| Ident. | Authors (with country if any) | Title |
|---|
| 000011 (2016-06-14) |
Claire Habig [France] | Movement and music, partance and partition in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix |
| 000064 (2012) |
Patrick Georges [Canada] ; Aylin Seçkin [Turquie] | Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts |
| 000065 (2012) |
Andrea Frova [Italie] | Audience reluctance in the face of twentieth century avant-garde music |
| 000066 (2012) |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
| 000084 (2011) |
James Wierzbicki | The postmodern in music |
| 000088 (2011) |
Lydia Goehr | Sporting Sounds: Relationships between Sport and Music edited by bateman, anthony and john bale |
| 000090 (2011) |
C. H. C. Leung [Hong Kong] ; W. S. Chan [Hong Kong] | Semantic Music Information Retrieval Using Collaborative Indexing and Filtering |
| 000099 (2011) |
Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie] | Educational Possibilities of the Project Colour Visualization of Music |
| 000153 (2010) |
Giorgio Biancorosso | The Shark in the Music |
| 000154 (2010) |
Jon Solomon [États-Unis] | The Reception of Ancient Greek Music in the Late Nineteenth Century |
| 000164 (2010) |
G. Costantini [Italie] ; M. Todisco [Italie] ; M. Carota [Italie] | Improving Piano Music Transcription by Elman Dynamic Neural Networks |
| 000165 (2010) |
R. Anderson Sutton | Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism |
| 000168 (2010) |
Yu-Hsiang Liu [Taïwan] ; Mei-Yueh Chang [Taïwan] ; Chung-Hey Chen [Taïwan] | Effects of music therapy on labour pain and anxiety in Taiwanese first‐time mothers |
| 000219 (2009) |
J M Gibson [États-Unis] | The birth of the blues: how physics underlies music |
| 000220 (2009) |
Susan Von Rohr Scaff | The Vitality of Music in Mann and Joyce. Wagner in “Fullness of Harmony” and “Sirens” |
| 000221 (2009) |
Rachel Sloan | THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN |
| 000231 (2009) |
José Luiz Martinez | Icons in music: A Peircean rationale |
| 000232 (2009) |
Gilbert R. Fischer | How music communicates |
| 000237 (2009) |
Kathleen Kerstetter [États-Unis] | Educational Applications of Podcasting in the Music Classroom |
| 000310 (2008) |
Riccardo Lombardi [Italie] | Time, Music, and Reverie |
| 000311 (2008) |
Imogen Parker | The time of music: the music of time |
| 000313 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000314 (2008) |
Philip Alperson [États-Unis] | The Instrumentality of Music |
| 000319 (2008) |
Paul Gruber | MUSIC IN REVIEW |
| 000322 (2008) |
Theodor W. Adorno | Form in the New Music |
| 000324 (2008) |
| Barbara L. Kelly, editor. French Music, Culture, and National Identity, 1870–1939. (Eastman Studies in Music, number 54.) Rochester, N.Y.: University of Rochester Press. 2008. Pp. xix, 260. $90.00 |
| 000382 (2007) |
Arnold Whittall [Royaume-Uni] | Allen Forte in Music Analysis |
| 000383 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
| 000385 (2007) |
Martina T. Mitterschiffthaler [Royaume-Uni] ; Cynthia H. Y. Fu [Royaume-Uni] ; Jeffrey A. Dalton [Royaume-Uni] ; Christopher M. Andrew [Royaume-Uni] ; Steven C. R. Williams [Royaume-Uni] | A functional MRI study of happy and sad affective states induced by classical music |
| 000452 (2006) |
Barbara White | “As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse |
| 000460 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 000462 (2006) |
Glenda Cosenza [États-Unis] | Play Me a Picture, Paint Me a Song: Integrating Music Learning with Visual Art |
| 000465 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
| 000468 (2006) |
Gisèle Sapiro [France] | Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00 |
| 000477 (2006) |
Christopher Raphael [États-Unis] | Aligning music audio with symbolic scores using a hybrid graphical model |
| 000591 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 000593 (2005) |
P. F. Zweifel [États-Unis] | The Mathematical Physics of Music |
| 000596 (2005) |
James R. Briscoe | The Cambridge Companion to Debussy. Ed. by Simon Trezise. pp. xviii + 326. Cambridge Companions to Music. (Cambridge University Press, Cambridge, 2003, £18.95. ISBN 0-521-65478-5.) Claude Debussy as I Knew Him and Other Writings by Arthur Hartmann. Ed. by Samuel Hsu, Sidney Grolnic, and Mark Peters. pp. xix + 339. (University of Rochester Press, Rochester, NY and Woodbridge, 2003, £60. ISBN 1-58046-104-2.) |
| 000600 (2005) |
David J. Code | Review: Mallarmé and Debussy: Unheard Music, Unseen Text |
| 000601 (2005) |
Rob Haskins | Review: Exploring Twentieth-Century Music: Tradition and Innovation |
| 000603 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
| 000608 (2005) |
Frank A. Salamone | Jazz and Its Impact on European Classical Music |
| 000610 (2005) |
David W. Roe | Heartbeat of the People: Music and Dance of the Northern Pow-Wow |
| 000616 (2005) |
Moira Szabo [Canada] | Avenues of Entry into the World of Western Art Music |
| 000617 (2005) |
Anna Rita Addessi [Italie] ; Roberto Caterina [Italie] | Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1 |
| 000731 (2004) |
Deborah Mawer | Review: The Harlequin Years: Music in Paris 1917–1929 |
| 000735 (2004) |
Stephen Downes | Review: Proof through the Night: Music and the Great War |
| 000738 (2004) |
Jim Samson | Review: Liszt and the Birth of Modern Europe: Music as a Mirror of Religious, Political, Cultural, and Aesthetic Transformations. Proceedings of the International Liszt Conference held at the Villa Serbelloni, Bellagio (Como), 14–18 December 1998 |
| 000739 (2004) |
Nicholas Temperley | Review: George Grove, Music and Victorian Culture |
| 000753 (2004) |
Alexander Stein [Niger] | Music, Mourning, and Consolation |
| 000754 (2004) |
Alexander Stein [Niger] | Music and trauma in Polanski's The pianist (2002) |
