| Ident. | Authors (with country if any) | Title |
|---|
| 000077 (2011) |
Marcia B. Siegel [Niger] ; Millicent Hodson [Royaume-Uni] | Restaging Works from the Ballets Russes: A Conversation between |
| 000079 (2011) |
Stephanie Jordan [Royaume-Uni] | One or Two Voices? Dance and Music in the Ballets Russes |
| 000080 (2011) |
Nicholas Attfield [Royaume-Uni] | A Study on Hysteria: Reinterpreting the Heroine of Debussy's Pelléas et Mélisande |
| 000081 (2011) |
Nicholas Attfield [Royaume-Uni] | A Note from the Guest Editor |
| 000094 (2011) |
Andrew Mcgonigal [Royaume-Uni] | Philosophical Perspectives on Art by davies, stephen |
| 000114 (2010) |
Arnold Whittall [Royaume-Uni] | Writing through Music: Essays on Music, Culture, and Politics. By Jann Pasler. |
| 000117 (2010) |
Robert Samuels [Royaume-Uni] | The Double Articulation of Schubert: Reflections on Der Doppelgänger |
| 000128 (2010) |
Andy Birtwistle [Royaume-Uni] | Marking time and sounding difference: Brubeck, temporality and modernity |
| 000132 (2010) |
Ben Winters [Royaume-Uni] | Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Ed. by Victoria Piel, Knut Holtsträter, and Oliver Huck. |
| 000137 (2010) |
Caroline Potter [Royaume-Uni] | Déodat de Séverac: Musical Identity in Fin de Siècle France. By Robert F. Waters. |
| 000138 (2010) |
David J. Code [Royaume-Uni] | Debussy’s Late Style. By Marianne Wheeldon. |
| 000139 (2010) |
Arnold Whittall [Royaume-Uni] | Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. |
| 000140 (2010) |
David Fanning [Royaume-Uni] | Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich. By Sarah Reichardt. |
| 000181 (2009) |
David Evans [Royaume-Uni] | Word and Music Studies: The Nineteenth Century |
| 000182 (2009) |
Daniel Leech-Wilkinson [Royaume-Uni] | The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. |
| 000183 (2009) |
A. E. Denham [Royaume-Uni] | The Future of Tonality |
| 000185 (2009) |
Andy Hamilton [Australie, Royaume-Uni] | Scruton's Philosophy of Culture: Elitism, Populism, and Classic Art |
| 000191 (2009) |
Raymond Monelle [Royaume-Uni] | Pentatonicism from the Eighteenth Century to Debussy. By Jeremy Day-O’Connell. |
| 000192 (2009) |
Helen Abbott [Royaume-Uni] | POETRY AND MUSIC: A DOOMED LOVE AFFAIR? |
| 000194 (2009) |
Caroline Potter [Royaume-Uni] | Nadia Boulanger et Lili Boulanger: Témoignages et études. Ed. by Alexandra Laederich. |
| 000195 (2009) |
Joanna Bullivant [Royaume-Uni] | Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush |
| 000199 (2009) |
Abigail Wood [Royaume-Uni] | Jewish Music and Modernity. By Philip Bohlman. |
| 000200 (2009) |
DMG [Royaume-Uni] | Jean Sibelius. Dagbok 1909–1944. Ed. by Fabian Dahlström.Jean Sibelius: Poesie in der Luft. Studien zu Leben und Werke. By Tomi Mäkelä.Sibelius. By Andrew Barnett. |
| 000205 (2009) |
Arnold Whittall [Royaume-Uni] | Elliott Carter: A Centennial Celebration. Ed. by Marc Ponthus and Susan Tang.Elliott Carter: A Centennial Portrait in Letters and Documents. Ed. by Felix Meyer and Anne C. Shreffler. |
| 000206 (2009) |
David J. Williams [Royaume-Uni] ; Tom S. Potokar | Django’s Hand |
| 000272 (2008) |
J. P. E. Harper-Scott [Royaume-Uni] | ‘Our true north’: Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England |
| 000276 (2008) |
Nick Chadwick [Royaume-Uni] | Theodor W. Adorno and Alban Berg: Correspondence 1925–1935. Ed. by Henri Lonitz. Trans. by Wieland Hoban. |
| 000282 (2008) |
Jeremy Barham [Royaume-Uni] | Scoring Incredible Futures: Science-Fiction Screen Music, and “Postmodernism” as Romantic Epiphany |
| 000284 (2008) |
William Salaman [Royaume-Uni] | Reflections on progress in musical education |
| 000288 (2008) |
Caroline Rae [Royaume-Uni] | In Havana and Paris: The Musical Activities of Alejo Carpentier |
| 000295 (2008) |
Matthew Isaac Cohen [Royaume-Uni] | Eva Gauthier, Java to jazz |
| 000299 (2008) |
Alexandra Wilson [Royaume-Uni] | Defining Italianness: The Opera That Made Puccini |
| 000300 (2008) |
David J. Code [Royaume-Uni] | Debussy and the Fragment. By Linda Cummins. |
| 000344 (2007) |
Arnold Whittall [Royaume-Uni] | Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners. By Christian Thorau. |
| 000348 (2007) |
Nick Chadwick [Royaume-Uni] | Pierrot lunaire: Albert Giraud—Otto Erich Hartleben—Arnold Schoenberg. Ed. by Mark Delaere and Jan Herman. |
| 000350 (2007) |
Arnold Whittall [Royaume-Uni] | Messiaen |
| 000351 (2007) |
Nicholas Reyland [Royaume-Uni] | Lutosławski, ‘Akcja’ , and the Poetics of Musical Plot |
| 000363 (2007) |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
| 000367 (2007) |
Mariana Maduell [Royaume-Uni] ; Alan M. Wing [Royaume-Uni] | The dynamics of ensemble: the case for flamenco |
| 000369 (2007) |
David Carr [Royaume-Uni] ; Robert Davis [Royaume-Uni] | The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts |
| 000376 (2007) |
Colin Gough [Royaume-Uni] | Musical Acoustics |
| 000382 (2007) |
Arnold Whittall [Royaume-Uni] | Allen Forte in Music Analysis |
| 000385 (2007) |
Martina T. Mitterschiffthaler [Royaume-Uni] ; Cynthia H. Y. Fu [Royaume-Uni] ; Jeffrey A. Dalton [Royaume-Uni] ; Christopher M. Andrew [Royaume-Uni] ; Steven C. R. Williams [Royaume-Uni] | A functional MRI study of happy and sad affective states induced by classical music |
| 000396 (2006) |
Arnold Whittall [Royaume-Uni] | Tristain Murail’s complete piano music |
| 000418 (2006) |
Ian Mcdonald [Royaume-Uni] | Musical alexia with recovery: a personal account |
| 000438 (2006) |
Arnold Whittall [Royaume-Uni] | Carter’s Violin Concerto |
| 000456 (2006) |
Debbie Hindle [Royaume-Uni] ; Susie Godsil [Royaume-Uni] | The song of the siren: Some thoughts on idealization and creativity in Martinů's Julietta |
| 000467 (2006) |
Craig Ayrey [Royaume-Uni] | Jankélévitch the Obscure(d) |
| 000469 (2006) |
Roger Crisp [Royaume-Uni] | Hedonism Reconsidered |
| 000470 (2006) |
David Lowenthal [Royaume-Uni] | From harmony of the spheres to national anthem: Reflections on musical heritage |
| 000471 (2006) |
Amy Wygant [Royaume-Uni] | FIRE, SACRIFICE, IPHIGÉNIE |
