Portraits of a Sonata
Identifieur interne : 000E99 ( Main/Merge ); précédent : 000E98; suivant : 000F00Portraits of a Sonata
Auteurs : Bill HopkinsSource :
- Tempo [ 0040-2982 ] ; 1993-09.
Abstract
Travelling to Paris in September 1964, the French Government having enabled me to present myself at the Conservatoire as a prospective pupil of Messiaen, I brought with me the ambition to meet Jean Barraque. He was, above all else, the composer of a Sonata, to a recording of which I had listened repeatedly, intently, and with an overwhelming apprehension of living greatness. If music meant anything today, only here was that meaning fully grasped, and it was to a like ideal that my own work falteringly aspired.
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DOI: 10.1017/S004029820000303X
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<front><div type="abstract" xml:lang="en">Travelling to Paris in September 1964, the French Government having enabled me to present myself at the Conservatoire as a prospective pupil of Messiaen, I brought with me the ambition to meet Jean Barraque. He was, above all else, the composer of a Sonata, to a recording of which I had listened repeatedly, intently, and with an overwhelming apprehension of living greatness. If music meant anything today, only here was that meaning fully grasped, and it was to a like ideal that my own work falteringly aspired.</div>
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