another. “dance” We call them but inrecords, clude some records not good for dancmuto call them ing purposes; popular sic for most of them is too inexact, for only a month or so. are “popular” rerecords Of the thirty-four dance and Brunsissued by Columbia cently is muwick the one which companies, is Columbia most interesting sically Duke The Forsythe's Reginald 3000D, from of Weed; and The Garden Insists is this fascinating standpoint every The and it is fine for dancing. stuff, is Tia lot of the Juana, best tango a fast with is coupled waltz, which by My Darling, played Dancing With 2997D. on Columbia Gluskin Lud is Red Nichols' rhumba The best WThen BrunsYou and I Were Maggie, Young, old terrible that makes 7358-Red wick Two records bearable. by really song not deserve Hal praise, special Kemp fine their for (inperformance only and easy natural the very singcluding Bob and Ennis Allen), of Skinny ing the from more almost standpoint but and orcontrapuntal of the interesting the music with which effects chestral con7370 Brunswick is decorated. I'm Going tains WVith You, and Shoppin‘ Little recent two of the better the Brunswick versions. Gardenia White and Rose the Red So contains 7360 versions Of the three Me. Haunting is by the best in Miracles, of I Believe Little on Columbia Jack 3006D; Little of the two Lhe better contains this also Tell To Afraid Be of Don't versions singLogan's Mother. Your Marjory as 2999R Columbia us choose ing makes of Tiny of the two versions the better of Lullaby Little Fingerprints. has clever a really piece, Broadway, Powell by Dick two recordings: good on Brunswick 7374, Greer and Jimmie on and Hal Allen Kemp Bob and by -. Boswell, 7369. Connie Brunswick for singfacility has an amazing who or too early half-a-phrase ing a phrase page), to the printed too late (according with job a particularly pleasing does I Take. Breath Every Brunswick 7354, Nelson. Ozzie and Hilliard Harriet more combined never cleverly have BrunsOld Piano, Off That than in Dust. Martin us, gives 7375. Freddy wick of the better the on Brunswick 7361, Stones of Throwing two interpretations by Benny the other is Sun; at the it where 3003D, on Columbia Goodman of the two the better with is combined Moon. of Blue versions WM. S. HAYNES CO. A 108 MassachusettsAvenue MASS. BOSTON, Eyes -On Engravers and Book Binders 166 -168 Terrace St. MASS. BOSTON, Devoted exclusively to the printing of music by every process. We furnish effective designs and make titles by all processes in one or more colors. We arrange music, revise MSS. and secure copyright if you desire. No order too small to receive attention. We photograph and print from and reproduce manuscript books of every kind. We make college and fraternal song books the Vb SPOT- E.M.B. SERVICE MUST BE GOOD OVER 16,000 0 Schools Use It America's Authorities on School Music Materials are here to help you with the selection of your music. Write us. No charge for this service to customers. Tour Order-Prompt, SendUs Efficient Attention Given Tour Needs Educational 434 S. Wabash Ave. by ALEXANDRE SELMER It O, c,f the Great i Time C'hlintitsofl lhis 1 Music Bureau Chicago -lpage booklet s(. your clarinet secti,)n rl'e;whcr 1 imrprove clayrinetstu1 hontl lit of clarinet pupils wlho by . nling wantto receive this extrahelpanid advice. No obligation Write tolday. whatever. Free to is equal tol privato . INDIAN 48 W. 52nd Street, PLAYS NEW YORK CITY SusannadMyers THE DRAMA BOOKSHOP X lma11:3 Sor canYrk In ELKHART END. r, n,t rtrt. %Vvst .151th Strt May-June, Nineteen Thirty-five Page 63 </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Record Reviews</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Record Reviews</title></titleInfo><name type="personal"><namePart type="given">Paul J.</namePart><namePart type="family">Weaver</namePart></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1935-05</dateIssued><copyrightDate encoding="w3cdtf">1935</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1935</date><detail type="volume"><caption>vol.</caption><number>21</number></detail><detail type="issue"><caption>no.</caption><number>6</number></detail><extent unit="pages"><start>58</start><end>63</end></extent></part></relatedItem><identifier type="istex">A90CAFA56F4ED90E467804A147E1E1241EBDE084</identifier><identifier type="ark">ark:/67375/M70-5TMW6T1X-G</identifier><identifier type="DOI">10.2307/3384862</identifier><identifier type="ArticleID">10.2307_3384862</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/A90CAFA56F4ED90E467804A147E1E1241EBDE084/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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