| Ident. | Authors (with country if any) | Title |
|---|
| 000114 (2010) |
Arnold Whittall [Royaume-Uni] | Writing through Music: Essays on Music, Culture, and Politics. By Jann Pasler. |
| 000115 (2010) |
Jann Pasler | The Société des Concerts du Conservatoire, 1828–1967. By D. Kern Holoman. |
| 000116 (2010) |
Stephen Hinton [États-Unis] | The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition |
| 000118 (2010) |
John Tyrrell | Teoretické dílo. By Leoš Janáček. Edited by Leoš Faltus, Eva Drlíková, Svatava Přibáňova, and Jiři Zahrádka.Teoretické dílo. By Leoš Janáček. Edited by Leoš Faltus, Eva Drlíková, and Svatava Přibáňova. |
| 000120 (2010) |
| Reviews of Books: Index |
| 000124 (2010) |
Deborah Mawer | Nijinsky's Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. By Millicent Hodson. |
| 000127 (2010) |
Christopher Dingle | Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. By Siglind Bruhn.Messiaen’s Explorations of Love and Death: Musical Signification in the ‘Tristan Trilogy’ and Three Related Song Cycles. By Siglind Bruhn. Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera. By Siglind Bruhn. |
| 000132 (2010) |
Ben Winters [Royaume-Uni] | Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Ed. by Victoria Piel, Knut Holtsträter, and Oliver Huck. |
| 000137 (2010) |
Caroline Potter [Royaume-Uni] | Déodat de Séverac: Musical Identity in Fin de Siècle France. By Robert F. Waters. |
| 000138 (2010) |
David J. Code [Royaume-Uni] | Debussy’s Late Style. By Marianne Wheeldon. |
| 000139 (2010) |
Arnold Whittall [Royaume-Uni] | Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. |
| 000140 (2010) |
David Fanning [Royaume-Uni] | Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich. By Sarah Reichardt. |
| 000145 (2010) |
| Books Received |
| 000149 (2010) |
Clair Rowden | An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. |
| 000182 (2009) |
Daniel Leech-Wilkinson [Royaume-Uni] | The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. |
| 000187 (2009) |
| Reviews of Books: Index |
| 000191 (2009) |
Raymond Monelle [Royaume-Uni] | Pentatonicism from the Eighteenth Century to Debussy. By Jeremy Day-O’Connell. |
| 000193 (2009) |
Christopher Morris | Ohr und Auge — Klang und Form: Facetten einer musikästhetischen Dichotomie bei Johann Gottfried Herder, Richard Wagner und Franz Schreker. By Arne Stollberg. |
| 000194 (2009) |
Caroline Potter [Royaume-Uni] | Nadia Boulanger et Lili Boulanger: Témoignages et études. Ed. by Alexandra Laederich. |
| 000195 (2009) |
Joanna Bullivant [Royaume-Uni] | Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush |
| 000197 (2009) |
Peter Tregear [Australie] | Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. By Michael P. Steinberg. |
| 000199 (2009) |
Abigail Wood [Royaume-Uni] | Jewish Music and Modernity. By Philip Bohlman. |
| 000200 (2009) |
DMG [Royaume-Uni] | Jean Sibelius. Dagbok 1909–1944. Ed. by Fabian Dahlström.Jean Sibelius: Poesie in der Luft. Studien zu Leben und Werke. By Tomi Mäkelä.Sibelius. By Andrew Barnett. |
| 000205 (2009) |
Arnold Whittall [Royaume-Uni] | Elliott Carter: A Centennial Celebration. Ed. by Marc Ponthus and Susan Tang.Elliott Carter: A Centennial Portrait in Letters and Documents. Ed. by Felix Meyer and Anne C. Shreffler. |
| 000212 (2009) |
| Books Received |
| 000213 (2009) |
| Books Received |
| 000272 (2008) |
J. P. E. Harper-Scott [Royaume-Uni] | ‘Our true north’: Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England |
| 000273 (2008) |
| ‘Music & Letters’ Awards |
| 000274 (2008) |
Brian Hart | Vincent d’Indy et son temps. Ed. by Manuela Schwartz with the assistance of Myriam Chimènes. |
| 000276 (2008) |
Nick Chadwick [Royaume-Uni] | Theodor W. Adorno and Alban Berg: Correspondence 1925–1935. Ed. by Henri Lonitz. Trans. by Wieland Hoban. |
| 000288 (2008) |
Caroline Rae [Royaume-Uni] | In Havana and Paris: The Musical Activities of Alejo Carpentier |
| 000290 (2008) |
Brian Hart | French Music since Berlioz. Ed. by Richard Langham Smith and Caroline Potter. |
| 000294 (2008) |
William Drabkin | Explaining Tonality: Schenkerian Theory and Beyond. By Matthew Brown.Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter. Ed. by L. Poundie Burstein and David Gagné. |
| 000296 (2008) |
William Drabkin | Essays from the Third International Schenker Symposium. Ed. by Allen Cadwallader.Analysis of Tonal Music: A Schenkerian Approach (Second Edition). By Allen Cadwallader and David Gagné. |
| 000297 (2008) |
Michael Christoforidis [Australie] | Enrique Granados: Poet of the Piano. By Walter Aaron Clark. |
| 000300 (2008) |
David J. Code [Royaume-Uni] | Debussy and the Fragment. By Linda Cummins. |
| 000303 (2008) |
| Books Received |
| 000304 (2008) |
| Books Received |
| 000333 (2007) |
Marcia J. Citron [États-Unis] | ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ |
| 000338 (2007) |
Donna G. Cardamone | The Courtesan's Arts: Cross-Cultural Perspectives. Ed. by Martha Feldman and Bonnie Gordon. |
| 000340 (2007) |
Björn Heile | The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke. |
| 000341 (2007) |
Thomas F. Heck | The Art of Commedia: A Study in the Commedia dell’Arte 1560–1620 with Special Reference to the Visual Records. By M. A. Katritzky. |
| 000344 (2007) |
Arnold Whittall [Royaume-Uni] | Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners. By Christian Thorau. |
| 000345 (2007) |
Richard Taruskin | Roots of the Classical: The Popular Origins of Western Music |
| 000348 (2007) |
Nick Chadwick [Royaume-Uni] | Pierrot lunaire: Albert Giraud—Otto Erich Hartleben—Arnold Schoenberg. Ed. by Mark Delaere and Jan Herman. |
| 000350 (2007) |
Arnold Whittall [Royaume-Uni] | Messiaen |
| 000351 (2007) |
Nicholas Reyland [Royaume-Uni] | Lutosławski, ‘Akcja’ , and the Poetics of Musical Plot |
| 000353 (2007) |
Robert Orledge | Harmonie en bleu et or: Debussy, la musique et les arts. By Jean-Michel Nectoux. |
| 000363 (2007) |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
| 000398 (2006) |
Susan Mcclary | The World According to Taruskin |
| 000399 (2006) |
Barry Cooper | The Beethoven Violin Sonatas: History, Criticism, Performance. Ed. by Lewis Lockwood and Mark Kroll. pp. x + 164. (University of Illinois Press, Urbana and Chicago, 2004, £34.95. ISBN 0-252-02932-1.) |
