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80027-4224:1944:E L:reviews:of:music
60027-4631:1940:Miller P:quarterly:record:list
60027-4224:1943:E L:reviews:of:music
50027-4631:1951:Phillips R:quarterly:record:list
50027-4224:1952:R C:reviews:of:books
50027-4224:1943:E R:reviews:of:music
50027-4224:1938:R C:reviews:of:periodicals
40027-4631:1950:Phillips R:quarterly:record:list
40027-4631:1947:Miller P:quarterly:record:list
40027-4631:1943:Broder N:quarterly:record:list
40027-4631:1939:Miller P:quarterly:record:list
40027-4224:1948:E L:reviews:of:music
40027-4224:1947:I K:reviews:of:music
40027-4224:1946:E L:reviews:of:music
40027-4224:1937:C B O:register:of:books
30027-4631:1968:Traficante F:quarterly:book:list
30027-4631:1967:Traficante F:quarterly:book:list
30027-4631:1963:Wade C:quarterly:book:list
30027-4631:1957:Campbell F:quarterly:book:list
30027-4631:1949:Fairley E:quarterly:book:list
30027-4631:1948:Miller P:quarterly:record:list
30027-4631:1948:Fairley E:quarterly:book:list
30027-4631:1946:Waters E:quarterly:book:list
30027-4631:1946:Miller P:quarterly:record:list
30027-4631:1939:Waters E:quarterly:book:list
30027-4631:1938:C E:views:and:reviews
30027-4631:1937:Miller P:quarterly:record:list
30027-4631:1936:Gilbert R:quarterly:record:list
30027-4224:1988:Dickinson P:reviews:of:books
30027-4224:1962:E L:reviews:of:books
30027-4224:1947:K A:reviews:of:music
30027-4224:1946:I K:reviews:of:music
30027-4224:1944:E B:reviews:of:music
30027-4224:1943:E B:reviews:of:music
30027-4224:1938:G A:reviews:of:periodicals
30027-4224:1933:C B O:register:of:books
30027-4224:1932:C B O:register:of:books
30027-4224:1926:C B O:register:of:books
30027-4224:1923:Dyson G:the:texture:of
30027-4224:1921:M D C:reviews:of:books
20920-203X:1992:Kouwenhoven F:developments:in:mainland
20887-6177:1990:Kinsella G:judgement:of:mood
20047-2441:1971:Williams R:concerning:the:german
20040-2982:2004:Anderson M:london:st:john
20040-2982:1963:Weissmann J:a:select:list
20040-2982:1954:Balzer J:the:new:in
20027-4631:1985:Bryant C:quarterly:book:list
20027-4631:1984:Bryant C:quarterly:book:list
20027-4631:1983:Bryant C:quarterly:book:list
20027-4631:1981:Bryant C:quarterly:book:list
20027-4631:1980:Bryant C:quarterly:book:list
20027-4631:1978:Bryant C:quarterly:book:list
20027-4631:1975:Bryant C:quarterly:book:list
20027-4631:1972:Newsom J:quarterly:book:list
20027-4631:1959:Krummel D:quarterly:book:list
20027-4631:1957:Mason C:the:chamber:music
20027-4631:1957:Chase G:alberto:ginastera:argentine
20027-4631:1954:Goldman R:reviews:of:records
20027-4631:1952:Campbell F:quarterly:book:list
20027-4631:1951:Campbell F:quarterly:book:list
20027-4631:1950:Fairley E:quarterly:book:list
20027-4631:1949:Phillips R:quarterly:record:list
20027-4631:1945:Broder N:quarterly:record:list
20027-4631:1942:Broder N:quarterly:record:list
20027-4631:1940:Waters E:quarterly:book:list
20027-4631:1937:Waters E:quarterly:book:list
20027-4631:1937:C E:views:and:reviews
20027-4631:1935:C E:views:and:reviews
20027-4631:1924:Engel C:views:and:reviews
20027-4631:1922:Engel C:views:and:reviews
20027-4321:1967:Klein L:twentieth:century:analysis
20027-4224:2000:Whittall A:reviews:of:books
20027-4224:2000:Dickinson P:reviews:of:books
20027-4224:1998:Whittall A:reviews:of:books
20027-4224:1997:Whittall A:reviews:of:books
20027-4224:1996:Orledge R:reviews:of:books
20027-4224:1994:Smith R:reviews:of:books
20027-4224:1994:Dickinson P:reviews:of:books
20027-4224:1991:Brown D:reviews:of:books
20027-4224:1990:Orledge R:reviews:of:books
20027-4224:1989:Pople A:reviews:of:books
20027-4224:1987:Bujic B:reviews:of:books
20027-4224:1986:Whittall A:reviews:of:books
20027-4224:1986:Hollinrake R:reviews:of:books
20027-4224:1986:Dickinson P:reviews:of:books
20027-4224:1986:Banfield S:reviews:of:music
20027-4224:1985:Whittall A:reviews:of:books
20027-4224:1984:Tilmouth M:reviews:of:books
20027-4224:1984:Nichols R:reviews:of:books
20027-4224:1981:Orledge R:reviews:of:books
20027-4224:1981:Nichols R:reviews:of:music
20027-4224:1976:Smith R:reviews:of:books
20027-4224:1976:Carner M:reviews:of:books
20027-4224:1974:Myers R:reviews:of:books
20027-4224:1973:J A W:reviews:of:books
20027-4224:1972:E L:reviews:of:books
20027-4224:1971:R H M:reviews:of:books
20027-4224:1971:J A W:reviews:of:books
20027-4224:1970:R H M:reviews:of:books
20027-4224:1968:R W:reviews:of:books
20027-4224:1967:Bancroft D:two:pleas:for
20027-4224:1966:M T:reviews:of:books
20027-4224:1965:R H M:reviews:of:books
20027-4224:1963:F Li H:reviews:of:books
20027-4224:1963:E L:reviews:of:books
20027-4224:1962:R H M:reviews:of:books
20027-4224:1962:P A E:reviews:of:books
20027-4224:1962:J A W:reviews:of:books
20027-4224:1958:S G:reviews:of:books
20027-4224:1956:E B:reviews:of:books
20027-4224:1954:W M:reviews:of:books
20027-4224:1949:W H M:reviews:of:books
20027-4224:1948:R C:reviews:of:books
20027-4224:1947:R C:reviews:of:books
20027-4224:1947:R C:review:of:periodicals
20027-4224:1943:A H F S:reviews:of:books
20027-4224:1939:R C:reviews:of:music
20027-4224:1938:S G:reviews:of:periodicals
20027-4224:1937:S G:reviews:of:books
20027-4224:1937:G A:reviews:of:periodicals
20027-4224:1937:E B:reviews:of:periodicals
20027-4224:1936:Abraham G:reviews:of:books
20027-4224:1935:Lockspeiser E:reviews:of:books
20027-4224:1935:Goddard S:reviews:of:periodicals
20027-4224:1935:Abraham G:reviews:of:periodicals
20027-4224:1934:Goddard S:reviews:of:periodicals
20027-4224:1934:Bonavia M:reviews:of:books
20027-4224:1933:Bonavia F:reviews:of:books
20027-4224:1930:C B O:register:of:books
20027-4224:1929:C B O:register:of:books
20027-4224:1928:Sc G:reviews:of:periodicals
20027-4224:1928:Howes F:grove:s:dictionary
20027-4224:1925:F B:reviews:of:books
12285-5920:2012:Nattiez J:is:the:search
12257-5294:2012:Chimenes M:l:annee:debussy
12048-4151:2006:Gingell J:the:visual:arts
12037-4631:2013:Carafoli E:on:beauty:and
12037-4631:2012:Frova A:audience:reluctance:in
12031-3098:2009:Thieffry S:le:guide:musical
12031-3098:2009:Cornaz M:yvonne:guide:et
11878-4755:2011:Pinna B:the:accentuation:principle
11876-1100:2011:Leung C:semantic:music:information
11876-1100:2010:Costantini G:improving:piano:music
11869-2729:2010:Rosenbaum R:from:the:traditions
11868-9612:2012:Andersson H:the:tort:law
11749-9755:2007:De La Fuente E:the:new:sociology
11742-3341:2012:Rose G:implicit:motion:in
11741-8399:2001:Botstein L:pfitzner:and:musical
11741-8399:2000:Porter J:bart:and:jana
11741-8399:2000:Pollack H:samuel:barber:jean
11741-8399:2000:Botstein L:memory:and:nostalgia
11741-8399:1936:Lang P:liszt:and:the
11741-8399:1936:Bauer M:the:literary:liszt
11741-4113:2011:Weliver P:a:score:of
11741-4113:2010:Kumbier W:beethoven:s:birdstrokes
11738-2297:2010:Morales R:effects:of:auditory
11732-1352:2012:Gozdecka R:obraz:ywio:u
11680-0737:2009:Mutschler I:probabilistic:assignment:of
11673-3436:2006:Young J:art:authenticity:and
11630-4586:2004:Pinchard B:soleil:dans:les
11568-4849:2006:Wai Chung H:a:historical:review
11567-715x:2012:Sills H:emergent:temporalities:in
11567-715X:2010:Wierzbicki J:cocteau:s:chimney
11559-2472:1921:Lodge A:heard:at:the
11553-9172:2018:Branger J:marianne:wheeldon:debussy
11537-7814:2009:Horowitz J:henry:krehbiel:german
11533-3175:1986:Whitcomb J:is:the:glass
11533-2101:1999:Skaggs R:the:influence:of
11532-2882:2013:Pras A:the:impact:of
11524-2226:2010:Sutton R:gamelan:encounters:with
11524-2226:2002:Nunns S:good:vibrations:ambience
11524-2226:1999:Jackaway G:selling:mozart:to
11524-2226:1997:Sandow G:breaking:barriers:classical
11524-2226:1990:Gridley M:clarifying:labels:cool
11477-1756:2005:Polidoro M:the:secrets:of
11475-3898:2008:Stevens D:handovers:and:debussy
11472-0817:2006:Parsons A:sensory:stimuli:and
11468-795X:2004:De La Fuente E:max:weber:and
11468-215X:2000:Acu A L:don:t:cry
11439-9598:2009:Cahn P:gdch:als:musikalisches
11439-4367:2013:Piencikowski R:une:musique:de
11439-4367:2013:Hamel P:des:representations:resolues
11380-3743:2007:Jeong M:plant:gene:responses
11363-3554:1992:Collier S:the:popular:roots
11358-2461:1994:Storr A:nietzsche:and:music
11354-5078:2004:Brincker B:musical:constructions:of
11321-103X:1999:Barry N:preservice:teachers:reactions
11318-5454:2011:Klemenc B:educational:possibilities:of
11257-7537:2010:Hamery R:debussy:tel:qu
11257-7537:2010:Delaplace J:jeux:de:claude
11155-4339:1992:Bolzinger S:a:preliminary:study
11144-0546:2008:Alvarez S:music:of:the
11122-1151:2001:Csepregi G:the:relevance:of
11120-6349:2009:Carafoli E:science:and:art
11084-4945:2011:Siegel M:restaging:works:from
11084-4945:2011:Misler N:seven:steps:seven
11084-4945:2011:Jordan S:one:or:two
11084-4945:2011:Brezgin O:sergei:diaghilev:a
11084-4945:2004:Vaccarino E:enrico:prampolini:and
11084-4945:2004:Sourits E:russian:dance:studios
11084-4945:2002:Hahl Fontaine J:the:versions:of
11084-4945:1996:Ivanov V:the:rhythmometric:theater
11084-4945:1996:Garafola L:soloists:abroad:the
11084-4945:1996:Chernova N:kasian:goleizovsky:and
11084-4945:1996:Bilinsky V:colored:music:the
11079-9265:2012:Kim N:symbols:of:faith
11075-1262:1980:Surits E:soviet:ballet:of
11073-0508:2010:Solomon J:the:reception:of
11065-9471:2007:Mitterschiffthaler M:a:functional:mri
11062-7987:1998:Flotzinger R:postmodernism:in:music
11061-7361:1997:Gatherer D:the:evolution:of
11061-7361:1993:Benzon W:stages:in:the
11057-9249:2010:Mackenzie R:a:disease:many
11057-0837:1995:Hanley B:peeling:the:onion
11053-881X:1966:Forster F:conditioning:in:sensory
11053-8801:2011:Luey B:joan:reardon:ed
11053-8801:1995:Crook M:the:oclc:online
11048-3713:2009:Miller B:mom:and:little
11048-3713:2007:Kassner K:animated:listening:maps
11048-3713:2006:Cosenza G:play:me:a
11048-3713:2004:Paul P:enhancing:musical:response
11048-3713:2000:Kassner K:technology:for:musicianship
11029-8649:2009:Wapnick J:effects:of:non
11029-8649:2009:Frey A:pertinence:cognitive:des
11029-8649:2008:Evans P:relationships:between:expressed
11029-8649:2006:Zanette D:zipf:s:law
11029-8649:2003:Bigand E:book:review:tonal
11029-8649:2002:Ockelford A:the:magical:number
11029-8649:1998:Schnapper L:book:review:correspondance
11029-8649:1998:Lehmann A:preparation:of:a
11029-8649:1997:Repp B:expressive:timing:in
11029-8649:1997:Clarke E:talking:fingers:an
10966-8373:2007:Nehamas A:only:in:the
10966-7350:1993:Boyce Tillman J:an:evening:with
10963-9268:1989:Dixon D:current:bibliography:of
10962-1067:2010:Liu Y:effects:of:music
10960-6491:1999:Devetag M:from:utilities:to
10960-0779:2000:Bigerelle M:fractal:dimension:and
10959-8138:2011:O Eill D:primates:at:the
10959-8138:2009:Williams D:django:s:hand
10957-1558:2005:Hawkins P:leo:ferre:modernism
10957-1558:2000:Nettelbeck C:jazz:at:the
10957-1558:2000:Looseley D:french:cultural:studies
10957-1558:2000:Chew G:martin:s:three
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10954-5867:2007:Huebner S:laughter:in:ravel
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10954-5867:2005:Bronfen E:carolyn:abbate:in
10954-5867:2004:Uvietta M:e:l:ora
10954-5867:2002:Wilson A:torrefranca:vs:puccini
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10950-561X:1963:Burt C:the:psychology:of
10938-5509:1990:Risset J:the:computer:music
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10927-2569:2007:Leneman H:re:visioning:a
10925-9902:2003:Meek C:automatic:thematic:extractor
10924-6495:1992:Leman M:the:theory:of
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10888-8892:1999:Webb C:environment:as:destiny
10888-8892:1999:Kobori H:diagnosing:river:health
10888-8892:1999:Delissio L:long:term:perspectives
10888-8892:1999:Chen L:playing:earth:jazz
10886-6236:2009:Tribollet A:effects:of:elevated
10885-6125:2006:Raphael C:aligning:music:audio
10885-6125:2006:Grindlay G:modeling:analyzing:and
10885-2545:2012:Georges P:black:notes:and
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10737-8831:1998:Fleck N:micromarc:for:integrated
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10736-0053:2007:Sheppard W:the:cambridge:companion
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10736-0053:2006:White B:as:if:they
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10736-0053:2003:Green L:the:a:tre
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10736-0053:2003:Buller J:die:bakchantinnen:egon
10736-0053:2003:Bruder H:three:american:sopranos
10736-0053:2003:Ashbrook W:four:vintage:fausts
10736-0053:2002:Fregosi W:gina:francesco:cilea
10736-0053:2002:Baxter R:puccini:his:international
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10736-0053:2002:Ashbrook W:two:pelle:as
10736-0053:2001:Pearce J:the:great:frida
10736-0053:2001:Kimball C:jane:bathori:musicienne
10736-0053:2001:Fregosi W:macbeth:ernest:bloch
10736-0053:2001:Bruder H:five:french:tenors
10736-0053:2000:Potter C:nadia:boulanger:s
10736-0053:1999:Migliavacca G:marietta:devia:la
10736-0053:1999:Kaufman T:jacques:fromental:halevy
10736-0053:1999:Henstock M:tito:schipa:the
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10736-0053:1997:Pearson E:victor:herbert:s
10736-0053:1997:Mckee D:opera:films:on
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10736-0053:1997:Green L:three:incomparable:sopranos
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10736-0053:1992:Burroughs B:oedipe:georges:enesco
10736-0053:1992:Ashbrook W:a:village:romeo
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10736-0053:1990:Russo J:puccini:the:immigrants
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10736-0053:1990:Lowe D:natasha:rostova:goes
10736-0053:1990:Ducloux W:a:long:ago
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10736-0053:1989:Robinson H:the:case:of
10736-0053:1989:Pines R:don:pasquak:gaetano
10736-0053:1989:Lee M:hurry:up:please
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10736-0053:1989:Ashbrook W:great:operas:at
10736-0053:1988:Thomas C:der:ring:des
10736-0053:1988:Schauer J:norma:vincenzo:bellini
10736-0053:1988:Powell W:opera:where:money
10736-0053:1988:Harris K:the:incomparable:callas
10736-0053:1988:Green L:the:queen:of
10736-0053:1988:Ganz A:transformations:of:the
10736-0053:1988:Beeson J:composers:and:librettists
10736-0053:1988:Ashbrook W:pelleas:et:melisande
10736-0053:1987:Ardoin J:a:pride:of
10736-0053:1986:Williams J:a:singers:roundtable
10736-0053:1986:Thomas C:two:foreigners:search
10736-0053:1986:Thomas C:satyagraha:philip:glass
10736-0053:1986:Hunt C:where:the:wild
10736-0053:1986:Hunt C:boris:godunov:modest
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10736-0053:1986:Beeson J:the:autobiography:of
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10736-0053:1985:Rimer T:le:rossignol:igor
10736-0053:1985:Hunt C:lieder:and:the
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