Ident. | Authors (with country if any) | Title |
---|
000057 (2012) |
Leon Gunther [États-Unis] | Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes |
000061 (2012) |
Gilbert J. Rose [États-Unis] | Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect |
000066 (2012) |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
000098 (2011) |
Beth Luey [États-Unis] | Joan Reardon (ed): As Always, Julia: The Letters of Julia Child & Avis DeVoto: Food, Friendship & the Making of a Masterpiece |
000116 (2010) |
Stephen Hinton [États-Unis] | The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition |
000130 (2010) |
Pierre-Antoine Kremp [États-Unis] | Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879–1959) |
000131 (2010) |
Carl B. Schmidt [États-Unis] | Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship |
000154 (2010) |
Jon Solomon [États-Unis] | The Reception of Ancient Greek Music in the Late Nineteenth Century |
000161 (2010) |
Mara Miller [États-Unis] | Muroji: Rearranging Art and History at a Japanese Buddhist Temple by fowler, sherry d.Daitokuji: The Visual Cultures of a Zen Monastery by levine, gregory p. a. |
000169 (2010) |
Robin F. Morales [États-Unis] ; Ki Moon Seong [Corée du Sud] ; Cha Soon Kim [Corée du Sud] ; Young-Woo Jin [Corée du Sud] ; Kyung-Jin Min [Corée du Sud] | Effects of auditory stimuli on the lifespan of Drosophila melanogaster |
000172 (2010) |
Ian Verstegen [États-Unis] | Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto |
000188 (2009) |
Kathryn Woodard [États-Unis] | Recovering disembodied spirits: teaching movement to musicians |
000196 (2009) |
Leonora Saavedra [États-Unis] | Manuel M. Ponce's Chapultepec and the Conflicted Representations of a Contested Space |
000207 (2009) |
Cristina Magaldi [États-Unis] | Cosmopolitanism and World Music in Rio de Janeiro at the Turn of the Twentieth Century |
000219 (2009) |
J M Gibson [États-Unis] | The birth of the blues: how physics underlies music |
000226 (2009) |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
000235 (2009) |
A. Tribollet [France, États-Unis] ; C. Godinot ; M. Atkinson [États-Unis] ; C. Langdon [États-Unis] | Effects of elevated pCO2 on dissolution of coral carbonates by microbial euendoliths |
000237 (2009) |
Kathleen Kerstetter [États-Unis] | Educational Applications of Podcasting in the Music Classroom |
000271 (2008) |
Philip Rupprecht [États-Unis] | “Something Slightly Indecent”: British Composers, the European Avant-garde, and National Stereotypes in the 1950s |
000280 (2008) |
Jonathan Kregor [États-Unis] | Stylistic Reconstructions in Liszt's Late Arrangements |
000286 (2008) |
Jay Keister [États-Unis] ; Jeremy L. Smith [États-Unis] | Musical ambition, cultural accreditation and the nasty side of progressive rock |
000314 (2008) |
Philip Alperson [États-Unis] | The Instrumentality of Music |
000316 (2008) |
Dmitri Tymoczko [États-Unis] | Scale Theory, Serial Theory and Voice Leading |
000320 (2008) |
D P Stevens [États-Unis] | Handovers and Debussy |
000321 (2008) |
T. A. Hall [États-Unis] | German Glide Formation and the suffix –esk |
000325 (2008) |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
000333 (2007) |
Marcia J. Citron [États-Unis] | ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ |
000339 (2007) |
W. Anthony Sheppard [États-Unis] | The Cambridge Companion to Twentieth-Century Opera |
000343 (2007) |
Leonora Saavedra [États-Unis] | Staging the Nation: Race, Religion, and History in Mexican Opera of the 1940s |
000356 (2007) |
Larson Powell [États-Unis] | Dieter Thomä: Totalität und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-ästhetische ModerneTobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners “Ring des Nibelungen” |
000358 (2007) |
Alexander Rehding [États-Unis] | Christian Thorau: Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners |
000365 (2007) |
Alexander Nehamas [États-Unis] | ‘ONLY IN THE CONTEMPLATION OF BEAUTY IS HUMAN LIFE WORTH LIVING’ PLATO, SYMPOSIUM 211d |
000381 (2007) |
Kirk Kassner [États-Unis] | Animated Listening Maps |
000384 (2007) |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
000462 (2006) |
Glenda Cosenza [États-Unis] | Play Me a Picture, Paint Me a Song: Integrating Music Learning with Visual Art |
000466 (2006) |
Graham Grindlay [États-Unis] ; David Helmbold | Modeling, analyzing, and synthesizing expressive piano performance with graphical models |
000472 (2006) |
David Neumeyer [États-Unis] | Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis |
000474 (2006) |
Claudio E. Benzecry [États-Unis, Argentine] | Curtain rising, baton falling: The politics of musical conducting in contemporary Argentina |
000477 (2006) |
Christopher Raphael [États-Unis] | Aligning music audio with symbolic scores using a hybrid graphical model |
000592 (2005) |
Joelle L. Lien [États-Unis] | The Musical Lives of Young Children |
000593 (2005) |
P. F. Zweifel [États-Unis] | The Mathematical Physics of Music |
000595 (2005) |
Doug Martin [États-Unis] | The Cambridge Companion to Debussy |
000611 (2005) |
Frederick Burrack [États-Unis] ; Tammy Mckenzie [États-Unis] | Enhanced Student Learning through Cross-Disciplinary Projects |
000717 (2004) |
Jesse Samba Wheeler [États-Unis] | Bossa Nova: The Story of the Brazilian Music that Seduced the World . By Ruy Castro, trans. Lysa Salsbury. Chicago: A Cappella, 2000. 372 pp., discography, glossary, index, photos Tropical Truth: A Story of Music & Revolution in Brazil . By Caetano Veloso, trans. Isabel de Sena. New York: Knopf, 2002. 354 pp., glossary, index, photos |
000732 (2004) |
Tim Carter (musicologue) [États-Unis] | Review: The Broadway Musical: A Critical and Musical Survey |
000755 (2004) |
Leo Beranek [États-Unis] | Music and Acoustics |
000760 (2004) |
Kevin P. Bartram [États-Unis] | Lessons from a Master: Using the “Bernstein Formula” in Music Classrooms |
000761 (2004) |
Kofi Agawu [États-Unis] | How We Got Out of Analysis, and How to Get Back In Again |
000771 (2004) |
Carl Leafstedt [États-Unis] | Asheville, Winter of 1943–44: Béla Bartók and North Carolina |
000772 (2004) |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
000781 (2003) |
Jessica C. E. Gienow-Hecht [États-Unis] | Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in German-American Relations, 1870–1920 |