List of bibliographic references indexed by music
Number of relevant bibliographic references: 289.
[20-40] [
0 - 20][
0 - 50][
40-60]
| Ident. | Authors (with country if any) | Title |
|---|
| 000311 (2008) |
Imogen Parker | The time of music: the music of time |
| 000313 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000314 (2008) |
Philip Alperson [États-Unis] | The Instrumentality of Music |
| 000319 (2008) |
Paul Gruber | MUSIC IN REVIEW |
| 000322 (2008) |
Theodor W. Adorno | Form in the New Music |
| 000324 (2008) |
| Barbara L. Kelly, editor. French Music, Culture, and National Identity, 1870–1939. (Eastman Studies in Music, number 54.) Rochester, N.Y.: University of Rochester Press. 2008. Pp. xix, 260. $90.00 |
| 000382 (2007) |
Arnold Whittall [Royaume-Uni] | Allen Forte in Music Analysis |
| 000383 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
| 000385 (2007) |
Martina T. Mitterschiffthaler [Royaume-Uni] ; Cynthia H. Y. Fu [Royaume-Uni] ; Jeffrey A. Dalton [Royaume-Uni] ; Christopher M. Andrew [Royaume-Uni] ; Steven C. R. Williams [Royaume-Uni] | A functional MRI study of happy and sad affective states induced by classical music |
| 000452 (2006) |
Barbara White | “As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse |
| 000460 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 000462 (2006) |
Glenda Cosenza [États-Unis] | Play Me a Picture, Paint Me a Song: Integrating Music Learning with Visual Art |
| 000465 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
| 000468 (2006) |
Gisèle Sapiro [France] | Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00 |
| 000477 (2006) |
Christopher Raphael [États-Unis] | Aligning music audio with symbolic scores using a hybrid graphical model |
| 000591 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 000593 (2005) |
P. F. Zweifel [États-Unis] | The Mathematical Physics of Music |
| 000596 (2005) |
James R. Briscoe | The Cambridge Companion to Debussy. Ed. by Simon Trezise. pp. xviii + 326. Cambridge Companions to Music. (Cambridge University Press, Cambridge, 2003, £18.95. ISBN 0-521-65478-5.) Claude Debussy as I Knew Him and Other Writings by Arthur Hartmann. Ed. by Samuel Hsu, Sidney Grolnic, and Mark Peters. pp. xix + 339. (University of Rochester Press, Rochester, NY and Woodbridge, 2003, £60. ISBN 1-58046-104-2.) |
| 000600 (2005) |
David J. Code | Review: Mallarmé and Debussy: Unheard Music, Unseen Text |
| 000601 (2005) |
Rob Haskins | Review: Exploring Twentieth-Century Music: Tradition and Innovation |
| 000603 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
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