| Ident. | Authors (with country if any) | Title |
|---|
| 000057 (2012) |
Leon Gunther [États-Unis] | Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes |
| 000160 (2010) |
Michael B. Kac | Musical Meaning and Human Values edited by chapin, keith and lawrence kramer |
| 000167 (2010) |
Theodore Gracyk | Elective Affinities: Musical Essays on the History of Aesthetic Theory by goehr, lydia |
| 000228 (2009) |
| Musicological approaches to musical semiotics |
| 000236 (2009) |
Joel Wapnick ; Louise Campbell ; Jeanne Siddell-Strebel ; Alice-Ann Darrow | Effects of Non-Musical Attributes and Excerpt Duration on Ratings of High-Level Piano Performances |
| 000312 (2008) |
Catherine Losada | The Process of Modulation in Musical Collage |
| 000375 (2007) |
Marissa Silverman | Musical interpretation: philosophical and practical issues |
| 000376 (2007) |
Colin Gough [Royaume-Uni] | Musical Acoustics |
| 000380 (2007) |
Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande] | Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis |
| 000384 (2007) |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
| 000463 (2006) |
Christopher Wintle | Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.) |
| 000470 (2006) |
David Lowenthal [Royaume-Uni] | From harmony of the spheres to national anthem: Reflections on musical heritage |
| 000474 (2006) |
Claudio E. Benzecry [États-Unis, Argentine] | Curtain rising, baton falling: The politics of musical conducting in contemporary Argentina |
| 000592 (2005) |
Joelle L. Lien [États-Unis] | The Musical Lives of Young Children |
| 000598 (2005) |
Katharine Ellis | Review: The Musical Madhouse: Les Grotesques de la musique |
| 000612 (2005) |
Beth Hart | Elliott Antokoletz, with the collaboration of Juana Canabal Antokoletz: Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious |
| 000732 (2004) |
Tim Carter (musicologue) [États-Unis] | Review: The Broadway Musical: A Critical and Musical Survey |
| 000750 (2004) |
Adam Ockelford [Royaume-Uni] | On Similarity, Derivation and the Cognition of Musical Structure |
| 000751 (2004) |
Bernard W. Andrews [Canada] | Musical contracts: fostering student participation in the instructional process |
| 000752 (2004) |
Benedikte Brincker [Danemark] ; Jens Brincker [Danemark] | Musical constructions of nationalism: a comparative study of Bartók and Stravinsky |
| 000763 (2004) |
Phyllis M. Paul [Niger] | Enhancing Musical Response with Children's Literature |
| 000766 (2004) |
Robert Walker | Cultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions |
| 000835 (2003) |
Brian Hart | Review: Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800–1945 |
| 000837 (2003) |
Stacy Moore | Review: Fauré and French Musical Aesthetics |
| 000843 (2003) |
Jonathan Freeman-Attwood | Review: A Century of Recorded Music: Listening to Musical History |
| 000878 (2002) |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
| 000879 (2002) |
Nan Mcdonald [États-Unis] ; Douglas Fisher [États-Unis] | Strings Attached: A Musical Listening Unit |
| 000890 (2002) |
Halina Goldberg | Review: L'Univers musical de Chopin |
| 000906 (2002) |
Nicolas Meeùs | Musical Articulation |
| 000985 (2001) |
Oliver Vitouch [Allemagne, Autriche] | When Your Ear Sets the Stage: Musical Context Effects in Film Perception |
| 000989 (2001) |
Gabor Csepregi | The Relevance Of Nicolai Hartmann's Musical Aesthetics |
| 000A02 (2001) |
Mark J. Butler | Communication and the musical pyramid: On the nature and function of musical communities |
| 000B03 (1999) |
Cathy Freeman [États-Unis] | The Crystallizing Experience: A Study in Musical Precocity |
| 000C19 (1998) |
Richard Howitt [Australie] | Scale as relation: musical metaphors of geographical scale |
| 000D31 (1996) |
Arnold Ages | Musical tropes and the architecture of Thérèse Raquin |
| 000D37 (1996) |
Barbara Tillmann ; Emmanuel Bigand [France] | Does Formal Musical Structure Affect Perception of Musical Expressiveness? |
| 000D38 (1996) |
Stewart Buettner | Catalonia and the Early Musical Subjects of Braque and Picasso |
| 000D98 (1995) |
Richard F. Rose ; Michael J. Wagner | Eminence Choices in Three Musical Genres and Music Media Preferences |
| 001009 (1991) |
David Huron | The Ramp Archetype: A Score-Based Study of Musical Dynamics in 14 Piano Composers |
| 001060 (1990) |
Irene Deliege ; Abdessadek El Ahnmadi [Belgique] | Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio |
| 001122 (1989) |
Kacper Miklaszewski [Pologne] | A Case Study of a Pianist Preparing a Musical Performance |
| 001199 (1987) |
Robert Walker [Canada] | Musical Perspectives on Psychological Research and Music Education |
| 001205 (1987) |
Hollis Thomas | Encouraging the Musical Imagination Through Composition |
| 001250 (1986) |
Nell J. Sins ; Barry Charles Hoffmans [États-Unis] | Musical Togetherness: Creating Concerts for Families |
| 001456 (1982) |
Soren Nielzen ; Zvonimir Cesarec | Emotional Experience of Music as a Function of Musical Structure |
| 001492 (1981) |
D. Epstein | On Musical Continuity |
| 001537 (1980) |
Wilfrid Mellers | Music and musical education |
| 001620 (1978) |
Anthony B. Wolff [États-Unis] | Problems of representation in musical computing |
| 001664 (1977) |
Warren F. Prince [États-Unis] | Measuring Discrimination of Complex Musical Events |
| 001742 (1975) |
Robert Kauffman [États-Unis] | How Musical is Man? |
| 001773 (1974) |
Robert Austin Warner | Musical Instruments: An Illustrated History |
