List of bibliographic references indexed by 0027-4224
Number of relevant bibliographic references: 843.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000114 (2010) |
Arnold Whittall [Royaume-Uni] | Writing through Music: Essays on Music, Culture, and Politics. By Jann Pasler. |
| 000115 (2010) |
Jann Pasler | The Société des Concerts du Conservatoire, 1828–1967. By D. Kern Holoman. |
| 000116 (2010) |
Stephen Hinton [États-Unis] | The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition |
| 000118 (2010) |
John Tyrrell | Teoretické dílo. By Leoš Janáček. Edited by Leoš Faltus, Eva Drlíková, Svatava Přibáňova, and Jiři Zahrádka.Teoretické dílo. By Leoš Janáček. Edited by Leoš Faltus, Eva Drlíková, and Svatava Přibáňova. |
| 000120 (2010) |
| Reviews of Books: Index |
| 000124 (2010) |
Deborah Mawer | Nijinsky's Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. By Millicent Hodson. |
| 000127 (2010) |
Christopher Dingle | Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. By Siglind Bruhn.Messiaen’s Explorations of Love and Death: Musical Signification in the ‘Tristan Trilogy’ and Three Related Song Cycles. By Siglind Bruhn. Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera. By Siglind Bruhn. |
| 000132 (2010) |
Ben Winters [Royaume-Uni] | Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Ed. by Victoria Piel, Knut Holtsträter, and Oliver Huck. |
| 000137 (2010) |
Caroline Potter [Royaume-Uni] | Déodat de Séverac: Musical Identity in Fin de Siècle France. By Robert F. Waters. |
| 000138 (2010) |
David J. Code [Royaume-Uni] | Debussy’s Late Style. By Marianne Wheeldon. |
| 000139 (2010) |
Arnold Whittall [Royaume-Uni] | Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. |
| 000140 (2010) |
David Fanning [Royaume-Uni] | Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich. By Sarah Reichardt. |
| 000145 (2010) |
| Books Received |
| 000149 (2010) |
Clair Rowden | An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. |
| 000182 (2009) |
Daniel Leech-Wilkinson [Royaume-Uni] | The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. |
| 000187 (2009) |
| Reviews of Books: Index |
| 000191 (2009) |
Raymond Monelle [Royaume-Uni] | Pentatonicism from the Eighteenth Century to Debussy. By Jeremy Day-O’Connell. |
| 000193 (2009) |
Christopher Morris | Ohr und Auge — Klang und Form: Facetten einer musikästhetischen Dichotomie bei Johann Gottfried Herder, Richard Wagner und Franz Schreker. By Arne Stollberg. |
| 000194 (2009) |
Caroline Potter [Royaume-Uni] | Nadia Boulanger et Lili Boulanger: Témoignages et études. Ed. by Alexandra Laederich. |
| 000195 (2009) |
Joanna Bullivant [Royaume-Uni] | Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush |
| 000197 (2009) |
Peter Tregear [Australie] | Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. By Michael P. Steinberg. |
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