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Aldeburgh Festival, 2003

Identifieur interne : 000726 ( Main/Merge ); précédent : 000725; suivant : 000727

Aldeburgh Festival, 2003

Auteurs : Tom Service

Source :

RBID : ISTEX:9586D9FEBC8904136C8C90381E202E380A9575EC

Abstract

Mauricio Kagel's Eine Brise, a ‘fleeting action’ for 111 cyclists, was one of the signature events of the Aldeburgh Festival this year, a bizarre procession along the beach front, creating an evanescent, mobile performance of honking, whistling, and singing. It was a brilliantly absurdist gesture – and typical Kagel, you might think. But Eine Brise, composed in 1996, was the exception in Aldeburgh's focus on Kagel's recent music. Their mini-retrospective of his music of the last couple of decades revealed how the surrealist master of the 1960s and 70s has developed into a more complex figure, at once more conventional and more elusive.

Url:
DOI: 10.1017/S0040298203230369

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ISTEX:9586D9FEBC8904136C8C90381E202E380A9575EC

Le document en format XML

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<div type="abstract">Mauricio Kagel's Eine Brise, a ‘fleeting action’ for 111 cyclists, was one of the signature events of the Aldeburgh Festival this year, a bizarre procession along the beach front, creating an evanescent, mobile performance of honking, whistling, and singing. It was a brilliantly absurdist gesture – and typical Kagel, you might think. But Eine Brise, composed in 1996, was the exception in Aldeburgh's focus on Kagel's recent music. Their mini-retrospective of his music of the last couple of decades revealed how the surrealist master of the 1960s and 70s has developed into a more complex figure, at once more conventional and more elusive.</div>
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{{Explor lien
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   |texte=   Aldeburgh Festival, 2003
}}
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