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Octatonicism in Luigi Dallapiccola's Twelve‐Note Music

Identifieur interne : 000465 ( Main/Exploration ); précédent : 000464; suivant : 000466

Octatonicism in Luigi Dallapiccola's Twelve‐Note Music

Auteurs : Brian Alegant ; John Levey

Source :

RBID : ISTEX:FD6502E51C071BAA17EFCC9A9246F7983590640A

English descriptors

Abstract

This survey addresses perhaps the least‐known aspect of Luigi Dallapiccola's twelve‐note music, namely the composer's preference for octatonic collections. Part I summarises the different arrangements of octatonic hexachords that are possible within a twelve‐note context. Parts II–IV then examine some of the octatonic characteristics which recur across a number of specific works, several of which have not previously been the subject of critical attention. Octatonicism is thereby revealed as a consistent feature of Dallapiccola's harmonic language that runs throughout his twelve‐note canon.

Url:
DOI: 10.1111/j.1468-2249.2006.00233.x


Affiliations:


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Le document en format XML

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<div type="abstract" xml:lang="en">This survey addresses perhaps the least‐known aspect of Luigi Dallapiccola's twelve‐note music, namely the composer's preference for octatonic collections. Part I summarises the different arrangements of octatonic hexachords that are possible within a twelve‐note context. Parts II–IV then examine some of the octatonic characteristics which recur across a number of specific works, several of which have not previously been the subject of critical attention. Octatonicism is thereby revealed as a consistent feature of Dallapiccola's harmonic language that runs throughout his twelve‐note canon.</div>
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