List of bibliographic references indexed by 0027-4224
Number of relevant bibliographic references: 843.
[40-60] [
0 - 20][
0 - 50][
60-80]
Ident. | Authors (with country if any) | Title |
---|
000340 (2007) |
Björn Heile | The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke. |
000341 (2007) |
Thomas F. Heck | The Art of Commedia: A Study in the Commedia dell’Arte 1560–1620 with Special Reference to the Visual Records. By M. A. Katritzky. |
000344 (2007) |
Arnold Whittall [Royaume-Uni] | Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners. By Christian Thorau. |
000345 (2007) |
Richard Taruskin | Roots of the Classical: The Popular Origins of Western Music |
000348 (2007) |
Nick Chadwick [Royaume-Uni] | Pierrot lunaire: Albert Giraud—Otto Erich Hartleben—Arnold Schoenberg. Ed. by Mark Delaere and Jan Herman. |
000350 (2007) |
Arnold Whittall [Royaume-Uni] | Messiaen |
000351 (2007) |
Nicholas Reyland [Royaume-Uni] | Lutosławski, ‘Akcja’ , and the Poetics of Musical Plot |
000353 (2007) |
Robert Orledge | Harmonie en bleu et or: Debussy, la musique et les arts. By Jean-Michel Nectoux. |
000363 (2007) |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
000398 (2006) |
Susan Mcclary | The World According to Taruskin |
000399 (2006) |
Barry Cooper | The Beethoven Violin Sonatas: History, Criticism, Performance. Ed. by Lewis Lockwood and Mark Kroll. pp. x + 164. (University of Illinois Press, Urbana and Chicago, 2004, £34.95. ISBN 0-252-02932-1.) |
000401 (2006) |
Alastair Williams | Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm’s ‘Fremde Szenen’ I–III and Related Scores |
000419 (2006) |
Robert Orledge | Musical Encounters at the 1889 Paris World’s Fair. By Annegret Fauser. pp. xx + 391. Eastman Studies in Music, 32. (University of Rochester Press, Rochester, NY and Woodbridge, 2005, £40. ISBN 1-58046-185-9.)Debussy’s Letters to Inghelbrecht: The Story of a Musical Friendship. Annotated by Margaret G. Cobb. Trans. by Richard Miller. pp. xxii + 131. (University of Rochester Press, Rochester, NY, 2005, £45. ISBN 1-58046-174-3.) |
000420 (2006) |
Margaret M. Mcgowan | Music, Discipline, and Arms in Early Modern France. By Kate Van Orden. pp. xiv + 322. (University of Chicago Press, Chicago and London, 2005, £28. ISBN 0-226-84976-7.) |
000431 (2006) |
Peter Dickinson | Hitchcock’s Ives: A New Edition of 129 Songs |
000434 (2006) |
Pauline Fairclough | Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.) |
000441 (2006) |
| Books Received |
000445 (2006) |
Diana R. Hallman | Berlioz: Past, Present, Future. Bicentenary Essays |
000454 (2006) |
Brian Hart | Vincent D’Indy and the Development of the French Symphony |
000460 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
000463 (2006) |
Christopher Wintle | Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.) |
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