Ethnomusicological aspects
Identifieur interne : 000234 ( Main/Exploration ); précédent : 000233; suivant : 000235Ethnomusicological aspects
Auteurs :Source :
- Semiotica [ 0037-1998 ] ; 1987.
English descriptors
- Teeft :
- Aabb, Aabb aabb, Affective, Ainsi, Akademiai kiado, Alencar pinto, Alphabetical symbols, Analogic entre, Analytical models, Archiv musikwissenschaft, Aurores boreales, Aussi, Autre, Autre temps, Autres, Avec, Avoir, Avon, Avons affaire, Bbcc, Beaudry, Beverley cavanagh, Bhartrhari, Brahmanisme classique, Cape dorset, Caribou, Carmen montpetit, Categories account, Cavanagh, Cela, Celui, Certaines, Cette, Cette methode, Cette separation, Champ vivant, Chant, Chaque, Chaque moment, Charron, Chez, Classique, Claude charron, Comme, Communication message, Component units, Contour intonatif, Contours intonatifs, Corps propre, Culture inuit, Danse, Danse tambour, Denise harvey, Destabilisation constante, Developpement, Dhrupad, Differents types, Donne, Donnees, Dont, Dream ofolwen, Effets, Eile, Electromusical treatment, Emitter, Empirical studies, Entre, Eskimo music, Etant, Ethnomusicology, Etre, Etudes inuit studies, Exemple, Extramusical, Extramusical processes, Faire, Fait, Fait sens, Faut, Femmes, Fernando, Film music, Final segment, Finnish, Finnish folk musician, Finnish juoksuvalssis, First hearing, First phrase, Fois, Folk musician, Folk tunes, Fondements semiologie, Forme, Forme fixe, Formes, Formes symboliques, General framework, Genre, Gorge, Grammairiens philosophes, Grande, Grande musique, Hamma, Hypothetical substitution, Ideal pattern, Ideal patterns, Identical segments, Indien, Indienne, Initial segments, Interiorite psychologique, Intonation theory, Inuit, Iocm, Jamais, Jeux, Jeux vocaux, Jeux vocaux inuit, Juoksuvalssi, Juoksuvalssis, Katajjait, Katajjait melodiques, Katajjaq, Langage, Larger units, Leur, Lien entre, Limited number, Lineaire, Linearite, Linguistique, Marquage stylistique, Melodie, Memoire, Methodological problems, Montaut, Morpheme, Musical code, Musical codes, Musical communication, Musical communication process, Musical discourse, Musical expression, Musical meaning, Musical object, Musical piece, Musical process, Musical repertory, Musical semiotics, Musical structure, Musical structures, Musical style, Musical syntax, Musicale, Musicology, Musik, Musique, Musique contemporaine, Musique hindoustani, Musique indienne, Musiques, Musiques repetitives, Nattiez, Nature exacte, Netsilik, Nicole beaudry, Niveau, Niveau neutre, Nombre, Objet, Occidentale, Oral tradition, Other musicological approaches, Other words, Paradigmatic, Paradigmatic analysis, Partie, Partie superieure, Partir, Pekkil, Peut, Peut etre, Phenomenes etudie, Poesie, Popular music, Popular music analysis, Popular music perspectives, Popular music reception, Premiere ligne, Principe, Processus, Propre interiorite, Public europeen, Quelle mediation, Raga, Raga indien, Recherches, Redolfi, Registre moyen, Renient leur histoire, Repetitifs, Repetitives, Rien, Rigid rules, Ruwet, Sans, Sciences humaines, Segment, Selon, Semantic fields, Semble, Semiologie, Semiologie musicale, Semiotic, Semiotic methods, Semiotics, Sens, Signification, Sociocultural reality, Sonata form, Sons voises, Sont, Souvent, Speculations linguistiques, Stencilled papers, Sterile formalism, Structural elements, Structural framework, Structural properties, Such references, Sujet, Suomen antropologi, Symbolic system, Symbolic value, Symbolique, Systeme, Tableau, Tableau synthetique, Tableaux synthetiques, Tagg, Tambour, Tarting, Television music, Temp, Temps lineaire, Temps memoire, Timbre, Title theme, Toujours, Tous, Toute, Toute signature, Tradition orale, Trait particulier, Transcription, Tree diagrams, Trois, Tune, Tune parts, Unanswered question, University musicology department, Utilise, Vast corpus, Verbal associations, Verbal language, Vers, Visual arts, Vocal timbre, Vocaux, Voit, Voix, Whole piece.
Url:
DOI: 10.1515/semi.1987.66.1-3.257
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001C87
- to stream Istex, to step Curation: 001C86
- to stream Istex, to step Checkpoint: 000175
- to stream Main, to step Merge: 000234
- to stream Main, to step Curation: 000234
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Ethnomusicological aspects</title>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:7220A7D196803645A531AB10C4811E1F66F84A03</idno>
<date when="2009" year="2009">2009</date>
<idno type="doi">10.1515/semi.1987.66.1-3.257</idno>
<idno type="url">https://api.istex.fr/document/7220A7D196803645A531AB10C4811E1F66F84A03/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001C87</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001C87</idno>
<idno type="wicri:Area/Istex/Curation">001C86</idno>
<idno type="wicri:Area/Istex/Checkpoint">000175</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000175</idno>
<idno type="wicri:Area/Main/Merge">000234</idno>
<idno type="wicri:Area/Main/Curation">000234</idno>
<idno type="wicri:Area/Main/Exploration">000234</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Ethnomusicological aspects</title>
</analytic>
<monogr></monogr>
<series><title level="j">Semiotica</title>
<title level="j" type="abbrev">Semiotica</title>
<idno type="ISSN">0037-1998</idno>
<idno type="eISSN">1613-3692</idno>
<imprint><publisher>Walter de Gruyter, Berlin / New York</publisher>
<pubPlace>Berlin, New York</pubPlace>
<date type="published" when="1987">1987</date>
<biblScope unit="volume">66</biblScope>
<biblScope unit="issue">1-3</biblScope>
<biblScope unit="page" from="257">257</biblScope>
<biblScope unit="page" to="330">330</biblScope>
</imprint>
<idno type="ISSN">0037-1998</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0037-1998</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Aabb</term>
<term>Aabb aabb</term>
<term>Affective</term>
<term>Ainsi</term>
<term>Akademiai kiado</term>
<term>Alencar pinto</term>
<term>Alphabetical symbols</term>
<term>Analogic entre</term>
<term>Analytical models</term>
<term>Archiv musikwissenschaft</term>
<term>Aurores boreales</term>
<term>Aussi</term>
<term>Autre</term>
<term>Autre temps</term>
<term>Autres</term>
<term>Avec</term>
<term>Avoir</term>
<term>Avon</term>
<term>Avons affaire</term>
<term>Bbcc</term>
<term>Beaudry</term>
<term>Beverley cavanagh</term>
<term>Bhartrhari</term>
<term>Brahmanisme classique</term>
<term>Cape dorset</term>
<term>Caribou</term>
<term>Carmen montpetit</term>
<term>Categories account</term>
<term>Cavanagh</term>
<term>Cela</term>
<term>Celui</term>
<term>Certaines</term>
<term>Cette</term>
<term>Cette methode</term>
<term>Cette separation</term>
<term>Champ vivant</term>
<term>Chant</term>
<term>Chaque</term>
<term>Chaque moment</term>
<term>Charron</term>
<term>Chez</term>
<term>Classique</term>
<term>Claude charron</term>
<term>Comme</term>
<term>Communication message</term>
<term>Component units</term>
<term>Contour intonatif</term>
<term>Contours intonatifs</term>
<term>Corps propre</term>
<term>Culture inuit</term>
<term>Danse</term>
<term>Danse tambour</term>
<term>Denise harvey</term>
<term>Destabilisation constante</term>
<term>Developpement</term>
<term>Dhrupad</term>
<term>Differents types</term>
<term>Donne</term>
<term>Donnees</term>
<term>Dont</term>
<term>Dream ofolwen</term>
<term>Effets</term>
<term>Eile</term>
<term>Electromusical treatment</term>
<term>Emitter</term>
<term>Empirical studies</term>
<term>Entre</term>
<term>Eskimo music</term>
<term>Etant</term>
<term>Ethnomusicology</term>
<term>Etre</term>
<term>Etudes inuit studies</term>
<term>Exemple</term>
<term>Extramusical</term>
<term>Extramusical processes</term>
<term>Faire</term>
<term>Fait</term>
<term>Fait sens</term>
<term>Faut</term>
<term>Femmes</term>
<term>Fernando</term>
<term>Film music</term>
<term>Final segment</term>
<term>Finnish</term>
<term>Finnish folk musician</term>
<term>Finnish juoksuvalssis</term>
<term>First hearing</term>
<term>First phrase</term>
<term>Fois</term>
<term>Folk musician</term>
<term>Folk tunes</term>
<term>Fondements semiologie</term>
<term>Forme</term>
<term>Forme fixe</term>
<term>Formes</term>
<term>Formes symboliques</term>
<term>General framework</term>
<term>Genre</term>
<term>Gorge</term>
<term>Grammairiens philosophes</term>
<term>Grande</term>
<term>Grande musique</term>
<term>Hamma</term>
<term>Hypothetical substitution</term>
<term>Ideal pattern</term>
<term>Ideal patterns</term>
<term>Identical segments</term>
<term>Indien</term>
<term>Indienne</term>
<term>Initial segments</term>
<term>Interiorite psychologique</term>
<term>Intonation theory</term>
<term>Inuit</term>
<term>Iocm</term>
<term>Jamais</term>
<term>Jeux</term>
<term>Jeux vocaux</term>
<term>Jeux vocaux inuit</term>
<term>Juoksuvalssi</term>
<term>Juoksuvalssis</term>
<term>Katajjait</term>
<term>Katajjait melodiques</term>
<term>Katajjaq</term>
<term>Langage</term>
<term>Larger units</term>
<term>Leur</term>
<term>Lien entre</term>
<term>Limited number</term>
<term>Lineaire</term>
<term>Linearite</term>
<term>Linguistique</term>
<term>Marquage stylistique</term>
<term>Melodie</term>
<term>Memoire</term>
<term>Methodological problems</term>
<term>Montaut</term>
<term>Morpheme</term>
<term>Musical code</term>
<term>Musical codes</term>
<term>Musical communication</term>
<term>Musical communication process</term>
<term>Musical discourse</term>
<term>Musical expression</term>
<term>Musical meaning</term>
<term>Musical object</term>
<term>Musical piece</term>
<term>Musical process</term>
<term>Musical repertory</term>
<term>Musical semiotics</term>
<term>Musical structure</term>
<term>Musical structures</term>
<term>Musical style</term>
<term>Musical syntax</term>
<term>Musicale</term>
<term>Musicology</term>
<term>Musik</term>
<term>Musique</term>
<term>Musique contemporaine</term>
<term>Musique hindoustani</term>
<term>Musique indienne</term>
<term>Musiques</term>
<term>Musiques repetitives</term>
<term>Nattiez</term>
<term>Nature exacte</term>
<term>Netsilik</term>
<term>Nicole beaudry</term>
<term>Niveau</term>
<term>Niveau neutre</term>
<term>Nombre</term>
<term>Objet</term>
<term>Occidentale</term>
<term>Oral tradition</term>
<term>Other musicological approaches</term>
<term>Other words</term>
<term>Paradigmatic</term>
<term>Paradigmatic analysis</term>
<term>Partie</term>
<term>Partie superieure</term>
<term>Partir</term>
<term>Pekkil</term>
<term>Peut</term>
<term>Peut etre</term>
<term>Phenomenes etudie</term>
<term>Poesie</term>
<term>Popular music</term>
<term>Popular music analysis</term>
<term>Popular music perspectives</term>
<term>Popular music reception</term>
<term>Premiere ligne</term>
<term>Principe</term>
<term>Processus</term>
<term>Propre interiorite</term>
<term>Public europeen</term>
<term>Quelle mediation</term>
<term>Raga</term>
<term>Raga indien</term>
<term>Recherches</term>
<term>Redolfi</term>
<term>Registre moyen</term>
<term>Renient leur histoire</term>
<term>Repetitifs</term>
<term>Repetitives</term>
<term>Rien</term>
<term>Rigid rules</term>
<term>Ruwet</term>
<term>Sans</term>
<term>Sciences humaines</term>
<term>Segment</term>
<term>Selon</term>
<term>Semantic fields</term>
<term>Semble</term>
<term>Semiologie</term>
<term>Semiologie musicale</term>
<term>Semiotic</term>
<term>Semiotic methods</term>
<term>Semiotics</term>
<term>Sens</term>
<term>Signification</term>
<term>Sociocultural reality</term>
<term>Sonata form</term>
<term>Sons voises</term>
<term>Sont</term>
<term>Souvent</term>
<term>Speculations linguistiques</term>
<term>Stencilled papers</term>
<term>Sterile formalism</term>
<term>Structural elements</term>
<term>Structural framework</term>
<term>Structural properties</term>
<term>Such references</term>
<term>Sujet</term>
<term>Suomen antropologi</term>
<term>Symbolic system</term>
<term>Symbolic value</term>
<term>Symbolique</term>
<term>Systeme</term>
<term>Tableau</term>
<term>Tableau synthetique</term>
<term>Tableaux synthetiques</term>
<term>Tagg</term>
<term>Tambour</term>
<term>Tarting</term>
<term>Television music</term>
<term>Temp</term>
<term>Temps lineaire</term>
<term>Temps memoire</term>
<term>Timbre</term>
<term>Title theme</term>
<term>Toujours</term>
<term>Tous</term>
<term>Toute</term>
<term>Toute signature</term>
<term>Tradition orale</term>
<term>Trait particulier</term>
<term>Transcription</term>
<term>Tree diagrams</term>
<term>Trois</term>
<term>Tune</term>
<term>Tune parts</term>
<term>Unanswered question</term>
<term>University musicology department</term>
<term>Utilise</term>
<term>Vast corpus</term>
<term>Verbal associations</term>
<term>Verbal language</term>
<term>Vers</term>
<term>Visual arts</term>
<term>Vocal timbre</term>
<term>Vocaux</term>
<term>Voit</term>
<term>Voix</term>
<term>Whole piece</term>
</keywords>
</textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<affiliations><list></list>
<tree></tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000234 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000234 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:7220A7D196803645A531AB10C4811E1F66F84A03 |texte= Ethnomusicological aspects }}
This area was generated with Dilib version V0.6.33. |